Susan Griffin once said, “Masculinity is a terrible problem, as we construct and shape it.” Men in today’s society cannot show emotion and cannot act the way they want for society has built up an expectation for men to follow. Society makes men its puppets and plays them the way it wants. Men often feel pressured because of highly set expectation of society and this is expressed in the article “Pain,” by Geoffrey Canada and the play Macbeth, written by Shakespeare. “Pain” is about a young football player who had injured himself while playing football, while Macbeth is about a man who lusts for power. Even though the article and the play have different storylines, both of them draw parallels when it comes to masculinity. Geoffrey Canada’s article, …show more content…
The author conveys how society has this completely unrealistic opinions on how men should act, which end up pressuring men so much that they become emotionless robots. Society expects men to be an emotionless hard exterior who show no emotion whatsoever, even when they are going through one of the most excruciating pain that they have ever experienced. This is exactly what happened when Canada tried to catch the football, but ended up hitting the barbecue pit’s metal rods. He tried so hard to hold in the pain and “tried to act like a big boy” (Canada 487) for that is what the coaches and the parents expect of him. He could not even cry in agony like he wanted, but he instead, “[made] a humming sound deep in the back of [his] throat” (487). At a young age, parents and coaches are the most influensive people children have. In this article, parents and coaches express this unrealistic expectation of boys to be masculine which ends up being the reason why Canada cannot express the feelings that he wants to express. Canada tries to abide by this impractical supposition by pressuring himself to act like this tough guy in front of his friends to please the idea of masculinity. He acts as if breaking a leg is an everyday occurrence and tries not to act bothered by it. For this cause, he ends up not being himself around other people to please them and …show more content…
Towards the beginning of the play, Lady Macbeth criticizes Macbeth for being nervous to kill Duncan by saying, “Which thou esteem’st the ornament of life/And live a coward in thine own esteem (Shakespeare I.vii. 43-49). Lady Macbeth starts to manipulate Macbeth by saying that he is not a man, but rather a coward, which Macbeth takes it to heart and tries to reach her expectation of being a man. Macbeth tries to hide his sensitivity and prove Lady Macbeth wrong by killing Duncan. Moreover, Macbeth tries to prove his masculinity even more during a dinner where he thinks he sees Banquo. When he sees Banquo sitting in Macbeth’s seat, Macbeth trembles and says, “What man dare, I dare. (...) If trembling I inhabit then, protest me/ The baby of a girl.” (III.iv.120-129). Even though Macbeth sees his best friend’s ghost, he tries to hold in the emotions he is feeling during that situation to prove Lady Macbeth that he is masculine. He is forced to act a different way with his wife and his peers, for he needs to maintain the image of him being masculine. Therefore, Macbeth and Canada have to act a different way around their peers for their actions reflects how masculine they are in society’s
In Macbeth and The Mask You Live In, the characteristics of masculinity begins with the questioning or threatening of their manhood, which then leads to successive violence, and lastly, the desperate behavior that occurs when ashamed. In Macbeth, and The Mask You Live In, Shakespeare investigates the connection between a man’s questioning and
Masculinity is the clay atop a pottery wheel: malleable and pliant, yet unable to morph alone because it perpetually spins at the whim of another man. Although humankind has strode towards gender equality, toxic patriarchal traits from the past linger within the male psyche and sustain a set of acts passed down hereditarily, rather than manufactured internally. This influences what men anticipate of themselves, forcing them to fulfil obsolete performative criteria that create a hallucinatory vision of masculinity. Seemingly, Butler’s trope holds a mirror against the male identity, reflecting the hands which mould gender narratives across contextual and generational boundaries. During the Elizabethan era, gender expectations formed the backbone
In William Shakespeare’s play Macbeth, different constructs of masculinity are defined and explored for significant purposes: to identify stereotypes; to contrast characters that conform to archetypes; and to reveal the consequences of adhering to social norms. In act IV, the juxtaposition between Macbeth–an unfeeling man–and Macduff–a passionate man, exemplifies how emotions power an individual. In the scene, when Ross tells Macduff that his family has been slaughtered, his reaction is full of grief, to which Malcolm responds that he should “dispute it like a man,”(IV.iii.219) or in other words to resist his emotions. However, while Macduff agrees to do so, he points out that “[he] must also feel it as a man”(IV.iii.221) and “play the woman
Similar to Sapolsky, Katz argues that the media teaches men from a young age to be tough, aggressive, and not to show emotional vulnerability. This is what he calls the “tough guise” or the artificial definition of manhood that forces men to conform to society’s expectations by being “tough” and powerful and hiding their emotions. In the beginning of the film Katz shows interviews with various young males where he asks what it means to be a man, and all of them provide an answer referring to strength, such as “powerful,” “intimidating,” “strong,” and of course, “tough.” When asked what a male is called when they fail to live up to these expectations, the young men replied, “wuss,” “fag,” or “sissy.” Katz points out that this just one of numerous methods that society uses to contain young men in this “tough guise” box, using insults to drive them to perform the way they believe a man should.
