Ideal Body Types of American Women Throughout History
This project will delve into the ideal bodies that have emerged throughout the past century, and possible causes for the change in ideals. Accompanying this paper will be a series of drawings depicting the bodies that I, after researching, have decided are most representative of ideals at that time. For this assignment I chose five documents to study, which I thought would be useful for my research and would provide enough information to build a substantial project on. “U.S. Trends in Feminine Beauty and Overadaptation” by Allan Mazur talks about the various trends and explains how they came into fashion, this writing also emphasizes the trend of women being depicted as slender in the
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In “U.S. Trends in Feminine Beauty and Overadaptation”, Mazur says that in the very early 1900s, before the 1920s, “the body below the waist was completely covered with bulky skirts, so the shapes of hips and legs were irrelevant to fashion.” (Mazur, pg. 283) The emerging mass media of the 1920s helped change styles quickly and mass retail outlets changed what body type was in fashion quickly. (Mazur, pg. 288) Mazur explains that “dresses of the 1920s, and the ideal bodies underneath, became curveless, almost boy-like.” (Mazur, pg. 287) There was also an emphasis on face and later on the newly emerged leg, which women were expected not to show prior to this time. I was unable to find as much information on body ideal in this time period, and because of that I decided to draw a flapper who was almost boy-like in her figure. I found the flat chested and the emergence of women’s legs to be fascinating and I feel like when I think about the early 1900s this is the most prominent figure I think of and I feel like it was the first major body type pushed by the …show more content…
In the mid 1980s author Mazur wrote that “The words “anorexia” and “bulimia,” barely known a decade ago, are now in common use to describe self-destructive eating habits, particularly of young women.” (Mazur, p. 281) In Mazur’s reading it is explained that the changing cultural concept of beauty led to a slender body and that girls were starving themselves to reach this ideal that had been set for them. (Mazur, pg. 281) Furthermore, on the effects of the promotion of thinness and the development of eating disorders in girls, Mazur says that “in pursuit of the new slender ideal, some women are dieting to a degree that is detrimental to their health.” (Mazur, pg. 297) One author notes that the emphasis on fitness and exercise in magazines geared towards women spiked in the late 1900s in a time when obesity rates were rising in the U.S. (Nobles, pg. 27-28) At this time in history diet and exercise industries target the desire for a slim rear end and legs, while women often complained that their buttocks and hips were too large. (Mazur, pg 298) Advertisers showing thinness in excess in a time of rising obesity rates seems to fuel the formation of eating disorders. On this Nobles says that “advertisements that show women who are impossibly thin and beautiful despite the rising obesity rates are showing women what they should aspire to become. Women try to
Bordo’s primary target audience are females, teenagers and possibly even advertising companies, where she too, creates an effective argument. Bordo claims we are influenced by media to believe that it is imperative to achieve the “slender ideal body” and reflects on how dieting has become normalized. She states “In the late nineteenth century, by contrast, the practices of body management begin to be middle-class preoccupations, and concern with diet becomes attached to the pursuit of an idealized physical body weight or shape” (Bordo 484). Bordo discusses the associations that have been created regarding body weight.
A flapper had pale skin, bobbed hair, and unfeminine bodies with no breasts or hips. Zeits describes the flapper as a “a sort of teenage girl whose gawky frame and posture were “supposed to need a certain type of clothing – long, straight lines to cover her awkwardness.’” In regards to past history, or even dating a decade before the flappers, the desired body type was “a round soft body gathered together in a small waist” ("See How Much the "Perfect" Female Body Has Changed in 100 Years (It's Crazy!)")Corsets and waist defining looks was the entire craze while in the twenties is a straight A-line type body, with little to no curves and no cleavage in sight. The body of the flapper mirrors a boyish
In the “Inner Corset” by the Laura Fraser described that how the thin ideal developed in the United State from the 1880s to 1920. Fraser’s article has as its purpose how the women’s body were apprise by men and experienced by women and appeals to logos by doctors being thin is very harmful for their body. The “Inner corset” is an except form “Fat and its follies”, “Never satisfied”, “American beauty, “Illness as metaphor”, “The complete Poor Richard almanacks, Vol.1, Imprint society”, and “Fat and fashion”, uses for
There was a decade of economic prosperity following the conclusion of World War Ⅰ. This time was called the “Roaring Twenties”, because of the ebullient, unrestrained culture of the decade. Before this era, the Victorian attitudes toward dress and etiquette were still prominent, and were the main influence on women’s clothing. Women’s bodies were fully covered, as floor-length dresses were the norm and waists were cinched, tight due to the corsets that were still an accompaniment to most women’s outfits. When the 1920’s hit, however, dresses got shorter, painful corsets were cast aside, and some women even began wearing sports clothes.
