In Romare Bearden’s artwork At Connie’s Inn, the style of the piece is in the form of abstraction because it was a collage piece that would usually involve different types of materials pasted onto an artwork. In this collage, Bearden turned the nightclub scene into postmodern feel of unpredictable repetitions and juxtapositions of shapes and patterns in his art that created an unexpected rhythm. When I look at the collage’s composition, majority of the figures and items were unified as a whole by being clustered into different groups in order to make the scenery busier. The only people that were not smooshed into a group were the bassist, drummer, dancer, and the black figure in front of the piano which are located on the left side of the piece. …show more content…
I can see in the collage that the different colors in the mixed backdrop behind the musicians and dancer are activating in different diagonal directions by the thick blue, red, and yellow lines directly pointing towards the tuba located in the left corner while the diluted brownish mixtures of red, yellow, and with a few dots of green diagonally making their way towards the tuba. However, when it came to the space in the artwork, there was more positive space than negative space. The examples of positive space were the white audience sitting together in the tables and the musicians and dancer on the stage. The items such as the tubas, the high-relief mural, blue curtain, and the tables in which the crowds were sitting in are also examples of positive space, since they also caused my eyes to focus on the main subject. The only area that showed some negative space was within the mixed analogous background located behind the musicians and dancer. When it came down to viewing the mass of the piece, I can feel the weight shifting towards the foreground because the size of the crowd appears to be much larger than musicians in the background. The tuba in the right corner is also part of the heavier mass since its size helped cause more shifting into the foreground. There was also an asymmetrical balance as well since there were more people and other items appearing at the right side. The left side however, counterbalanced the artwork by having less people and items involved in the work. As for the whole texture of the piece I felt like a rough sensation since the different placements of the materials in the work made it that
In Nikky Finney's poem "Red Velvet", Rosa parks, a 42 year old seamstress recalls the time 12 years ago when she was put off of a bus for refusing to give up her seat to a white man. On December 1st, 1955, 12 years after the incident, she boards the same bus that was driven by the driver who put her off before, but this time when asked to move, Rosa parks decides to stay put. She reminisces on her experiences of segregation, discrimination and her daily struggles on and off the bus. Finney uses an extended metaphor as she compares the strength of fabric to the persistence of Rosa Parks. The part that I thought was most important/moved me the most was when Finney claims that the job of a seamstress is tough and that one should never underestimate
Both Sherman Alexie and Francine Prose utilize various rhetorical strategies throughout their essays to captivate their audience. However, Alexie and Prose present and use these rhetorical strategies in different ways. Prose’s essay contains different components of literary devices than Alexie’s essay. For example, one of the rhetorical methods Prose uses is to take on a certain identity to build her credibility and to strengthen her argument. While Alexie also takes on an identity to fortify his argument, it is a completely different identity than Prose.
Tangerine Constructed Response In the book “Tangerine” the main character, Paul Fisher, shares many differences and similarities to his mother, Mrs. Fisher. They sometimes show a different way of looking at things and they, at times, share the same reaction. An example of a difference would be, “Today she said, “Look at the mailbox on that Tudor. That’s not a Tudor-style mailbox.”
Born in San Francisco, California, Tim Hawkinson, 55, is a sculptural artist who currently works and resides in Los Angeles, California. Interestingly, there exists no single medium in particular that Tim employs in his works; rather, with a widely diverse variety of found, purchased, or created materials and components, each creation he builds is its own unique statement, each one a separate experiment in material study and fabrication. There are, however, several common themes that run through the majority of his pieces, in addition to the splash of flavor that is his own unique style and artistic methods. Often, Tim’s works are somewhat anatomical in nature; that is, a reflection of not simply the human body but also the essence of human
The painting that I chose to analyze was William Maw Egley’s Omnibus Life in London (1859). Painted on an oil medium, it depicts a scene of an omnibus, a horse-drawn carriage that acted as public transportation, pulled over at a certain stop along a particular route (Tate). In the painting, it features a crowded bus as more people attempt to board it. There are various people from every type of social class, which will be examined during the contextual analysis section to interpret the meaning historically. Also, this paper will analyze the formal structure of the painting through color, lines, space and mass, and composition.
