Media has a great role in shaping audiences ' perception of members of a particular social group. The way it can appropriately represent these groups is more pressing. This article examined the types of racist images and stereotypes used for Iranians in the drama film 'Not Without My Daughter ' and the way these stereotypes contribute to the prejudicial understanding among people. The main focus of this article was to concentrate on the negative aspects of orientalism portrayed in this film. Said 's concept of orientalism and Van Dijk 's ideological square was used in its analysis. The film makes a distinction between the Orient and the Occident by portraying the East as primitive, backward and communal and the West as individualistic, modern …show more content…
It is an ideology fabricated by the West, Its main factors are the "periodic exclusion of the East from the Western gaze and the continual repudiation of the East in favor the moral and cultural coordinates of the West (Martin & Koda, 1994, p. 9). According to Said (1978), orientalism is a product of the imagination of those people who come to know themselves, their culture and territories as European and later as the West. Said (1978) defines orientalism as a style of thought based on " ontological and epistemological distinction between the 'Orient ' and the 'Occident ' (p.3). According to Martin and Koda (1994), the West 's failure to achieve full comprehension of the East is the reason for the inscrutability attributed to the East. In fact, it is through orientalism that the West sees its culture as complete and uses it to see itself as whole. Andreeva (2007) believes that placing the Orient against Europe helped Europeans to define their own self-identity in juxtaposition to orient the …show more content…
Our academic disciplines, journals, movies, and our whole cultural system is highly affected by the inevitability of the conflict between 'Islam ' and 'West ' (Adib-Moghaddam, 2011). This " clash regime" is a cultural artifact which is positioned in different strata of society because it is made up by a system of interdependent discourses that disperse into society and form a powerful 'clash mentality (Adib-Moghadam, 2011, p.5). This clash regime has constituted a main part of today 's national and international political culture (Adiv-Moghaddam, 2011, p.5). Therefore, European culture gained its own strength and identity by setting itself off against the Orient (Said, 1978). According to Macfie (2002), one of the convictions that is widely held in orientalism is the belief that Islam unlike other religions, is inherently violent its followers believe in the doctrine of Holy War or Jihad. Springer (2009) believes that violence is a gross stereotype which is associated with the depiction of the culture in the context of 'war in terror '. African, Asian and Islamic cultures are said to be highly violent. Thus, any discourse that suggests violence should be viewed as contextually specific, because it is bound to particular places in which the culture of violence is formed. Therefore,
Introduction: In the text by Eboo Patel “Acts of Faith: The Story of an American Muslim, the Struggle for the Soul of a Generation,” Patel focuses on living in a diverse faction full of religious prejudice in a world full of materialistic outlooks. At the same time he intertwines his personal experiences and provides a remarkable account in which he says that growing up in America as a Muslim led him to discover the importance of cultural pluralism, the acceptance of all religions, and his huge account that all Muslims aren’t extremists. He believes in ethnocentrism; religions should be able to coexist without feeling that one religion is superior than the other. In a world where the forces that seek to divide us are strong, Patel thinks the meaning of pluralism is that the differences
In the late 1800s, Europe was scrambling to conquer vast amounts of land. Imperialism had swept the continent by storm, with many countries vying for pieces of Africa and Asia to control. From 1880 to 1900, Britain, France, Germany, and Italy fought for African possessions and by 1900, nearly the whole continent had been split and placed under European rule. There was plenty of motivation for Europeans to conquer the world, and while some supported it, others didn’t. Most people in Europe at this time held ethnocentric views toward the “uncivilized” cultures in the world.
In Walter Wink’s essay, “The Myth of Redemptive Violence,” he proposes multiple arguments for the ideas surrounding redemptive violence. According to Wink, media has played a major role in rooting the concept of violence being necessary evil in the world in the masses. Wink believes there are consequences for the use of redemptive violence all aspects of life, and believes violence itself will be the end of social order with it being used for pleasure, not salvation. Many theologians have responded with agreeing views on his stance, and of course views that are much different. Along with Wink, independent scholars, social workers, and an extended number of professions have commented and explored Wink’s idea of redemptive violence.