Well Lady Macbeth, who is dead set on having absolute power, disagrees with that. She convinces Macbeth to kill, to cover up the murders, and tries to convince him that these murders will get them to the top. Lady Macbeth calls upon the witches and states, “unsex me here, and fill me from the crown to the toe top-full of direst cruelty” (Macbeth Act 1 Scene 5 lines 31 and 31). This shows that while in the pursuit of power, Lady Macbeth wanted it so much that she asked the witches to “unsex” her and make her more like man. But along with that you see the theme of gender roles are uncertain which ties into Lady Macbeth leading Macbeth in this pursuit of power, also giving him the ambition that she wants him to
Shakespeare has always been progressive for his time so while Macbeth being suggestible and naive at the beginning of the play was very different for its time. At the beginning of the play Macbeth and Lady Macbeth had been opposites of each other and of the gender roles at the time,women were seen as submissive and to carry out their husband’s orders while men were seen as dominant and violent. Both Lady Macbeth and Macbeth saw masculinity as violent,aggressive, and courageous. Macbeth, Lady Macbeth, Macduff, and Porter all represented different levels and types of masculinity that reflect their society and our society today. There is evidence in the play that suggests that the reason why Macbeth even killed Banquo to begin with was because
Since the beginning of humanity, people have been using gender roles to determine how society functions. There are no exceptions during the events of Macbeth, a play about Macbeth and his story of honorable man turned tyrant and how his actions affect the world around him. From the murder of King Duncan to the death of Young Siward, Shakespeare shows that he believes gender roles are to be followed but can be broken. This can be seen throughout the entirety of the play. Beginning with Lady Macbeth summoning evil spirits, to her not being able to hear the horrible news, to Macbeth questioning the masculinity of three murderers, to Macduff deciding to do more than just sit back and watch, to the death of the son of the King of England, gender roles can be found in crack and corner of Macbeth.
Through the course of ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. In this essay, focus will be on masculinity’s presentation through Macbeth and Lady Macbeth. In the beginning, Shakespeare portrays Macbeth as “valiant”: a prized masculine quality and the key to respect in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth has power comparable to man’s
Lady Macbeth in the beginning of the play is manipulative, most of the times she manipulates her husband into doing either what she wants or what she thinks he should do. For example, when Macbeth does not want to kill Duncan anymore, Lady Macbeth convinces him by saying “from this time such I account thy love. Art thou afeared to be the same in thine own act and valor as thou art in desire? (I.vii line 38-41). Besides, the audience see Lady Macbeths is influencing her husband’s feelings by she is using her love as a weapon because she is saying do it
There are some quotes in the play that really demonstrate how Lady Macbeth questioned Macbeth’s Manhood. There is a part where Lady Macbeth says In Act 1 scene 7 "When you durst do it, then you were a man; And to be more than what you were, you would be so much more the man." In this quote it demonstrates to us how Lady Macbeth questioned Macbeth’s Manhood in order to convince him to do things that would demonstrate that he actually is a “man” and according to Lady Macbeth doing what in this case was murdering King Duncan would make Macbeth much more than a man. In conclusion and in my opinion Manhood is one of the biggest factors in the play.
In this time a man’s masculinity was all that he had and for someone to question it would have almost forced the man to prove himself. In the twenty first century this same idea of being a masculine man still exist. If someone questions a man’s masculinity they most often seek to prove them wrong or prove that they are hyper masculine. In reality Macbeth had no choice to be aggressive because aggression and violence are what identified someone as being a true man, without these traits Macbeth would have been demasculinized. His pride, self-worth, and ambition would not allow that to happen, therefore, to prove himself as a man he killed his friends to meet his own self desires and ended up paying the price for his ambitious
There is a strong correlation between violence and masculinity. In the play, Macbeth by Shakespeare, Macbeth and Lady Macbeth constantly battle the challenges of manhood. This can be supported by Lady Macbeth and her “unsex me speech” (Act 1.5.47-61). During the play Macbeth, characters tend to dwell on issues of gender and their roles in society.
“Come, you spirits, That tend on mortal thoughts,/unsex me here, And fill me from the crown to the toe top-full/ Of dire cruelty” (1.5.41-44). Lady Macbeth is the personification of male dominance, ruthlessness and violence. She hopes that she could take control of all action. She yearns to be a man and her implication is that she is more masculine than Macbeth. Her drive and violent nature is more akin to men and their masculinity.
Manhood (The Analysis of Manhood In The Play Macbeth Acts 1-4) Have you ever been questioned about your manhood? Many people are, and this causes them to do things that they may not want to do. Showing off to a girl, or even a guy showing his friends that he is manly, may also play a part in this. Showing people you level of manhood may end badly, but it may also be good in the end.
Society has hammered into are minds that men are always supposed to be strong, brave, courageous and can withstand anything. The film “Full Metal Jacket” directed by Stanley Kubrick is an excellent example of this crisis of masculinity. The crisis of masculinity, and what it means to be a man has been shaped by society and our definition of what it means to be masculine. Masculinity doesn't mean that a man must be tough, hard, angry or emotionless. This scene from the full metal jacket gives an excellent example of the crisis of masculinity.