Money is a Powerful Drug
Nadja Riggs riggsn1@go.stockton.edu Film Theory & Criticism COMM – 3400
An Auteristic Look at the Life of Martin Scorsese
Throughout the course of this paper, I will dive deeper in to what exactly defines Martin Scorsese as the talented director that he is to this date. Scorsese has made films that have pushed the boundaries, challenged the way we are supposed to view a film, and …
Taxi Driver
Taxi Driver was Martin Scorsese’s fifth film, and it helped elevate the careers of Robert De Niro and Jodie Foster. This film premiered on February 7, 1976 in New York City. The film raked in $28.3 million, and was nominated for five Academy Awards (Best Picture, Best Actor/Actress in a Leading/Supporting Role,
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stolen youth and the idea of pre-determined life vs. taking things into your own hands. Speaking on the idea of purity vs. stolen youth, you can look at the only two roles played by women, they are played by the pure Betsy, starring Cybil Shepherd, and Iris. These two characters are complete opposites. Betsy’s character is almost like a breath of fresh air into Bickle’s life. In the film, he goes on to talk about how she is the most beautiful woman he has ever seen in his life, and doesn’t quite know how to act around a woman such as herself. On the other hand, once Iris’ character is introduced you can already tell by her demeanor that her innocence is stolen, even at such a young age. With these two sets of personalities, we can see the side of Travis that some may consider “toxic masculinity”. Travis is overly-sexual, due to his addiction to porn, and he does not know how to switch it and off once he is around Betsy. On the other hand, when he is with Iris, he feels the need to step in and become a father figure to the young …show more content…
taking things into your own hands. In the beginning of the film, we can see how Travis tries to handle things his own way, and determine his own destiny. One of the main ways that I noticed this theme come into play was when Travis was first introduced to Iris. As I previously stated, Iris plays a underage prostitute in New York City, and that strikes Travis. He is so shocked that a young girl would be content with that lifestyle, but it doesn’t sit well with him. He decides to take things into his own hands, and sort of “play God” with how her life will turn out. Travis decides that he is going to do whatever it takes to get Iris out, and he even goes as far as to kill her pimp so that she can go back to her normal life as a
Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
Despite some issues, The Gilded Age, or Industrial era, overall had a great impact on America. During this time, the economy saw a great increase, people were given new opportunities such as jobs, and the popularity of America increased globally. I really enjoyed watching "The Gilded Age", and found it very educational. I found the meaning of the name of the documentary interesting, the fact that America put off this image that they were perfect but behind the image were various issues. I guess you could say this proves to never judge a book by its cover.
Winning an Oscar for his directing role in The Departed Scorsese is a critically acclaimed director who lends his talents well to psychological dramas and gangster films. The use of Dialogue
This shows him the dark path in adult hood. Also Wes didn’t really have a male role model, his only one when growing up was his older drug dealer brother. After that thing spiraled downhill for him. He got in to fights and used knifes in the fights. He smoked marijuana which introduced him into the drug world.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
Film analysis of Casablanca (1942) One of the most debated topics in recent history questions if Casablanca is the best film of all time. The film was originally released in New York in late 1942, and then nationally in early 1943. Given the time period and the plot, many found this film to be controversial, yet informative, as the movie follows the story of a group of refugees during World War II. With any discussion, criteria must be set to determine this answer.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
He is ashamed that he took the money in the first place, and his shame motivates his later actions. When Travis visits Iris in her room, He doesn't have sex with her but just talks to her. he used that $20 bill to paid for his time with her. He returned the money to the man it came from in an attempt to atone for his previous inaction, the first step in his new role as Iris's liberator. His imagined that it needs to be cleaned up the city by him being the
He made films to express his personality. A lack of funding was a limitation for him to make his films, but he was still able to reach something that he wanted in his film. Characters he has made were the outcome of his deliberation. For example, Stranger than Paradise is one of his successful films, and it really pulls audiences to think about their life. He made movies not for input
Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.
: For my presentation I have chosen to examine Steven Spielberg and what stylistic features he uses to make himself considered as an auteur. An auteur is a director that has a unique style in filming and has complete control of the production process of the film. The three films that I have chosen to focus on are E.T. The Extra-Terrestrial (1982), A.I. Artificial Intelligence(2001) and Close Encounters (1977). These are three of Steven Spielberg's most known films.
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
The play "Stolen" gives emotional resonance to political issues that audiences can relate to or become aware of. The author Jane Harrison and Wesley Enoch, whom is better known as the director of the first production of Stolen, have ensured that the play was from an Indigenous perspective as well as using universal themes in order to relate to the awful pain of a child being separated from their mother; being denied of one’s culture and language; and the suffering of being treated as an inferior race. The play has an episodic structure with closely connected series of events such as "an accumulation of affecting experiences for the audience". These "experiences" are presented in a non-linear way so there is no particular chronology or direct
Wes Anderson is a very well-known and established director in his field. Over the years, Anderson has developed a unique style of film and a basic formula for how each film will look in the end. The film The Grand Budapest Hotel showcases a lot of Anderson quirks from the vibrant colors to the tiny miniatures that he used to show the landscape. The Grand Budapest Hotel is uniquely Wes Andersons and really showcases his style.
He went to city-college and got rich by himself. The emoluments of his work include beautiful women, limousines, a private jet, a house on the beach and a spacious office (J. Stone 84). According to Arsenault, Gekko compromises the cautionary tale about the “shallowness of Wall Street’s money worshipers”(23). Stone argues that when the incentives for evil behavior are appealing, the acts are less immoral (84). Thus, by portraying Gekko and his life in such a compelling way, Oliver Stone allowed for Wall Street’s villain to become a cult hero, thereby undermining his film’s initial