Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as

character of Jane Eyre is undoubtedly controlled by the patriarchy since childhood. Whether it be her older male cousin, the headmaster of her school, or someone she works for, the men in this novel use ever ounce of their title as a male to subject Jane to whatever they feel is right. The influence of men ultimately dictates Jane’s decisions in life and to claim the men to be anything other than an abuser is a product of blatant manipulation. The male characters in the novel Jane Eyre portray the

Jane Eyre is a novel by Charlotte Bronte. When she looks for some kind of employment as a tutor in a secretive manor, it appears she has at last met her match with the obscurely intriguing Mr. Rochester. However, Thornfield Hall contains a despicable mystery - one that could keep Jane and Rochester separated until the end of time. A standout amongst the most generally read and appreciated of every single Victorian novel, and one of the best stories of a lady's battle for respect and love in a hard

Imprisonment and constraint, can be felt in many different scenarios in the passage from Jane Eyre by Charlotte Bronte. However, we get these two feelings with a girl who is portrayed as an orphan in this chapter. When being an orphan many feelings can run through a person’s mind, for example abandonment and not feeling loved, or being/feeling trapped. The feeling of imprisonment and constraint in this chapter is expressed through the use of imagery and diction. Imagery is viewed in this chapter

In Jane Eyre, Charlotte Bronte uses allusions to fairy tales as a way to further describe certain aspects of the novel. One example of this comes when Jane refuses to continue with her story, stating that “to leave [her] tale half-told, will, you know, be a sort of security that [she] shall appear at [his] breakfast-table to finish it” (Bronte 505). This illusion to Arabian Nights relays Jane’s recognition of the changing power dynamic between herself and Mr. Rochester. Arabian Nights is framed

Religion in Jane Eyre In Jane Eyre the author, Charlotte Bronte, uses three characters to portray types of Christians . Helen Burns depicts Christian value both in her conversations with Jane and in her reactions to punishment from cruel Miss Scatcherd. In this book Mr. Brocklehurst portrays a downright hypocrite who does not follow the high Puritan values that he preaches. On the other hand, St. John Rivers practices what he preaches as is shown in the way that he unceasingly cares for his congregation

In Jane Eyre, Charlotte Brontë portrays the title character as a strong woman who rises from humble beginnings, which includes struggling through both poverty and abuse, and this depiction of the lower class is a key characteristic of Victorian Literature. Brontë further utilizes the old battle between right and wrong to depict Jane as a virtuous and morally courageous woman. Victorian era England may have been a thriving, newly industrialized empire, but the struggle of the lower class society

the novel Jane Eyre. The novel follows the title character, Jane, as she develops through life (Brontë 1). The book starts out with orphaned Jane, who is living with her aunt’s family (Brontë 1). The book continues to follow Jane through boarding school and her first job as a governess (Brontë 105). Eventually, you see an independent young woman instead of the lonely child that Jane began the book as. Independence plays a big role in this novel, which is shown through Jane’s actions. Jane shows her