The Coen Brothers Ethan and Joel, were a dynamic duo who had influential effects on the film scene using many techniques of film noir. The Coen Brothers are most known for their crime and unravelling of character films often using techniques such as chiaroscuro, moving shots and quick character changes. The Brothers produced their first film in 1984 sparking their careers into film and especially film noir. Element one - Music A significant technique the Coen Brothers often use to add tension is music. The Coens employ a unique method of using music, raising tension (crescendo) in groups of three. We can see this technique used in many of their films. In “Blood Simple” we can see these three areas of rising tension very clearly. The Coens use this technique in the scene “The Final Showdown”. We first hear a rise in music when when we see Abby taking cover in the corner of the room trying to break the light on the ceiling as Visser has her in his crosshairs. Here the music can barely be heard building tension in the background. We hear the second rise in music when Abby stabs Visser through his hand, at this moment the music becomes clearer and we can hear it louder than before, however it is still building, becoming …show more content…
The Coens use a very strong angled shot in the scene “Everything Escalates” as Carl shoots Lee. We are seen looking through Carls eyes looking down at Lee on the ground with his gunshot wounds. This shot shows that Carl is much more of a dominant position as Lee is very weak, this shot is used to show Carl's dominance over Lee. Another strong camera shots the Coens use is a POV shot from the ticket booths man perspective it shows the gruesome gunshot wound of Carl's face, The Coens often use such brutal scenes to gain the audience's attention and which can be seen in many of their other film noir genre
There are many moments where uneasiness and tension builds without the use of sound. For example, the ending shots of the film are very quiet as Paul reaches out to touch the butterfly. When Paul is intercut with shots of the sniper, tension builds as the audience begins to fear what is coming. After Paul dies, the audience sees the beauty of the world and the horror of the world in the same shot: Paul’s arm, and a beautiful butterfly.
Notably, in Edward Scissorhands, the manipulation of background music that matches the climax of the scenario is used to demonstrate whether or not a scene is irregular. For illustration, when Edward is escaping from the police after the numerous reports of inappropriate behavior, such as the death of Kim’s ex-boyfriend, the music keeps on increasing in volume and drama, which allows readers to conclude that something grim may happen in the future. Unlike the use of diegetic sound which directly reveals the source of the music and prevents the drawing of inferences, non-diegetic sound allows viewers to conclude the probable cause and effect of the eerie music at hand. To add on, in Big Fish, the matching of mood music to the movement of the characters allows for the clear message of the alarming tone portrayed. For instance, when the father as a young adult goes out to find the monster that has been terrorizing the town in his cave, the music begins to climax and climax as the birds fly out until eventually the tall man is being lured into leaving the town.
In the movie, The Nightmare before Christmas, Tim Burton uses Non-Diegetic sound and plays a very suspicious sounding piece of music in the background. This gives the audience a feeling of something is going to happen. A feeling that keeps the viewers on the “edge of their seats.” Also, in the movie, Edward Scissorhands, he uses Non-Diegetic sound in the beginning of the movie. The music is a mix of different moods; happy, mysterious, and suspicious.
In the beginning there was creepy music that turned into a train on tracks, this makes the audience feel scared and tense in the beginning. Except sometimes when the movie got more intense like the time Curley was going to kill Lennie the music gets loud and dramatic, that impacts the audience because they become intrigued about what is going to happen from the noisy, intense background. Another dramatic music scene was when Lennie was fighting Curley. There was loud music that had a dramatic feel. Every time the movie would bring up their “dream” which their American Dream the music would get soft and a happy melody.
Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.
The music and direction was particularly impressive. Throughout the film, music was used as a tool to achieve the desired dramatic effect. During the first scene of the movie, Shaw is ready for battle, so the music is upbeat; however, when the battle begins and the South begins attacking, the music becomes ominous before the sounds of explosions, screams and chaos drown out the drums. The music mirrors the chaos and panic that Shaw is experiencing. Music is also utilized in the film to emphasize happy moments.
The Courtesans of the Noir Era In film noir and hardboiled literature, the femme fatales are one of the major archetypes of the genre. According to Ron Hanson, “If the women is the victim, it’s not really film noir.” This kind of woman manipulates men by any means necessary to gain power, a sense of independence, or just plain greed. Either way, this style does not display any sort of damsel in distress motif that previous audiences were used to. There is a digression from a loving and doting housewife to a woman that has power, but in this noir universe it eventually leads to the woman’s destruction.
The audience knows that the shooter is going to kill Ray and through the use of cutting between the gun and inside the apartment the audience is left on edge until the very end of the move. The Coen were able to make an amazingly tense film with very little budget though their great use of
Throughout the movie they use different camera movements, and angles that highlight the different mood this cinematic piece gives. There were various camera angles/movements that were used throughout the movie that would make the scenes very intense and extreme. One example is the first meeting between Clarice and Hannibal Lector. As she first enters the cell we get a point of view shot showing Lector standing completely still in the middle of the cell. This implies everything Jack Crawford said how manipulative, powerful and evil he was.
The editing used in this scene is very effective in adding pressure to the scene. Quick cutting between scenes emphasises the fast pace of the action whilst back and forth cuts from the control room to are used to heighten tension. Additionally, clever editing is used to mask the fact that the same plane is shot down several times by showing the footage from different angles. The soundtrack for this scene consists of fast-paced action music to further raise tension.
For example, during the book burning scene, a variety of high to mid-low shots are used to position the audience in the crowd or as one of the speakers up front. In addition, the way the objects in the scene are positioned and the frame are composed creates an intimidating effect. All the large Nazi flags are positioned symmetrically around the town square, yet the camera is framed slightly off centre, making the whole shot feel off and like something is wrong [Fig. 5]. This certainly shows that Percival utilizes Percival employs cinematic techniques such as camera angles and the framing of the shots used to communicate and allow the audience to explore the power of the human spirit when dealing with adversity in his film The Book
Relationships of all kind romantic, and plutonic, enter the stages of relationship development from the point that they start and until they end, if they do end. In the film “Friends with Benefits”, main characters Dylan and Jamie are in the terminating stage in their relationships with their significant others. Once the film continues to progress, Jamie and Dylan enter the stair case model and explore the main pieces: Coming Together, Relational Maintenance, and Coming Apart, with each other as “Friends with Benefits” and individually with their family members. The relationship Dylan and Jamie have put together in the beginning of the film, exemplifies the Coming Together phase of the stair case model (Adler, Rosenfeld, and Proctor, 2015,
The first camera angle that plays a significant role in the film is the low-angle shot. A low-angle shot is captured when on the vertical axis, the camera is low, looking up at the characters. According to Tarantino, “the significance of a low-angle shot facing up at the characters proves that the character themselves are superior” (Paris & Simrill 2013). The first examples of low angle shot occurs when Jules and Vincent approach Brett while he is eating breakfast in his home.
The concept of Social realism as a film genre is to portray the ‘real life’ of a working-class society. Social realism films depict the social, political and economic injustices’ that influence and impact people in society (Taylor, 2006). It is raw and gives the audience a true indication of what life is like (Lay, 2002). Social realism first came about during an economic downfall in the 1920s. It was an art movement that social realists started, to represent the working class.
Wes Anderson is a very well-known and established director in his field. Over the years, Anderson has developed a unique style of film and a basic formula for how each film will look in the end. The film The Grand Budapest Hotel showcases a lot of Anderson quirks from the vibrant colors to the tiny miniatures that he used to show the landscape. The Grand Budapest Hotel is uniquely Wes Andersons and really showcases his style.