In the seventeenth century, a mixture of sophisticated verse drama, allegorical opera, popular song, and dance, became the fashion of the Spanish court for over the next hundreds of years. This new lyric-dramatic genre of music was created in Spain by playwright/writer/poet Calderon De La Barca during Spanish Golden Age in 1657. Zarzuela, the new music theatrical genre, was capable of alternating spoken and sung scenes. People in Spain living in that era could finally enjoy a local dramatic representation of music in their own native language. Mary Quinn presented a lecturer to familiarize those in the twenty-first century with the new genre Zarzuela, she went into details of the work El Laurel de Apolo.
Calderon de la Barca created Zarzuela to celebrate the birth of the prince of Spain, in fact writing and composing music to royal families was a common practice in the Baroque era. Composers sometimes abdicated their own personal goals
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This ambiguous definition of metamorphosis would be much more clear if the use of spoken dialogue was combined with music, and not just alternating. Even though the alternation of spoken dialogue and music is very good to transmit a message, I do think it could be used together. In other words, there is a lack of arias and recitatives in El Laurel de Apolo. This lack of background sounds reinforcing the text makes the work piece vague and therefore it gives gaps to misinterpretations. As an example, is the painting shown by Mary Quinn of Apollo and Daphne. I do not know the real meaning of the painting; is Apollo chasing Daphne and not caring about her metamorphosis? Is he trying to save her? Is she trying to escape from him by becoming part of nature? I didn't understand the relationship between the painting and the Zarzuela genre
Haydn wrote most of his string quarters in sets of six. The third in the set is known as the Emperor because the second movement is based on the hymn he wrote for the Austrian Emperor Franz II. The invasion of Vienna by Napoleonic armies in 1796 raised a spirit of patriotism across Austria, to which Haydn responded with a musical tribute that became the country’s national anthem (God Keep Franz the Emperor). 5. Baroque musical style basically means Music intensifies emotions.
In all stories, the painting makes a huge impact on each woman's life. Two examples are, in “Hyacinth Blues”, Claudie hates all things Dutch except the girl in the painting because she sees hope in the young girl that she wishes she had. Also, Stijn’s wife Saskia loves the girl because she symbolizes a type of love that is unattainable for people who work in the fields. In the end, each woman is forced to sell the painting so they can
Henry Purcell’s The Fairy Queen: A Case Study The evolution of music can be viewed as a linear timeline of key, innovative composers who have far-reaching influences upon the musical continuum and perhaps epitomises the societal views which are relevant to their time period through their canonical pieces. As a result, in order to conduct a case study into any piece of music one must first realise said piece in regards to the concurrent political climate. Between 1642 and 1651 England was characterised by turmoil through civil war, which was essentially caused over the conduct of British government. This war was between the Parliamentarians and the Royalists, with the Parliamentarians being the victor.
When reading a novel, readers do not often realize that many authors use the same types of characters and symbols. Applying a literary lens to a novels can help readers better understand why a novel was written. A literary theory is, “A term for analyzing, classifying, defining, interpreting, and evaluating literature” (Davidson). When observing a piece of literature with an Archetypal lens analysts can identify these patterns. According to Literary Devices, “In literature, an archetype is a typical character, an action, or a situation that seems to represent universal patterns of human nature” (literarydevices).
On its premiere in Madrid in 1967, El tragaluz was very well received, particularly due to its ‘experimental’ structure and subtle criticism of the Franco regime, which were considered avant-garde for the time. The play calls for the audience to be propelled into the distant future and become observers of an experiment that is temporally based in the 1960s. Therefore, the audience members of the time were watching their contemporaries in the form of the main characters. The play is centered around three significant periods including the end of the Spanish Civil War in 1939, the mid-1960s, and the twenty-fifth century or thirtieth century. The main story line follows the turbulent relationship between two brothers who lead very different lives as a consequence of the civil war.
Mrs. Lepellier is also shown to be transformed through direct characterization and diction. She is directly characterized as transformed through the phrase “But this led to this hard to believe transformation” The denotation of the word transformation, a thorough or dramatic change, directly characterizes Mrs. Lepellier as transformed. The denotation of the words describing her voice support Mrs. Lepellier’s transformation from angry to calm. She is indirectly characterized as calm through the denotation of modulated in the description of her voice “her high but gentle and modulated voice”, which means controlled and pleasant to listen to. Before Gene transforms her, she is indirectly characterized as angry through punctuation and diction.
This book took place during the Renaissance. The renaissance were considered to be the cultural rebirth of Europe. The many arts of life were important including, painting and literature. This really shows in the book because it is very focused on painting and art. Juan expresses many times that painting is interesting to him, but never was supposed to do it, due to slavery.
Transforming and Romanticizing a Storyline The Metamorphosis, a novella written by Franz Kafka, attracted the attention of many of its readers due to the writing framework and shocking concepts. The story depicts a man named Gregor Samsa who has befallen the fate of a cockroach- literally. After being transformed into a large bug, Gregor goes through the struggles of misunderstanding, neglect, and loss of his family relationships.
Finally, “…he was a beautiful butterfly.” The plot was appealing in that it was constantly progressing. • The book develops a worthwhile theme both implicitly and explicitly. The explicit theme of this book is the process of metamorphosis.
The Baroque period was identified as the “Age of Absolutism” because it was a period where rulers practiced their full power to control subjects. Also during the Baroque time frame music became more leant about where it was played. Instead it only being played at churches and occasionally in some courts, it was being played at specific functions and operas. It was at this time that operas were established for the first time in history. Musicians at this time were employed for aristocrat’s courts, churches and operas although they were considered high positions yet still viewed as servants.
Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity.
Throughout history, many periods of music have existed, some of which have left behind enduring contributions to music altogether. The most important period of music however is the Baroque period. This is because the beginning of its era marked the introduction of dominant musical devices that have been used ever since. The term “baroque” was derived from the Portuguese barroco meaning “oddly shaped pearl” and refers to a period of European music or Western European art music that flourished from about 1600 to 1750. This period began when the Renaissance period of music – a period of music full of choral music and chants – began to change.
“Modernism in the play Blood Wedding by Federico García Lorca brought out through theme of Fate and Nature.” The play Blood wedding, set in the city of Spain during the age of modernism dating back to the 1930’s is written by the Spanish dramatist Federico García Lorca. The beauty of the time has been brought out in the form of nature and appallingly chronological events of destiny. It talks about the time when adultery and abortion were considered evils and women were chastised for obliging but men were acquitted for the same. This implies the making of a very misogynistic society with philosophies of modernism touching the Spanish ethos.
The Philippines has always had a rich musical history. It takes its roots from the indigenous tribes of the Philippines, who used it as a way to pass on epics and stories about gods and heroes, a way to celebrate good harvests, festivals, weddings and births, a way to mourn the dead, to court women, and a way to praise the gods. This music was then enriched by the Philippines’ western colonizers. The Spaniards imparted the zarzuela (called sarswela in the Philippines) and the rondalla, adding more Spanish touches to Filipino folk songs. The Americans, on the other hand, influenced the Philippine music scene by introducing pop and rock, eventually leading to the creation of “Pinoy pop”, which included a wide variety of forms like dance tunes, ballads, rock n’ roll, disco, jazz, and rap.
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.