A Streetcar Named Desire Literary Analysis

A Streetcar Named Desire Literary Analysis
The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality.
Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named

These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33). Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions. While catching her in the midst of her lies she reveals to Blanche that “[he’s] been on to [Blanche] from the start!” (10.225). towards the end of the play Stella, Mitch, and Stanley play a role in imposing reality into her allusions. As Stella calls for the Doctor to pick Blanche up it rips her away from her fantasies with Shep Huntleigh. When Mitch reveals to Blanche that she isn't pure enough to take home to his