Mary Shelley’s novel Frankenstein explores the theme of alienation and how it ultimately leads to the corruption of an individual. As Victor Frankenstein sought to discover and solve the secret to life by “bestowing animation upon lifeless matter” (37), he erected a creature who was monstrous looking. As a result, the creature was continuously rejected and isolated from society due to his grotesque appearance, forcing him to navigate the world alone, unable to find any source of companionship or parental guidance leading him to become bitter and vengeful. Mary Shelley presents allusions to demonstrate how the creature’s identity in becoming a monster was forced upon him, due to the creature’s circumstances of social rejection and misinterpretation …show more content…
Once the creature was able to read and decipher Victor’s journal, the creature realized the circumstances of his creation and realized that he was regarded with disgust by Victor. The creature’s exclamation, “Why did you form a monster so hideous that even you turned from me in disgust?” (115), highlights his awareness of his monstrous appearance and the realization of the role it plays in his isolation from society. The creature’s physical otherness prevents him from finding acceptance or companionship in a world that is repulsed by him, further emphasized by the cottagers, specifically De Lacey who was blind and accepted the creature’s company and kind words. However, once his children entered the cottage, they were horrified at the creature’s appearance, with one of the children, Felix, striking the creature violently with a stick. This highlighted the idea that his appearance led to him being alienated from society which made the creature grow resentful, “from that moment I declared everlasting war against the species, and more than all, against him who had formed me” (121). Due to the circumstances of alienation by the creature’s physical appearance, the creature grew vindictive and corrupt when he was consistently being …show more content…
As Victor insists that he and the creature continue in separate paths, the creature holds Victor accountable for his negligence and his lack of nourishment saying, “I ought to be thy Adam, but I am rather the fallen angel… make me happy, and I shall again be virtuous” (84). By utilizing allusions to demonstrate the creature’s disdain towards his creator, it explains how the creature becomes bitter and vengeful in his desire for revenge against his creator for treating him more like Satan than Adam. He wishes to feel happy by simply not feeling alienated anymore, asking Victor for a female companion. He explains to Victor that if he complies, “neither [him] nor any other human being shall ever see me again” (131). This wish demonstrates that the creature only wants is to escape the human eye where all he’ll be seen as is a monster, instead fleeing with one of his
The world and his creator’s rejection of the Creature sent him on a path to failure that proved to be lonely and painful as they used his grotesque appearance as justification for discrimination. According to Bernatchez “If we understand the Creature’s moral ugliness to have been procured by a community’s refusal, we must conclude that the ugliness signifies something beyond itself. Pain” (Bernatchez 211). The creature's acts don't represent inherent evil, but rather the anguish and suffering he has experienced as a result of social alienation. His actions are predicated on the knowledge that he is cognizant that humanity as a whole has opted to detest him due to his appearance.
After learning all that he can from observing the family and reading books, the monster attempts to seek affection from others. He finds great disappointment when he is cast out once again by the cottagers. In reflection of his unfortunate event, he tells Victor, “Remember, that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend.
A kind, empathetic, and loving creature transforms into a terrifying and cruel monster after the sharp edges of society shape him as they see fit. Societal monsters are products of injustice. They do not fit in and for that, society ridicules them. In Mary Shelley’s Frankenstein, there are many instances of societal injustice. This prejudice can be traced back to other monsters in real life society.
Seeing how Humans were terrible creatures this left a bad taste on the creature's tongue. This erupted a new type of emotion inside the creature. He tried to be angry but he was going to try again with society and try again to be friends and humans, only for it to backfire and leave the creature just inches away from snapping. After failing to befriend the family that he once called protectors and being chased out of the cottage, the creature started to rant to himself in the woods and was slowly starting to hate humanity. But he wasn’t going to give up hope yet, so he returns to the cottage hoping there was still hope for him to befriend the family, only for reality to come chasing down on him at light speed to see that the family was leaving all because the creature was there.
After the creature watches a little girl slip into a rapid stream, he immediately jumps in, brings her back to land, and begins to restore life into her limp body. The man who was with the girl before she fell sees this and instantly snatches the child away from him and runs deeper into the woods. The monster runs after them, but soon becomes the victim of a bullet shot from the man’s firearm. From the ground which his injury had sworn him the creature thought to himself, “I had saved a human being from destruction, and as a recompense I now writhed under the miserable pain of a wound which shattered the flesh and bone. The feelings of kindness and gentleness, which I had entertained but a few moments before, gave place to hellish rage and gnashing of teeth” (158).