Hence, the demonization of the Orient as "degenerate, uncivilized and retarded" parallels Oriental discourse and perpetuates Islamophobic sentiments. In summation, Zero Dark Thirty may be interpreted as a very problematic film due to its parallels with Orientalist discourse. The film’s inaccuracies and stereotypical representations of Muslim peoples culminate to demonize Islam, and “turn Islam into the very epitome of an outsider against” European civilization. Ordinary viewers may have a dominant reading of this film, however, from a religious studies student’s perspective, it is much more indicative of American ignorance than it is of genuine Islamic
This suggests the idea that violence is the one thing that can be relied on due to its unwavering existence. Violence is what separates the strong from the weak, and the existing from the nonexisting. This goes towards the concept of “black and white” morality, as it develops its own set of laws. “Black and white” morality is a concept in which the belief in a universal law contributes to the idea that right is to wrong, as black is to white. Violence is what can be seen, what is not seen is disregarded.
________________, Vasko Kohlmayer, in his _____________, “The West Alone,” (January 25, 2007), argues that no major civilization has been vilified more virulently than the west is today. He supports his claim by first stating that it has been blamed for nearly every problem there is, then saying that people are beginning to view it as the world’s malefactor, then stating how other societies have failed transitioning to modern era. Kohlmayer’s purpose is to flip the audience’s beliefs in order to show that the West is dominant. He demonstrates a contradictory, but truthful tone for the American
CHAPTER THREE AN ANALYSIS OF SELECTED CONTEMPORARY HOLLYWOOD WAR MOVIES IN TERMS OF RACISM My goal of this chapter is to analyse selected Hollywood war movies in terms of racism and other racial prejudices. I will examine as follows: Glory (1989) which deals with African American Civil War troops, Windtalkers (2002) which centres around Pacific War and Navajo code talkers, The Bridge on the River Kwai (1957) which portrays British soldiers in Japanese captivity. The last two movies Flags of Our Fathers (2006) and Letters from Iwo Jima (2006) were shot simultaneously, by the same director Clint Eastwood, and both tell the same story about the invasion of Iwo Jima through the eyes of an American and Japanese soldier. In all those movies, non-white characters are portrayed stereotypically, negatively and face various types of prejudice or racism despite being often equally important to the storyline.
This violence is dangerous because it can create norms and become a virus that attaches itself to a society's culture that can feed this dangerous cycle of
Through this experience, the audience got opportunities to see the positive and the negatives that stereotyping can give. The writer, director Nahnatchka Khan’s goal was to teach the audience that all stereotypes are not true, that some stereotypes can be broken which can result in
Often times, mindless conformity leads to senseless violence that could have been avoided with just a little more thought. In order to justify hateful and exclusive acts, the actions of people in minorities are often taken
As Holmes would describe symbolic violence in his ethnography as “symbolic violence works through the perceptions of the ‘dominating’ and the ‘dominated’ (in Bourdieu’s words), while it tends to benefit
Nilaja Sun’s play No Child… uses the characters to make a statement on children from rough neighborhoods by trying to break down barriers and eliminate stereotypes. The play is set at Malcolm X High School in the Bronx. The janitor is the narrator of the play. He has been at Malcolm X High School for many years, silently observing what goes on around him. During scene 12 it is revealed that he had passed away.
The film Girl’s Trip has been applauded for being a celebration of blackness in the primarily white film industry. The majority of the cast and the writers for Girl’s Trip are people of color. The film was much more successful than its “white counterpart” Rough Night in box office revenue and reviews. However, most of the black characters in Girl’s Trip shift through various controlling images throughout the movie. The reason these stereotypes are less obvious than they are in some other films is because each characters portrays multiple stereotypes and different times throughout the film.
the Orient is not only adjacent to Europe; it is also the place of Europe 's greatest and richest and oldest colonies, the source of its civilization and languages, its cultural contestant, and one of its deepest and most recurring images of “the Other.” In addition, the Orient has helped to define Europe (or the West). (1) Othering is an inherent classification and differentiation of peoples or cultures. This specific definition of Othering involving Europe and the Orient can be applied to other colonial constructions in which one society defines and reifies its centrality in juxtaposition and in comparison to another, neighboring community: the relationship between North Dormer and the Mountain.
The violent conflict approach is defined through coercion, threats, and destructive assaults. Galtung’s, model suggests that each of these components influence one another, and while each