In 1948, Mahmoud Darwish was six years old when his interrupted childhood brutally confronted exile. Thousands of Palestinians were forced to exile due to the systematic occupation by the Israelis. For Darwish, severance from the homeland gave birth to his poetry, and commenced a love affair with location and dislocation. Throughout Mahmoud Darwish 's poetics is the linkage of individuals or occupied entities to the ideal of a universal struggle for freedom and liberty from oppression, and a link to the beauty of life and language through the creative process, thus affirming Wellek and Warren 's notion that: "the work of literature is an aesthetic object, capable of arousing aesthetic experience." (1984: 241). And it was Darwish 's creative work and precise language that transcended his experience not only as a Palestinian writer, but also as a writer who aroused the universal, while managing the aesthetic transmission of the oppressive side of the human condition under occupation. In his prosaic memoir, Memory for Forgetfulness, Darwish writes in hauntingly surrealist manner: "He 's looking for a pair of eyes, for a shared silence or reciprocal talk. He 's looking for some kind of participation in this death, for a witness who can give evidence, for a gravestone over a corpse, for the bearer of news about the fall of a horse, for a language of speech and silence, and for less boring wait for certain death. For what this steel and these iron beasts are
The poem “Nightmares”, by Sammy Lupo, is about an inmate who was convicted for murder on death row and how that forever haunts him after the horrifying events are over. Kimel’s poem designate, how a man that survived the Holocaust, cannot forget the horrid events that happened and he wants everyone to be aware of the Holocaust and not forget it. The likenesses the poems share are that both author’s cannot forget the terrifying events they have experienced in their lifetime and both poems share a macabre tone. The particular differences are that the inmates poem was wrote before he died and Kimel survived and is hoping to make sure no one forgets the horrifying events of the Holocaust. Lupo was punished on a death row sentence for killing an
Trauma in Dawn and Men in the Sun. The theme of trauma is addressed differently b y the authors of Men In The Sun and Dawn , though there have a few similarities , Gahssan Kanafani in Men In The Sun gives the readers a detailed description of not only the social realities , but the political and human ones as well that characterize the basic lives of the Palestinian people during a critical point in their history when the structure of their existence, as well as the traditional order have been significantly altered by the regional as well as international events .The author describes trauma by showing the struggles and hardships that are undergone by Abu Qais , Marwan and Assa who are all in the quest for a better life . Similarly, in Dawn, Elsie describes the wait of two men for a murder that is scheduled to take place in Dawn.
Though there is little danger of forgetting that heartbreaking day, she worries that even she will still forget. She expresses these worries while writing her poem “Going to Work”. She does this by using three poetic devices within her poem: personification, imagery, and symbolism. Within Mercado’s poem “Going to Work” she reflects on her memories of the twin towers before the attack using personification; giving human-like qualities to the twin towers to further illustrate on her memories of them.
In the book Night by Elie Wiesel, he uses repetition and rhetorical questions to show the reader how horrible of a time the Holocaust was. Repetition was used throughout the book consistently, but the read really sees it when Wiesel explains the first night at Auschwitz. All the horrible things he encountered and hatred he saw that first night was shown to the reader in a meaningful. “Never shall I forget” was used seven times, but one of them really stuck out to the reader. Wiesel explains the how “Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky” (Wiesel 34).
When a love story is told in a first-person perspective, it makes sense for the readers to expect an overly dramatic and emotional narrative. James Joyce’s “Araby” and T. S. Eliot’s “The Love Song of J. Alfred Prufrock” are both love experiences written in first-person perspectives. However, in “Araby”, the boy occasionally assumes a somewhat detached attitude in his narration and in “The Love Song of J. Alfred Prufrock”, Prufrock sings his love song in a dry, passive manner. When the boy in “Araby” explains about the name of the girl he fell in love with, he says “her name was like a summons to all my foolish blood” (2169). Although this statement might sound passionate, identifying his love-evoked reaction as foolishness and not providing the readers with the girl’s name expresses the boy’s current state of
Using distinctively visual, sensory language and dramatic devices in texts allows the reader and audience to view as well as participate and relate to different emotions. In the fictional play “Shoe Horn Sonata” written by John Misto, 1995, Misto sets the scene by using dramatic devices to address the extremely confronting circumstances that the protagonists, Sheila and Bridie experience. Similarly, in the poem “Beach Burial” by Kenneth Slessor, 1944, Slessor too uses extremely strong visual language on the subject of war to overcome the gruesome realities of the subject matter. Misto’s play “Shoe Horn Sonata” shares the impacting journey two young women are forced to face, spending 1287 days in captivity in a Sumatran war camp, during world war two.