In Chapter 9-14 Holden Caulfield leaves Penecy Prep and heads to New York City. Where he will stay for a couple days before winter vacation starts and he will head home. Delaying breaking the news to his family he got kicked out of school for as long as possible. These chapters are where Holden’s loneliness becomes abundantly clear. The reader is subjected to many long rants by Holden about the company he wants, though he attempts to settle several times.
Ghost stories, surprise twists, and the unknown are all elements that a lot of audiences enjoy. In Lucille Fletcher’s The hitchhiker a man is going on a trip; however, this is not an average road trip. Instead, Ronald Adams continues to see a mysterious man over and over again. Seeing this man is driving Adams to the edge of insanity.
In the short story, “St. Lucy’s Home for Girls Raised by Wolves”, by Karen Russell the character Claudette struggles to follow the expectations from the Jesuit Handbook on Lycanthropic Culture Shock but she uses tancity to overcome her mistakes. Claudette is a confused girl trying to determine her purpose in life as she is taken from her home with her sisters and is forced to become civilized. Pressure from the nuns and her sisters causes Claudette to meet her goal, however, that same pressure also causes her to fail some the expectations from the handbook. As Claudette moves through each stage Russell provides the reader clues to understanding that Claudette is the type of person that seems normal and fine on the outside, but on the inside is struggling to understand who they really are.
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
Sakoto Fujikasa featured work of artistry displayed within the Harn Museum is know as “Stream.” This piece in particular demonstrates a medium that has been contorted to displays various ripples and waves to resembled that of flowing water. Hence, the name “stream” best befitting it’s whimsical nature. However, at a deeper interpretation of her piece, it can be seen that there is a hiding meaning.
In “Hotel on the Corner of Bitter and Sweet”, author Jamie Ford depicts the friendship between Henry Lee and Keiko Okabe, a Chinese American boy and a Japanese American girl whose ethnic backgrounds impacted their destinies in drastically different ways during World War II. After the attacks on Pearl Harbor by the Japanese, the United States government ordered all persons of Japanese ancestry to evacuate their homes where they would then be sent to internment camps. Keiko and her family being considered Japanese even though they were truly Japanese Americans, were sent to an internment camp. While Keiko was imprisoned, Henry had to come to terms with what it meant to be Chinese, an obedient son, a trustworthy friend, and a loyal American all while having to deal with the racism and discrimination towards people of Asian
In the Loge, by Mary Cassatt is a very interesting piece of artwork. The artwork depicts what appears to be a woman, viewing a play or some kind of entertainment inside of a theater. The woman’s gaze is set on whatever the entertainment in front of her is. However, the man across the theater is looking directly at the woman, yet he appears to be attending the show with a woman himself. This painting appears to be set sometime in the past, the outfits the people are wearing appear to be very outdated.
In a society clinging to the cushion of political correctness, to be faced with a novel so offensive, so brash, so seemingly racist in the classroom was initially jarring. At first, I was opposed to the concept of having to read the word “nigger” and discuss it as if it was just any antiquated term; it seemed impossible. However, through my reading of Adventures of Huckleberry Finn by Mark Twain, I began to understand the value of my discomfort. A tenant of Jesuit education, personal growth is necessary for one to grow into an intellectual, whole human being. For one to grow, they must step outside their comfort zone and become uncomfortable.
The Oakland Museum of California is a remarkable place to experience art in a museum for the first. It is a small museum but, it has so much to offer. It includes an Art gallery, History gallery and a Natural Science gallery. Walking up to the entrance of the museum, I noticed the museum is small but it had a sense of space surrounding it. The exterior had little decorations and the building has a simple but very geometric shape.
Abstract painter Walter Darby Bannard once said, “When you 'break all the barriers ' you get a pile of rubble.” This is very true of the art world; in order to avoid creating a “pile of rubble,” artists use certain rules and elements in their work so that their message can be clear to their audience. This is true of Lindsey Dunnagan’s watercolor and ink painted acrylic installation, The Decay of Gaia. While Dunnagan uses many formal elements to warn her audience about the dangers of harming the earth, two elements, space and shape, stick out in helping her achieve her goal.