When looking at both tales of Phedra and Tartuffe it seems as if you can go so much deeper into the double lives that almost each character in the stories are living. In one form or another each person has something that they are attempting to hide from those around them by pretending to be someone else. Morals and religion are big factors when it comes to how and why the characters are behaving or in some cases not behaving a certain way. Although, Phedra and Tartuffe lead very different lives, but they are both alike in so many ways and even though they seem to be at different stages in their lives, both have problems with being their true selves and living in their truth in fear of what others may have to say about the “real” them. The …show more content…
The way that he carries himself has allowed him to easily slide into the good graces of Orgon and Madame Pernelle, the façade that he is displaying is one for the ages. In Tartuffe’s case everyone around him can see him as the fraud he is whereas with Phedra no one knows how she really feels about Hippolytis until she actually reveals it for herself. Phedra does a better job in hiding her true feelings for Hippolytis and she even goes out of her way to avoid acting on the temptations she knows would soon take over if ever left alone with him for a period of time. Tartuffe simply acts on the chance that he thinks he has with Elmire in a somewhat awkward moment of them discussing Orgon wanting to give him his daughter in marriage. They both do finally admit their love for the forbidden, but also the love is what differs as well. Phedra wants Hippolytis in a sexual way and in that way only and Tartuffe claims to be in love with Elmire. Both leading lives to save face for themselves. Both Phedra and Tartuffe are displaying …show more content…
She goes as far as being cruel to Hippolytis in order to get him sent away so she could never act on the feelings lingering inside and it isn’t until ____ takes his trip that she actually has to face him after being separated from him for so many years and even when she is in such close quarters with him she still tries to have some type of composure until she can no longer control herself. Whereas Tartuffe is spending all of his time trying to manipulate those around him in order to get what he wants all while using religion as a way to do it. Throughout his efforts of trying to be a great religious figure he falls more than short when being faced with sin himself, but unlike Phedra he does not try to fight his feelings for long instead he jumps at the first chance he is given to come onto
They are both cruel, dishonest, and apprehensive. In the beginning, the girls are dancing in the woods in the middle of the night. It was claimed that Mary was dancing naked. When Abigail’s Uncle, Reverend Parris spots
The American Revolution was clearly a very important time period in the history of the United States. Through the great effort of the patriots, Americans won the independence they deserved. With this in mind, I am not taken back by the fact that so many documents were made based off of the revolution. In class, we watched The Patriot and the mini-series The Revolution; both were based on the war.
At the opening of the play, we find that she eats forbidden sweets behind her husbands back. This is not a huge offense, but it is an action that gives us insight into her deceptive nature. We later discover that she borrowed money, forged a signature, and lied to her husband about it. She justifies her actions with the rational that her deceptive actions stem out of an act of love, thus making them right. She doesn 't see anything wrong with her perception and can often be found covering her deceit with phrases like, “You mustn 't say anything about it to anyone.
The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing.
He has been blinded to the truth ever since his whole life while Teiresias is blind and got no sight, but he is capable to see clearly the past, present and even the future (Rado, 1956). This brings the comparison between the physical sight and vision. Blindness and vision are two different things as brought out clearly in the play. Knowledge is in no way attached to the physical sight as one can be able to see but they had no vision as in the case of Oedipus the King and Teiresias (Calame, 1996). Oedipus feels that Teiresias is inferior compared even to him and cannot cause any threat to him, however, much he has the sight advantage; he has no exposure to the knowledge which Teiresias has.
In the book, "The Odyssey", the character Telemachos' is the son to Penelope the Queen of Ithaca, and Odysseus. Telemachos lives with his mother Penelope where they reside in their kingdom in Ithaca. However, since Odysseus is missing the kingdom is falling, and Penelope is trying her best to preserve it. While Odysseus is missing, and it is believed he is dead Penelope has to remarry one of suitors According to Greek traditions, royalty can not be unmarried, and since it is believed by many that Odysseus is dead, she must remarry. With his father in his heart, and for the sake of his mother, Telemachos goes out in search for his father.
The king’s intervention went completely against the way of Enlightenment thinking. This is because during the Enlightenment period, people were encouraged to think for themselves, and to solve their own issues, without looking to a “leader”. The king coming to solve Orgon and his family's problem, did not sit too well with Enlightenment thinkers. Through the entire play, Tartuffe lied and deceived Orgon. Orgon was blind to Tartuffes way, but the king was not.
Although Lysander does have the magic taken away from him, Demetrius never does, therefore he spends the rest of the play, in love with a woman he was not interested in for the first two acts of the play. By the completion of the play, just as in all of Shakespeare’s comedies, each person concludes the play with the person they wanted to be with in the beginning, other than Demetrius who still seems content to be marrying Helena. Although the nectar causes much of the discomfort and issues in the play, it is also what helps the woman who did not believe she deserved love, to believe that another person could love her for her, and luckily enough she does not seem to understand that her husband did not intend on living out his life in this
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
Always Submissive and Sexy Do you believe that the two sexes today are treated differently from one another? In the Odyssey, written by Homer, there is a constant comparison between the opposite sexes. Throughout this book, Odysseus struggles to get home to his submissive wife Penelope. He encounters challenges, one of which is beautiful tempting women who urge him to stay.
Aside from Psyche, another important person in Orual’s life who she hurts is Bardia. When Orual visits his wife, Ansit, after he is deceased, she is enlightened on how she has worked Bardia to death. Her constant reliance on him has made him too weak to fight off sickness, resulting in his loss of life. Orual selfishly keeps him at work longer than necessary. “Orual even shows a perverted, possessive love in her relationship with Bardia” (Saunders 6).
Upon first mention of Tituba’s affiliation with witchcraft Parris responds with utter disbelief saying “Now I am undone.” He refuses to believe that Tituba, a women with a reputation of low social status, could have any connection to such sorcery. However, throughout the play, Miller individualizes Tituba in terms of her dialect, place of origin, and skin color which ultimately shows how individuality can be subverted into a cause for fear. Tituba uses this sense of isolation and individuality to her advantage and self benefit.
She uses Tartuffe’s lust for her as an advantage. Orgon refuses to believe anyone unless he has physical proof. Elmire uses deception to bring Tartuffe’s downfall and succeeds. Orgon refuses to listen to any of the men, but this time it is woman who uncovers the truth. During this century woman were still considered inferior than men, however Elmire contradicts that.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
Orgon’s fanaticism for Tartuffe and announcement of a betrothal for Tartuffe and Mariane causes a lot of conflict and despair amongst the other characters. Mariane loses any hope of marrying her beloved, Valère, and believes “Despair shall be my counsellor and friend, and help me bring my sorrows to an end.” (59). Mariane also gets into an argument with Valère. Other conflicts include Orgon disowning his son, Damis, because Damis tries to expose Tartuffe, and Dorine challenging Orgon.