Before the twenties, the traditional woman's lifestyle included wearing corsets and dropped layers of clothing. “In breaking away from conservative victorian values, flappers created what many considered the ‘new’ or ‘modern’ woman. As the common values of women were changing, their clothes were too. The rise of this new lifestyle started post world war I. “They found themselves expected to settle down
In today’s modern culture, almost all forms of popular media play a significant role in bombarding young people, particularly young females, with what happens to be society’s idea of the “ideal body”. This ideal is displayed all throughout different media platforms such as magazine adds, television and social media – the idea of feminine beauty being strictly a flawless thin model. The images the media displays send a distinct message that in order to be beautiful you must look a certain way. This ideal creates and puts pressure on the young female population viewing these images to attempt and be obsessed with obtaining this “ideal body”. In the process of doing so this unrealistic image causes body dissatisfaction, lack of self-confidence
They were asserting their rights to make personal choices” (Zeits, 69). Women who lived in the United States, especially flappers, often faced misogyny and condescension, however, they managed to successfully construct a vigorous, independent women, who was soon to become the future of America. For centuries, women in America had been expected to wear long dresses that covered their knees, and tight corsets that extenuates one's waist, which provided an “inviting” hourglass figure. The constraining clothing that women wore depicted the way they were treated before the flappers.
These advertisements lower women’s status as the women portrayed in the photographs set merely unattainable standards that only assist in women’s inferiority. Advertisers should not seek to make women feel bad about their appearance as everyone comes in all different shapes and sizes and not all perfect thin and tall models. Women having a negative self-image of themselves is an ongoing issue, because the media unfavorably portrays them as they do not meet their standard of what the ideal body type of a woman should look like. Solving this issue would incredibly increase women’s confidence in themselves and their bodies, diminish eating disorders, and shrink the dieting industry that so drastically affects the health of
This constant fixation on physical perfection has created unreasonable beauty standards for women, ones we cannot possibly achieve on our own. Such standards permeate all forms of popular media, particularly fashion magazines and advertisements. Women are bombarded with the notion that we must be thin in order to be desirable. These images project an
Countless advertisements feature thin, beautiful women as either over-sexualized objects, or as subordinates to their male counterparts. The mold created by society and advertisers for women to fit into is not entirely attainable. More often than not, models are Photoshopped and altered to the point that they don’t even resemble themselves. W. Charisse Goodman suggests, “The mass media do not
"The Impact Of Advertisements Featuring Ultra-Thin Or Average-Size Models On Women With A History Of Eating Disorders." Journal Of Community & Applied Social Psychology 15.5 (2005): 406-413. Academic Search Premier. Web.
From an early age, we are exposed to the western culture of the “thin-ideal” and that looks matter (Shapiro 9). Images on modern television spend countless hours telling us to lose weight, be thin and beautiful. Often, television portrays the thin women as successful and powerful whereas the overweight characters are portrayed as “lazy” and the one with no friends (“The Media”). Furthermore, most images we see on the media are heavily edited and airbrushed
The Era typified for the introduction of Coco Chanel, shorter hemlines and flappers. The ultimate purpose during the roaring twenties was the boyish look. Women were aimed to hide their curves. Some would even bind their chest with strips of cloth to be as flat as possible and, thereby, achieve this boyish look. The short flapper dress and loose girdles became fairly popular and replaced the corsets of the Victorian Era.
The idolization of slim figures are blinding teenagers to believe it is a necessity to practice these methods. As Blaid describes society’s perspective, “If you develop an eating disorder when you are already thin to begin with, you go to the hospital. If you develop an eating disorder when you are not thin to begin with, you are a success story,”(26-27) this is to point out how society has manipulated the point of view on health conditions to be viewed as a
Before the 1900s, the Rubensque women painted by Rafeal and Renoir dominated the ideal female body image. The Bathers, painted by Pierre Auguste Renoir in 1887 was also an example of what the ideal female body looked like. Women having extra weight reflected wealth and beauty then. In the early 1800s, women preferred having pale skin because it showed that they spent less time outdoors working, which reflected wealth. Also women at that time were expected to have small hands and feet as a sign of their feminism, otherwise they would be considered as masculine-looking.