In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person. First, the overall conflict may not be easy for one to determine at first, but it’s used only to foreshadow the bigger conflict. Beginning with the …show more content…
Friend himself. There’s so much symbolism going around this one character and his beloved car alone, that one could write a separate paper on the topic. Speaking of yet more symbolism, we get finally get a formal introduction to Arnold Friend, who’s name alone symbolizes trouble. Since Arnold Friend is symbolizing Satan a known shapeshifter, one could do a little reading into the several interpretations of his name. One, An old friend, this being Eddie, the guy she had burgers with at the mall. Ar no friend, the guy she ignored at the mall. An old fiend, would in fact be Arnold himself at the mall giving her fiendish looks. And arch fiend, the latter being another name for Satan. Symbolism is also found with Ellie Oscar. Although he’s older than Arnold, he’s only riding shotgun but he’s taking orders from Arnold which gives him the impression of being the Devil’s advocate. In conclusion, conclusion “For Bob Dylan”, reads the dedication in the story’s initial’s publication. Few years prior to this story’s initial release Dylan recorded a song “It’s All Over Now Baby Blue”, which has lyrics such as
Many would argue he portrays Satan or Connie’s karma for her misbehavior. Throughout the story, there are references that relates to the bible that relates to the title. Arnold’s friend, Ellie plays the quiet, menacing creep who seems like he is trying to help Connie when he offers to let her
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
Arnold Friend’s Biblical Allusions In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil.
In the story Connie loves music and it is the one thing she can “depend upon” (p. 36). Joyce Carol Oates starts the story by dedicating it to Bob Dylan and throughout the story there are many similarities shared between him and Arnold; they even shares physical similarities. In an article by Mike Tierce and Michael Crafton, they point out that both Arnold Friend and Bob Dylan have “shaggy, shabby black hair that looked crazy as a wig” (p. 40), “long hawk like nose” (p. 42), and he is “only an inch or two taller than Connie” (p. 42). They even compare Arnold Friend’s “fast, bright monotone voice” (p. 40) to Bob Dylan’s. It is quite possible for Arnold Friend to actually just be a representation of Bob Dylan and have nothing to do with being the devil.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Essay #2 Parents play a very important role in the lives of their children. If parents do it in the right way, it positively impacts children’s mental and emotional condition. One of the main characters from the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie, does not have that kind of relationships with her parents, with who she can share her thoughts or who to get a good advice from. The main reason of all Connie’s mental and emotional problems is that her parents do not play a good role model for her and compare with the older sister. Being parents is far more than just providing children with food and clothes.
In John Updike’s “A&P” and Joyce Oates’s “Where are you going, where have you been” there are multiple intriguing similarities and differences between both protagonists. Both stories involve an adolescent 's main character who goes through a type of struggle, however, the severity of their struggles differ greatly. “A&P” includes a young man named Sammy who loses his job grows an attachment to a small group of girls that are regular customers at the shop he works at. The situation in “Where are you going, where have you been?” is much more grim for the protagonist, a young teenage girl, Connie. She is put into a set of circumstances that put her life in danger.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Where Are You Going, Where Have You Been” by Joyce Carol Oates, both female protagonists are faced with opposing male forces that seek to control, undermine and take advantage of them. However, in the midst of the challenges and subordination they face from these dominant male figures, each protagonists independence is tested as they both strive to overcome these forces. Connie, the protagonist in “Where Are You Going, Where Have You Been” is a 15 year old, narcissistic teenage girl, searching for independence through her sexuality as she enters into the realm of adulthood. “Everything about her had two sides to it, one for home and one for anywhere that was not home,” (Oates, 1).