Anne Bradstreet’s three elegies for her grandchildren are very sanding and have many similarities, as well as differences. The three poems by Bradstreet are titled, “In Memory of My Dear Grandchild, Elizabeth Bradstreet, Who Deceased August, 1665, Being a Year and a Half Old," "In Memory of My Dear Grandchild Anne Bradstreet, Who Deceased June 20, 1669, Being Three Years and Seven Months Old," and "On My Dear Grandchild Simon Bradstreet, Who Died on 16 November, 1669, Being But a Month, and One Day Old.” In the very first poem, it would seem her first grandchild had pasted away at a year and a half old. Bradstreet’s talk about how God gives and takes away. As well as comparing the child to nature on how trees over time will rot, and that her absence is like a vacant spot were a flower should be. In the second poem, Bradstreet writes as if she is more shaken and broken. She uses symbols of things that are easily broken. Much like glass and bubbles in her writing. At the end though she still believes that the child is in good hands of God, in belief that it happened for a reason. Finally, in the third poem, her grandson dies. She throws questions more toward God on why he would remove her loved one from this earth so soon. Bradstreet is merely in depression, yet she finds courage at the end and believes that something good will be coming their way after the loss. In poems one and two about grandchildren, Elizabeth and Anne, Bradstreet shows a difference in her feelings. In
“The devil is waiting for them, hell is gaping for them, the flames gather and flash about them, and would fain lay hold on them, and swallow them up.” (Edwards) The differences in the Bradstreet’s poem, God was taking the house to help her move on with her life. “It was His own, it was not mine, far be it that I should repine; he might of all justly bereft.” (Bradstreet)
Though the majority of the remaining were ill, God gave to them caretakers for the rest. Bradford and Bradstreet both see the God’s glory, but Bradford reveals them in the difficult times in life, where Bradstreet sees them in the good times. Bradstreet sees God’s glory in the superb aspects of life, like her husband. Anne Bradstreet writes about how much her husband means to her and her strong relationship with her husband. Bradstreet states, “Then while we live, in love let’s so persevere/
Edna St. Vincent Millay, in her sonnet “Oh, Oh, You Will Be Sorry,” writes that the speaker gets bully on what she does and at the end, she has gone somewhere. She develops this idea by first, introducing the title’s noun which is “ word” and suggesting to exchange her “ book” with a “kiss” so that she will have the book with her; second, by questioning, who says “...such a little head!” and describing the image of her after she puts the new “hat” on in order to show how pretty she is; third, by exaggerating the love of her towards the “enemy or ...friend” and by declaring that she would not bother to share her “opinions”; forth, by stating irony when she mentions “ sweet and crafty, soft and sly”; fifth, by implying that she will be gone
Bradstreet knows the goodness in God and rather than fearing him she thanks Him or asks for help. While her house was burning she asked God “to strengthen [her] in [her] time of distress”(9) because she knows everything that happens is through the will of God and only He can help her through this difficult situation. Bradstreet sees God as a just one even though he took all of her physical possessions. She takes His justness a step further by saying in lines 18 and 19 that even if He took all of her belongings, it would still be reasonable. Bradstreet also believes in a positive afterlife for herself and most people around her.
In about 1640, Bradstreet focused her poems primarily in piety, as shown in “To My Dear and Loving Husband,” and courage, as shown in “Upon
In the poems “To My Dear and Loving Husband” and “Upon the Burning of Our House” the author Anne Bradstreet allows the reader a glimpse of what she values. The two poems are alike because they both explore her religion and show her love for God. In these two poems they let you get a glimpse of the way she looked at things and saw the good side of everything. For example, in “ To My Dear and Loving Husband” it says “ if ever a man were loved by wife, then thee; if ever wife was happy in man,”.
The main message of the story is shown through the symbolism of the nursery. In the story, Bradburry shows that the parents are no longer matter to the children, and the mother and father are replaced by the nursery. The symbolism teaches not only that neglect can cause people to change, but also that too much technology is not a good thing. Similes are also a present part of this short story. For example when the text says “... and the yellow of them was in your eyes like the yellow of an exquisite French tapestry…” This is an excellent example of ‘like’ or ‘as’ being used to make emotions of sights more relatable, vivid, and understandable to the
Anne Bradstreet’s poem “To My Dear and Loving Husband” was written between the years of 1641 and 1643. “Not until the year 1678, six years after Bradstreet’s death, the poem was published” (Ruby 228). A poet with Puritan beliefs, this poem uses the religious language, hyperbolic metaphors, paradox, and antiquated diction and style in order to explain the devotion and love for her husband as she struggles with the Puritan way of life along with the uncertainty of her reassurance of love. Reading this poem over and over for countless hours I came to the conclusion that there are two messages that Bradstreet was trying to project in this poem, the Literal way and the sarcastic way. The Literal way clearly shows the readers the love of a wife for her husband.
In the Ray Bradbury's short story, the world has been heavily influenced by nature, the point he is trying to get across with the destruction of everything, is that nature will greatly outlast, even the last building left standing. While Sarah Teasdale's version has a much more lively take on the nature scene; creating scenarios in her poem with singing frogs. Sarah;s version also has some themes in hers as well. The quote “Not one would mind, neither bird nor tree, if mankind perished utterly.” This suggest that Sarah Teasdale's incorporates darker scenes in her poem like Ray bradbury.
Bradstreet uses an AABBCC rhyme scheme which makes the poem seem to be written in a calm and relaxed state. It is also important to notice that she uses end rhyme which makes it seem as if she was trying to have some control over her life, probably because she lost it due to the fire. The style of the text is really simple because Anne Bradstreet uses what is known as “Puritan Plain Style” makes clear and direct statements and meditate on faith and God with simple sentences and words. It usually contains few elaborate figures of speech.
While both poets try to be optimistic about the death of their loved ones, Wheatley, the more religious poet of the two, emphasizes the importance of religion by using her almost artistic sculpting of descriptive adjectives and robust nouns such as “The glowing stars and silver queen of light/ At last must perish in the gloom of night” and in using this word choice, she shows how much weight her religion holds (19-20). As Wheatley praises her God and his doings in her poem, Bradstreet makes sure to underline how much her relationship with her husband and kids mean to her. “Look to my little babes, my dear remains./ And if thou love thyself, or loved’st me,/
Anne Bradstreet mostly wrote about everyday life while making it seem remarkable. Being a Puritan woman, Anne Bradstreet had trouble writing poetry in colonial society. She was expected to behave as a normal Puritan woman who should stay at home and be a housewife. However, she did
Anne Bradstreet’s poem entitled, The Prologue, consists
Furthermore, by using end rhyme, Bradstreet symbolically shows restraint. In the same way that a poet controls oneself by specifically using end rhyme, the poet is controlling her emotions when dealing with a sad experience and accepts her mortality. Similarly, in “Verses Upon the Burning of our House,” proof of Bradstreet’s faith is indisputable. After being initially distraught at her house burning down and losing all of her belongings, Bradstreet recounts how she reorients herself and blesses “His name that gave and took,
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;