“Many people who’ve never read Frankenstein know of Victor Frankenstein’s creature as one of the most famous monsters in literary history. Adaptations of the novel have contributed to this misinterpretation by portraying the monster as a horrifying character who provokes fear. However, part of what makes Mary Shelley’s novel such an impressive accomplishment is her ability to portray the monster as multi-dimensional and complex. The monster is responsible for many violent actions throughout the novel. He is also legitimately frightening and grotesque because of his enormous size and composition from parts taken from corpses.
In the modern world, when a person hears about Frankenstein, they think of an abhorrent and detestable monster, but that is not the case. In the book, “Frankenstein”, by Mary Shelley, Frankenstein is a scientist that pursues his dream of reviving a human. Victor Frankenstein, the protagonist, conducts a series of experiments and creates a monster. Abhorred by his creation, he leaves the monster. Through desolation and isolation, the monster is driven by society and Frankenstein to commit crimes.
Isolation and a lack of companionship is the tragic reality for the monster, who was abandoned by his creator and is repulsive to everyone that he comes across. Victor removes himself from society for many months; severing nearly all human contact then renouncing his creation based on the monster's appearance. As the monster matures he begins to understands the relationship the cottagers share with one another, while the monster, “yearned to be known and loved by these amiable creatures: to see their sweet looks directed towards me with affection was the utmost limit of my ambition. ”(Shelley). Armed with nothing but the longing for a real connection, the monster approaches his unknowing hosts only to be “brutally attacked—by those he trusted...because of their human ignorance.
The Creature threatens Victor telling him that he will be with him on his wedding night and disappears. Shortly after this, Victor finds that his best friend Henry Clerval was found dead with marks of the Creature’s hands around his neck. A similar parallel can be made with children put into the foster system. In an article on why foster children act out, James Kenney writes, “Adult crime and violence are likely outcomes in those individuals whose empathy is stunted and who grow up without the conscience normally fashioned through a concern for the well-being of others.
He is aware of his otherness and knows that he is “shut out from intercourse” (84) with the people he holds so dear. It can be argued that this is the point where the creature’s humanity is the strongest throughout the course of story. He has a basic understanding of human societies, he speaks and reads their language, shows compassion and, most importantly, seeks their company and friendship. In his knowledge that social belonging is the missing component to his own happiness, he confronts the people he secretly observed only to, once again, be met with fear and anger (94-95). He comes to realise that he
Mary Shelley’s Frankenstein illustrates how society can change an innocent person’s nature into a monstrous one through the use of alienation and prejudice. The Creature is isolated by society and abandoned by the people he loved, creating the identity of a monster that many see him as. However, he is nothing but a victim. The Creature is born, innocent and unknowing of the superficiality his world contains. Victor Frankenstein creates him but is unable to take responsibility for the child, and abandons him.
The creature kills Victor’s wife, Elizabeth, after he fails to provide the creature with a female companion. Victor spots the marks of the creature’s hand on her neck and fills with rage. The creature lingers outside the window and Victor observes, “A grin was on the face of the monster; he seemed to jeer, as with his fiendish finger he pointed towards the corpse of my wife” (242). The creature murders Elizabeth as a punishment after Victor breaks his promise. The creature wants a companion and shows Victor that breaking his promise has consequences.
The Creature is essential to produce the themes of revenge, appearance, and loneliness, because of his experiences when dealing with people throughout the novel, and the treatment he received from everyone. The aura surrounding this character forces the Creature to create a whole new genre combining the aspects of horror and drama, into
Throughout the novel, the main character Frankenstein, made many poor decisions that I would consider to be morally wrong and unethical. Frankenstein’s research and discoveries are ethically wrong because he was taking dead bodies from cemeteries, cutting off their limbs, and body parts to create a human like creature. He did not have anyone's consent to do this study causing it to be unethical, and he also should not be able to do this because he is playing the role of god. In the beginning of the book, Victor Frankenstein described to Walton that he had created a monster using body parts from a graveyard.
As a result of his anger and loneliness, the Creature vows to seek revenge on the person who cursed him with his miserable existence, Victor Frankenstein. The Creature’s first of many victims, Victor’s younger brother, is killed after he insults the Creature by calling him an “ugly wretch… monster” (123). The Creature’s murder of William symbolizes the Creature’s descent to darkness, as his anger externalizes for the first time and he commits an act of violence out of uncontrollable rage. The Creature also realizes that the best way to gain revenge on Victor is to hurt those who Victor love, a twisted revelation stemming from the Creature's own limited experiences with companionship. However, through this barbaric murder, the Creature shows one of his most humanizing qualities: his insecurity about his appearance.