In the story, The McCoy Hotel by Denise Chavez, takes place in El Paso, Texas. The main character’s mother was a third grade teacher, and a divorced mother of three. Whenever they arrived at the McCoy hotel, the narrator stated that all of her mother’s problems faded away. She was able to escape her daily routine of making oatmeal and going to work – the hotel allowed them to transform themselves, “Some happier times, when the three of us women would know completion, transformation, not of a self-determining kind, but are independent upon someone else,” (Chavez, 1999, pg. 253). The narrator’s mother believed that a man was the key to her happiness - where being loved by a man would bring happiness to one’s life, “ease us out from the unspoken …show more content…
Being at the hotel transformed her into a livelier woman where she felt beautiful and was concerned with being regarded as alluring, where she did not have any of her past scars of, “Physical and emotional scars all of those years of suffering, a hunched back, bad legs with inflamed, pulsating varicose veins, an inability to sleep…,” (Chavez, 1999, …show more content…
The narrator recalls feeling trapped in her daily life, “I felt trapped in a world I could never escape. Confined to mediocracy, a pale, thin, overprotected girl...at the McCoy I became like my mother, a new person…,” (Chavez, 1999, pg. 256). She became a woman who, “Felt mature, comfortable with myself, more alive, not exhausted and frustrated by a life nearly over,” (Chavez, 1999, pg. 258), where being around new people allowed her to be the person dreamed of becoming, where she and her sister Margo both longed for freedom. At the hotel, they also stayed with their mother’s younger sister, Chita, “Rooms where shared by two sets of sisters, one younger the other much older...both groups sought respite from intense summer…,” (Chavez, 1999, pg. 255). The room where connected by the restroom, where one day the narrator saw her mother laying on her bed wearing a brassiere and a wet towel holding her breasts. Nudity was utilized as symbol for the independence that the narrator’s mothers was longing for, where doing housework in the nude is a representation of her mother escaping her domestic activities. The body is, “made through table manners, toilet habits, through seemingly trivial routines, rules and practices, culture is ‘made body,” (Bordo, 2014, pg. 473), where a woman’s sexuality is typically utilized to, “discredit her
The poem then tells of more things happening in Nevada, and we are told more of the mother. At a first glance we can see a story with an A and B plot to it, the changes happening in Nevada and a mother growing in the time period. When looking closer, we can see that this mother is what most would see as the typical teen as said by, “pre-Post Modern
Michelle Cliff’s short story Down the Shore conspicuously deals with a particularly personal and specific, deeply psychological experience, in order to ultimately sub-textually create a metaphor regarding a wider issue of highly social nature. More specifically, the development of the inter-dependent themes of trauma, exploitation, as well as female vulnerability, which all in the case in question pertain to one single character, also latently extend over to the wider social issue of colonialism and its entailing negative repercussions, in this case as it applies to the Caribbean and the British Empire. The story’s explicit personal factor is developed through the literary techniques of repetition, symbolism, metaphor, as well as slightly warped albeit telling references to a distinct emotional state, while its implicit social factor is suggested via the techniques of allusion, so as to ultimately create a generally greater, undergirding metaphor.
Discuss the ways in which Rosario Castellanos challenges and subverts gender stereotypes in her work? In this essay I am going to examine and discuss the work of one of Mexico’s most important literary figures, Rosario Castellanos, with particular emphasis on her feministic beliefs and the ways in which she used her writing to catapult her views into the forefront of society. Her writing reflects bitterness regarding the desires and misfortunes of the female population of her nation. Castellanos used poetry, novels and plays as a platform to voice the many inequalities that she deemed prevalent in society at that time.
2) This extract is found in “The White Album” written by Joan Didion, who is the creator of many significant different literature pieces, both novels and essays. “The White Album” was published in 1979, and is the first and longest essay in the book. In this essay Joan Didion essentially uses a women as a connecting thread to describe what was happening in America at that time. I believe that the woman may even be herself to a certain extent, trying to externalize all her thoughts. What is perceived from the essay is that Didion was submerged into the focus of some big events that were happening in that year, not only as a journalist but also as a bystander and a normal Californian.
As well as the highlights and strong points in her life. Allison’s mental dissension is portrayed through her family’s poverty, unrealistic expectations of society, and her lesbian identity. Allison struggles with her self-acceptance greatly in the chapter titled “Mama”, here it is made
In Julia Alvarez’s “A Genetics of Justice” three central ideas are used to develop her autobiography. She uses the ideas of trauma, silence, and voice throughout. Trauma is a main idea in the text. For example, it is present in multiple areas of the text. The text states “...the dictatorship that my parents endured most of their lives...under the absolute control of Generalisimo Rafael Leonardo Trujillo.. families...kept their daughters out of the public eye, for Trujillo was known to have an appetite for pretty girls...
