The drive to Max’s house in New Jersey remains one of the clearest memories of my childhood. The glistening skyscrapers of Jersey City gave way to the grey industrial parks of Newark, which were followed by miles of tranquil townships. Within an inconspicuous house located on a tree-lined street of cookie-cutter homes, I had created some of my greatest childhood memories with Max and several other friends from New York. Our Parents were all classmates, yet Max’s parents had moved to New Jersey for the suburban experience. Max had once explained to us how his school was filled with the snobbiest kids whom he didn’t get along with. Looking back, we were probably Max’s only close friends, but we were too busy having as much as fun as we could …show more content…
The fascination I felt as I scanned Max’s gaming cabinet for the first time has never been paralleled in my life. The Shelves were lined with games: some that my parents refused to buy, others I had been forbidden to play at home, and quite a few that I had never seen before. Each game was a completely new experience for me, and Max was happy to share his collection. Initially in Milkman’s relationship with Hagar it was the “firsts” of his experiences that captivated him. When Milkman first catches sight of Hagar “, He had already fallen in love with her behind” (43). Similarly when Milkman first hears Hagar sing “, Hagar’s voice scooped up what little pieces of heart he had left to call his own” (49). In both Milkman’s relationship and my relationship, the initial discovery captivates us. The exploration of the relationship between Max and I provided me with a sense of excitement when I was introduced to his hobbies. Milkman was captivated when he was introduced to Hagar’s figure and voice. Although we both expressed initial excitement, this enthusiasm was replaced by boredom in both Milkman and I as time wore
As he waits, Milkman beings to internal think about how his life isn’t about what he wants and dreams, but those of the people around him. From not having control of his life, he then waits “with curiosity, but without excitement or hope, for this latest claim” from his father (Morrison 165). If
Love is what drove Milkman to his happy ending, with his love for flight. Part I exposes the reader to the type of love Milkman has towards Hagar, Macon Dead II towards Ruth, and Pilates love towards her daughters. First off, Milkman’s love towards Hagar at first seems to be real because he states that he loves her from a very young age. But later on, his love for her changes, “[s]leeping with Hagar had made him generous. Or so he thought.
The House on Poplar Ave We didn't always live on Poplar Ave. Before that we lived on Rockport Rd in Texas, and before that we live on 29st on the basement in Chicago. Before in Chicago, we lived on Chicken Street in China. I can remember all the places where we moved.
When he first meets Hagar he initially cannot see her face, “but Milkman had no need to see her face; he had already fallen in love with her behind” (43). In most societies, a person’s face is normally associated with their identity, their personality, and who they are as a human being. Milkman’s disregard for Hagar’s face when he supposedly falls in love with her illustrates that he does not value Hagar as a person, rather he sees her as a temporary source of happiness. Furthermore, the fact that Milkman “has fallen in love with her behind” perpetuates the fact that he does not value and only views her as a source of pleasure. Later in the novel Milkman also clearly states that Hagar “was the third beer…the one you drink because it’s there, because it can’t hurt, and because what difference does it make” (91)?
Hagar, Pilate, Macon Jr., and Guitar all vie for Milkman’s commitment pulling in him to achieve their goals for him. To Milkman, his life seems to lack an identity in which to base his life’s direction and purpose, “…trying to make up his mind whether to go forward or to turn back. The decision he made would be extremely important, but the way in which he made the decision would be careless, haphazard, and uninformed.” (Morrison, 69-70). Unwilling to commit himself to any one goal, Milkman rejects these options, choosing instead to continue his aimless drifting, cutting himself off from the people who care for him and the African-American community.
Tones change from serious to virulent, and conversations are replaced with arguments. Nevertheless, Guitar’s rebuttals continue to guide Milkman, and prove to be helpful words that liberate Milkman from his materialistic prison. While Milkman describes himself as, “A man the refuses to live in Montgomery, Alabama,” (187), Guitar educates Milkman by telling him, “No. A man that can’t live there. If things ever got tough, you’d melt.
Milkman discovers his family name and history, and while on his journey, Milkman finds happiness, understanding, and a sense of identity. While the actual findings of his family is important, Milkman’s discovery of his own identity through his family’s history is the true take-away from the
In order to reach his destination Milkman has to buy a beat up old car that he ends up having to get repairs on during his journey. Despite the car troubles, Milkman begins to enjoy himself. His attention is still slightly on gold but his priority shifts to learning about his family’s history and origins, whether he’s willing to admit it or not. Milkman allows himself to enjoy this part of his journey and goes hunting with some other men. When the other men tease him for “accidentally tripping his gun,” Milkman shows an adult maturity and does not correct them but instead laughs along with the joke.
He begins to feel he belong to human community. Evidence of Milkman new identity is shown in the end of chapter 11 as Milkman meets a prostitute named Sweet; he is soon able to accept her passion for love unlike he did with Hagar. Each time Sweet did something for Milkman, he was always able to return the favor. “He soaped and rubbed her until her skin squeaked and listened like onyx. She put salve on his face.
His social awakening also inspires a change in attitude towards the treatment of women. Initially, Milkman objectifies Hagar and treats her as an inferior, but when he encounters Sweet, he begins to reciprocate her affections and treat her with respect. Furthermore, Milkman’s change in motivation for his flight south illustrates the development of his maturity through his pursuit of his family’s history, proving that attaining wealth is no longer his sole purpose. During his time south, Milkman was maliciously pursued by Guitar. His attempted murderer of Milkman creates the illusion of a resurrection to which Milkman develops social awareness.
Milkman’s perception of his mother is once again affected because of her viewpoint of her relationship with her father, ending all suspicions against
Before the journey, superficial things clouded Milkman’s judgement. He sees no importance in social inequality or why race is so significant, “The racial problems that consumed Guitar were the most boring of all. He wondered what they would do if they didn’t have the black and white problems to talk about. Who would they be if they couldn’t describe the insults, violence, and oppression that their lives (and the television news) were made up of?” (107-108).
Furthermore, Ruth’s endless, captivating love restricts Milkman and thwarts his personality’s development to a mature man. His search for his self cannot be satisfied at home since he has no space to become independent or is regarded as a separate
Milkman’s vulnerability and sensitivity to the policeman’s touch exhibits his softness in the face of oppression as a direct result of his societal advantages. Milkman is unaware of the societal constraints that have been imposed his race because his wealth has always sheltered him from it. However, this changes when he himself is the victim. With the shelter provided by his wealth removed, Milkman is left helpless at the hands of discrimination. In addition, Milkman also realizes the racial constraints imposed on him by society.
But the youths do not just enjoy the milk for its stimulating effects or its taste; they enjoy it for an escape from reality, from morality, from self (Davis). Feeling angst from living in such a dull and oppressive world, Alex and his gang take refuge in artificial stimulation as a source of fulfillment, and accept alterations to their mental states as a cure for monotony. But as a consequence of intentionally warping their morality and perception of the world and their lack of experience as responsible adults, Alex and his gang often fail to fully grasp the consequences of their violent actions (Davis).