In the memoir Night, a book about holocaust survivor’s experiences. The survivor is Elie Wiesel and the details of his experiences are described very well. There is a quote shown that is Wiesel’s poem Never Shall I Forget. The quote significant because it shows how Elie Wiesel experienced and felt when he was first transported to Auschwitz.
This excerpt is relevant to Wiesel’s biggest fear which is that the world has not learned or has simply forgotten about the Holocaust. The line “Never shall I forget…” (Wiesel, 34) is reiterated to show how important remembering is to Wiesel. This also pertains to Wiesel 's “big idea” which is that his purpose for writing Night was to never let anyone forget about the Holocaust. He hopes that this memoir helps prevent another genocide like this, and helps motivate people to stand up to injustices.
It uses this effect to accentuate the “Homecoming” of the dead. Repetition is harnessed to utilise the irony and accentuate the ones who are coming back are dead, not the glorified ending that society was promised. The inditer, Dawe, utilises his perspective to present his view on the matter. His perspective is rather raw, and often the plain truth, as optically discerned in “Homecoming”, and in some stanzas in “On the Death of Ronald Ryan”. Readers may interpret his works in ways of tyranny toward the regime, society in some fashions.
The biological approach to the basis of memory is explained in terms of underlying biological factors such as the activity of the nervous system, genetic factors, biochemical and neurochemicals. In general terms memory is our ability to encode, store, retain and recall information and past experiences afterwards in the human brain. In biological terms, memory is the recreation of past experiences by simultaneous activation or firing of neurons. Some of the major biopsychological research questions on memory are what are the biological substrates of memory, where are memories stored in the brain, how are memories assessed during recall and what is the mechanism of forgetting. The two main reasons that gave rise to the interest in biological basis of memory are that researchers became aware of the fact that many memory deficits arise from injuries to the brain.
In October 1905, James Joyce wrote “Araby” on an unnamed narrator and like his other stories, they are all centered in an epiphany, concerned with forms of failures that result in realizations and disappointments. The importance of the time of this publication is due to the rise of modernist movement, emanating from skepticism and discontent of capitalism, urging writers like Joyce to portray their understanding of the world and human nature. With that being said, Joyce reflects Marxist ideals through the Catholic Church’s supremacy, as well as the characters’ symbolic characterization of the social structure; by the same token, psychoanalysis of the boy’s psychological and physical transition from one place, or state of being, to another is
In Wild Thorns, Sahar Khalifeh uses the absurdities of war to emphasize how the Palestinian Occupation is a war within the Palestinian community, and between the Palestinian and Israeli community. The product of such an environment is the psychological factors of tension, helplessness, sacrifice, and solidarity. Khalifeh’s characters from the Palestinian city of Nablus express these behaviors. Through her bittersweet novel, she invites readers to assess how the Occupation creates an individual to distort cultural values, and how their selfish acts destroy the loves of the group of people they surround themselves by.
Her figurative language directs the audience not only to see the images of what she was observing, but also to fill our ears with the elaborate sounds. She brings her journal to life by using figurative language to carefully describe her emotional feelings. "Pay my respect”, “black coats”, “little cemetery", "unbelievable". Her description goes as follows; the sound of the construction site, the moist air of March, the touch of the aluminum being pressed, the taste of pastrami sandwiches being made and the sight of Ground Zero filled with its solemn visitors.
Introduction The novel as well as the short story proclaimed a literature of the oppressed that extended hope to those who have none. This can be seen in three key dimensions of the Palestinian novel. First, there is a beautification of the lost homeland of Palestine. Palestine is portrayed in literature as a paradise on earth.
Dylan Nguyen Mr. Ali AAC English 9 February 2023 The Power of Memory “Remembrance” by Tawnysha lynch is a poem about the speakers cruel memories of her time as a prisoner in the Auschwitz concentration camp, the largest nazi concentration camp during World War two, responsible for the violent deaths of millions of jews. The speaker is drawn back to her vivid memories as she stands in the midst of Auschwitz, and the imprint of her recollections revolves back to her, and at that moment, her memories became reality. The power of memory can be seen negatively affecting the speaker by bringing her back to the harrowing memories she experienced, and marking the past with haunting reminders, with the usage of imagery and flashbacks. Through the words of the speaker, and her methods of using literary devices, it is easy to understand the emotions she felt as the power of memory forced her to relive the horrifying memories she had while imprisoned in Auschwitz.