Lola takes advantage of her deteriorating mother whose illness represents the declining hold of the norms over Lola. Since her mom “will have trouble lifting her arms over her head for the rest of her life,” Lola is no longer afraid of the “hitting” and grabbing “by the throat” (415,419). As a child of a “Old World Dominican Mother” Lola must be surrounded by traditional values and beliefs that she does not want to claim, so “as soon as she became sick” Lola says, “I saw my chance and I’m not going to pretend or apologize; I saw my chance and I eventually took it” (416). When taking the opportunity to distinguish herself from the typical “Dominican daughter” or ‘Dominican slave,” she takes a cultural norm like long hair and decides to impulsively change it (416). Lola enjoyed the “feeling in [her] blood, the rattle” that she got when she told Karen to “cut my hair” (418).
Alvarez and her family have a lot of trauma considering there lives in the dominican republic and living under the dictator,through it all alvarez's parents raised a daughter who would share their story in a fashionable matter that told the story how it was.
Although she went and work in the factory to help out her sister Ana did not give up on her dream of attending college. Without her mother knowing and help from her high school teacher she began to fill out college and scholarship applications. After finally being accepted into the University of Columbia, Carmen takes a stand and make Ana to but her family before college. Ana has more curves than her mother would like her to have. Carmen thinks just because Ana is “fat” she will not be able to find a husband.
The Chicano heritage is a very familiar culture known worldwide. In the chicano culture, women have very dwarf opportunities available to them. The women occupation is to stay home and clean and cook around the house. In addition, to a chicana women who is the smallest of the women in the family her job is to supervise the mother. Considering this, in the film; Real Women Have Curves, Ana Garcia is trying to find her own identity which ends up becoming the struggle of a lifetime under stifling weight of many identities pushed upon her by not only stereotypes of her community, but also her family's old-world cultural beliefs.
In the poem “Women Who Love Angels” the author, Judith Ortiz Cofer conveys the theme of empowering women. She expresses this theme through the use of figurative language and poetic devices. Such as, allusion, alliteration, simile, and metaphor. Judith Ortiz Cofer’s poem illustrates the significant lives that women lead without the inclusion of male presence. The use of a simile and a metaphor enriches the poem and its meaning.
Throughout history, women have made a name for themselves. By rising up and fighting for something that they believed in, the Mirabal sisters made a name for themselves in the Dominican Republic and in Julia Alvarez’s novel In the Time of the Butterflies. By applying a theory to a novel, readers can relate the book to the world they are living in today (Davidson). Feminism can be defined as a dynamic philosophy and social movement that advocates for human rights and gender equality (“Feminism”). Feminist Theory involves looking at how women in novels are portrayed, how female characters are reinforcing stereotypes or undermining them, and the challenges that female characters face (Davidson).
In her ethnography account Women without Class, Julie Bettie explores the relationship that class along with race and gender work to shape the experiences of both Mexican American girls and white working class students. In her work, Bettie finds that class cannot only intersect to impact the school experiences of both working class and middle class girls, but also their transition to adulthood and their future outcomes. Thus, Bettie explores how working class girls are able to deal with their class differences by performing symbolic boundaries on their styles, rejecting the school peer hierarchy and by performing whiteness to be upwardly mobile. In women without class, Bettie describes the symbolic boundaries that both las chicas and the preps
Lorena Garcia wrote “She is Old School Like That,” this piece is about sex talks between mothers and daughters in the Latin American community. She examines the way which these talks are given and at what point in the life of the daughters they are given. Garcia points to the different methodology the Latina mothers used when talking to their daughters, and their reactions when they found out their daughters were engaging in sexual activity. Garcia claims that there is a certain pattern in which the Latina mothers behave. These women are the operation with a new definition of sexuality influenced and shaped by the heteronormative and patriarchal society.
“Maria Concepcion” is a short story by Katherine Anne Porter about a young Mexican peasant woman who kills a young girl who threatens her marriage, and thus wins back her husband and restores her universe to order. It is only after a cold act of murder that her world assumes its former balance. Being set in Mexico where women were under the impression to be submissive to men even when they are in the wrong of their actions. Women were not allowed to be in a position of dominance. Porter develops María Concepción into what could be called a powerful round character by contrasting her attitude in the first part of the story to the end of the story.