Hitchcock uses Rear Window to examine the U.S.’s global Cold War strategy. The films use of many paranoia scenes such as when L.B. Jefferies discovered Thorwald making many late-night trips and noticing the missing wedding ring of Mrs. Thorwald encourages viewers to consider the post-war anxieties and personal surveillance of politics in the construction of the U.S’ s ideas about the world and possible consequences. In the film, L.B Jefferies, the protagonist, spies on the insides of many nearby apartments during a heat wave. L.B Jefferies observed people that were happy and jolly but he also saw sadness and loneliness in homes. For instance, in the film, there was a scene where a lady was having a romantic dinner with herself at night. This scene draws the conclusion that during the 1950s many Americans were very individualistic meaning they were unsociable. The …show more content…
Hitchcock clearly shows many scenes in the film to portray the fear and suspicion that many Americans had after the war. In the film, Hitchcock also uses dramatic events such as the yelling of Mrs. Thorwald or the arguments he had with the NYP policeman, Tom Doyle. These scenes all add to the fear of communism and paranoia that was based on someone’s perspective of the world. In the film, it was illustrated that if you were not friendly towards your neighbors it meant that you were of suspicion. The film also illustrated that the way in which you acted towards other people contributed to the overall suspicion of somebody. For instance, one scene depicted a woman as being rude or annoying after the woman had slapped and kicked out her lover for trying to kiss her. Rear Window does an excellent job metaphorical speaking, in providing scenes that portray some of the goals of the Cold War Strategy such as to cause fear and paranoia among the nation. The film accurately displays
Hitchcock's mystery film “Rear Window”, took place in 1954. explores the theme of voyeurism as uncontrollable action that everyone can be guilty of. Due to Senator Joseph Mcarthy encouraging citizens to spy on their neighbours in the 1950s, voyeurism wasn't seen as crime. Nevertheless, Throughout the film there are many evidence and signs verifying that everybody is guilty of voyeurism The first sign of voyeurism occurs during a helicopter scene.
While watching Rear Window by Alfred Hitchcock, I was able to notice two distinct themes throughout the film. These two themes are a quote about actions speaking louder than words and suspense. Hitchcock also had many different elements in his film to make it successful. My favorite element he used was sound with the radio in the background, street noise, and other ongoing conversations. One main theme that was shown through out the film was the quote “actions speak louder than words”.
The first way that Hitchcock makes his film more terrifying is through the lighting techniques he uses. The film starts off with Marion (the main protagonist) and Sam (boyfriend of Marion) in a hotel
Throughout the film “Rear Window,” Alfred Hitchcock uses a multitude of techniques to create and weave suspense into the plot. Throughout the film, viewers and characters are mostly aware that Mr. Thurwald is a shady person with a rocky relationship; there is no suspense about the actual murder, but the fact that they are living in the same complex as the murderer. One technique is through montages; to call attention to 1:35-1:42, or the break-in montage, the attention goes from Jeff to Jeff’s view, which shifts from the sleuthing woman to Miss Lonelyhearts, by the time he looks back to Lisa and Stella, Lisa is climbing into the apartment, then so on and so forth. Eyes are not always on the important moments, they shift with Jeff, so we get
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.
This meant the guilt of a burning secret kept within the main antagonist became known to that of the main protagonist. This created a deeper connection between the two characters, and the audience could also feel the overwhelming guilt of the main antagonist. as well as a sense of triumph for the main character. This is evident in Hitchcock's film "Rear Window" (1964). The transference of guilt is made crystal clear when Jeff starts to resort to what could be considered to be almost drastic measures such as peeping with a telescope and having Lisa and Stella assist in leaving the safety of the apartment to scout certain areas where they had suspicions on such as the flower bed in order to bring the murderer Thorwald to justice.
Audiences of Hitchcock movies new to expect the unexpected when watching one of his films and he never failed to surprise audiences with his plot twists and unconventional storyline as well as his exclusion of stereotypical norms. This is demonstrated in Rear window as one of the main characters Jeffries (James Stewart) is seemingly disabled with a broken leg. Having this disability and being only a photographer audiences are initially positioned to see him as a helpless character, however, Hitchcock exceeds this expectation by making him become the hero of the film. Towards the end of the film Jefferies lures the killer through guilt and is confronted by him in his room, this scene is made much more impactful by Hitchcock’s effective use of techniques such as lighting, camera angles, sound effects and effectively positioning overrule earning Hitchcock the title of ‘the master of suspense’. These techniques can be seen in this clip from the scene.
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
These were explored by the use of the motifs of birds, eyes, hands and mirrors (Filmsite.org, n.d.). Hitchcock skilfully guides the audiences through a tale
The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.
Hitchcock’s Journal: Biographical Criticism of Hitchcock in His Films Vertigo (1958) and The Birds (1963) Alfred Hitchcock was born in Leytonstone, England during the Edwardian Era. His parents, William and Emma Hitchcock, instilled the ideas of guilt and punishment into him from an early age. They were devout Catholics and sent their son to a strict religious boarding school.
In the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.
The prologue of Waltz into Darkness undermines any romantic illusions as the story itself begins, circa 1900, introducing us to a wealthy Cuban coffee planter named Luis Durand who anticipates the arrival of a mail order bride named Julia Russell (Jolie). Handsome and rich, he has never married ("Love is not for me. Love is for those people who believe in it"). His expectations for the bride are realistic: "She is not meant to be beautiful. She is meant to be kind, true and young enough to bear children."
The Character Evolution Of Jeff and the Realizations he Faces Rear Window by Alfred Hitchcock is a film full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcock’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye initially sees when viewing this film, there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.