Angel Zhang
Mr. Hodges, Mr. Morris
ENG2HP
12 August 2015
Capote Summer Assignment
1. Though the book In Cold Blood is a non-fictional account of a murder case, the author uses strange combinations of words to create a more surreal description of the whole situation. For example, Perry’s intense urge to kill the driver as they were hitchhiking is translated into the strange word combination as, “He thought he might vomit, or faint; he felt certain he would if Dick delayed "the party" much longer. The light was dimming, the road was straight, with neither house nor human being in view - nothing but land winter-stripped and as somber as sheet iron,” (107). The description of the land creates an ominous scene; a perfect setting to commit a murder. With the simple descriptions in the beginning of the quote, the last description stands out, highlighting the fact that a murder is
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Though Truman Capote’s In Cold Blood is a non-fiction book, it is also categorized as a novel due to the different techniques the author uses throughout. Many of the scenes told in the book have fictitious elements to it, such as variations in sentence length. For example, some sentences are written with one word only, “A cloudburst. Rain. Buckets of it. Dick ran,” (187). Non-fiction books usually use language that is sophisticated and lengthy. Unlike the “normal” non-fiction book, In Cold Blood uses short and precise sentences to create a fictitious feel to it. Another of Capote’s techniques is described in another question; the use of different point of views. In non-fiction books, the point of views don’t usually change from chapter to chapter. In Cold Blood’s use of different point of views makes the book flow more like a novel than a non-fiction book. By using omniscient in one chapter and a character’s in another, different angles of the story is told, making it seem more like a novel. The usage of techniques native to fictional books, In Cold Blood can also be characterized as a
Although this novel is labeled non-fiction, some people have contradicted the details found in the novel. A lawman involved named Harold Nye contradicted Capote’s accounts saying that while Capote claimed that after the police received a tip-off from anonymous person, that they rushed to parent’s house of one of the murderers. But Nye claims that investigators visited the house five days after the tip-off, which allowed the killers to flee to Florida. This is just one of the contradicted statements, but there are apparently others. Capote’s style in this novel is known for being one of the first to exhibit this new form of journalism, and to also test the merit of journalism.
Some of these phrases are used by Truman Capote in his introduction to In Cold Blood. Capote describes the small town of Holcomb, Kansas in this way while using imagery, specific details, and brilliant word choice to take us into the town and experience the story rather than read it. Capote’s black and white image of Holcomb is
Would you want to read an entire piece of literature without any description? The most common answer would be “no,” which shows how relevant descriptive language is to any text. Descriptive language is a very influential craft tool that is used throughout many pieces of literature. The effect it has on those texts is so essential that if used consistently and purposefully, it allows the readers to visualize the scene that is created by the author. This essay will compare and contrast the descriptive language used within the short story, “A Sound of Thunder,” by author Ray Bradbury, and the novel, Pendragon, by D.J. MacHale.
Writing dark, eerie, and murder stories along with a flamboyant character would be trailblazing, but not a person one might want to introduce to their proper friends (“Truman”). Part II: The character
Digging into such dark territory had taken a toll on him psychologically and physically. Known to drink, Capote began drinking more and started taking tranquilizers to soothe his frayed nerves. His substance abuse problems escalated over the coming years." (A&E Network "In Cold Blood" para. 5). Capote left a large impression on western writing, and while his literary works received mixed critical reviews throughout his life, his controversial writing and his unique approach to nonfiction has left a legacy for those who follow in his
In “Hunters in the Snow” main characters Tub, Frank, and Kenny are out hunting in a forest. After ‘joking’ about pretending to shoot Tub, Kenny himself is shot by Tub. The short story “Hunters In The Snow” by Tobias Wolff is an example of commercial fiction and “The Most Dangerous Game” by Richard Connell is an example of literary fiction because of their traits and how they are written. Although “Hunters In The Snow” is commercial fiction, and “The Most Dangerous Game” is literary fiction, both have some aspects of the others type. Even though “The Most Dangerous Game” is an example of Literary Fiction it has a lot of action.
Additionally, Capote expressed the idea of there being two sides to every story for both the protagonist and antagonist. By doing so, he used a unique writing style to help develop the story. In Cold
Although, Holcomb is written as a picture-esque mid-west utopia in the first chapter of In Cold Blood, Capote uses personification, parallelism, and the inclusion of first hand accounts, to describe its shift from a neighborly society to one of locked doors in order to comment on how one event can completely alter a locations image. Through the use of personification, Capote describes the disillusion in the townspeople of Holcomb, product of the murder of the Clutter family. Capote writes that locks and bolts are the most popular item in a Garden City hardware store, and that the people disregarded brand identity just to have the security of the ownership of a lock. Capote latter writes, “Imagination, of course, can open any door - turn the key and let terror walk right in” (Capote 88), to show how paranoia has consumed the townsfolk are by expressing the false sense of security that a door lock provides. The use of “imagination can open any door”, implies that if someone needed to get through a locked door,
In Cold Blood, by Truman Capote, is a non-fiction true crime. In Cold Blood is about two murderers, Dick and Perry, who heard a rumor about a household possessing $5,000 and they wanted the money. Little did they know there was not any money and they got caught for murder to get nothing in the end. They ended up serving jail time and sentenced to hang till death.
In the novel In Cold Blood by Truman Capote, Dick and Perry are dynamically changing companions each with their own motives and background that defines their actions. These key descriptions and details are revealed through the tones and overarching atmospheres when focusing on the characters. Capote uses tones and themes to characterize the killers Dick and Perry as resenting and bitter as well as having opposing views. The killers derive their bitterness from the dark and helpless tone Capote uses.
In Truman Capote’s In Cold Blood, there is no hero. The protagonist is not a hero, nor the law enforcement. Heroism becomes irrelevant when searching for justice following a tragedy such as the one seen on November 15th, 1959 in Holcomb, Kansas. Complexity, next to justice, is primary to put into account during the aftershocks . Perry Smith is the protagonist in the novel, not only due to author’s bias but also due to his sheer dynamic, a man disconnected from word to action.
Truman Capote uses variety of language devices to vividly develop Perry Smith in his novel In Cold Blood. These language devices include, diction, similes and symbolism. Throughout the novel diction is used to develop Perry Smith’s character, and suggest reasons for the murder. When Smith explains what happened that night at the Clutter’s family home, he tells agent Alvin Dewey about his moment with Nancy Clutter.
The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.
The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.