Australia as a nation has always had a complex and often underdeveloped sense of national identity, due to its complicated history, and multitude of cultural influences. As such, finding a common thread in its national cinema has always been a challenge for Australia as a nation. While there are a multitude of different kinds of Australian film, often seemingly unconnected, there are common themes which are used throughout many ‘typically Australian’ films. Two films in which this can be seen are ‘Lantana’ (Lawrence, 2001) and ‘Beautiful Kate’ (Ward, 2009). Both films deal with the theme of isolation - which is prevalent in a lot of Australian films. In particular many Australian films look at the way the outback influences a sense of isolation in humans, over the long and short term. However each film looks at these ideas in a different way. While …show more content…
Sonja is an example of a subversion of these themes. Despite the difficulty of her family situation, she seeks help in her therapy sessions with Valerie, and aims to improve her marriage. Leon, her husband, acts in the opposite way, by having an affair with Jane. Due to their loneliness, caused by Leon’s marital trouble and Jane’s recent separation, they turn to each other to seek comfort. However in their different situations, they react differently to the affair. Jane has reached a point of desperate loneliness, and is willing to do whatever she can to find a partner in her life. Leon realises that he is still in love with his wife Sonja, and is able to reach out to his family, and try to repair what has been damaged. He still has a family, and is in a less vulnerable situation than Jane. Jane continues to act out, seeking a lover to comfort her in her loneliness, and pushes away her friend Paula in order to do so. Due to the desperation she feels at being alone in the world, she continues to wreak havoc, indifferent to the
Ultimately, as a woman, she is a limited agent and can only do so much indecently. Jane breaks off from the domestic sphere to which she is confined
Despite living in a time of formal equality, Indigenous Australian youth still face many challenges growing up in contemporary Australian society. The marginalisation effects of poverty influenced lifestyles, in conjunction with the stereotypical opinions the dominant white Australian society obtain, influence one’s self worth and esteem, and consequently, their ability to thrive in this modern society. The 2001 motion picture, ‘Yolngu Boy’ directed by Stephen Johnson, clearly demonstrates how Australia’s Indigenous youth are influenced – both negatively and positively – by two opposing forces: the historic Aboriginal traditions, and the modern western culture. However, the film additionally replicates the interdependence between the two conflicting
Tim Winton’s 2004 ‘The Turning’ is a collection of short stories that provide an insightful and thought-provoking exploration of Australian identity, place, and culture. Each of the stories can be read and analysed individually, however many of the characters and plots have been interwoven with one another, allowing Winton to explore complex ideas on a deeper and more intricate level. Through his vivid and evocative descriptions of the Australian landscape and its people, use point of view, and symbolism throughout, Winton in many ways challenges the habitual ways Australians think about themselves as a nation, whilst also reinforcing certain aspects of Australia’s national identity. ‘The Turning’ focuses heavily on the character of Vic Lang,
Crocodile Dundee was used as satire to propagate Australianness around the world. It served as a tool in providing a statement of Australian cultural self understanding or at least a perspective on it. Not only the protagonist but the film itself as a whole was seem to exude a sense of Australianness. The character of Mick Dundee is mainly used to portray what foreigners see as an australian. Scenes like where he tricks Susan into believing that he shaves with his hunting knife but uses a razor or where he quickly glances at the nearest clock then pretends to tell the time by looking at the sun, these scenes are used to portray the image of what outsiders and foreigners see as a stereotypical Australian.
Each poem or ballad has an individual impact on the way you view Australia. Some texts depict Australia as perfect and flawless while others are written about the horrors
Racism and gender equality are still relevant issues in Australia today, however, are not as dominant now as they were in 1965. (Dexter B. Wakefield, 2009) The film, ‘Jindabyne’ by Ray Lawrence and the novel, ‘Jasper Jones’ by Craig Silvey are two effective texts that incorporate individuals and relationships in society. Both Ray Lawrence and author Craig Silvey challenge the audiences in relation to how society treats these individuals, emphasising the themes, racism and gender equality. These perspectives are shown through context, characters and themes.
William Thornton 's 2009 film Samson and Delilah is a turbulent and confronting love story intended to create conversation about the issues faced by indigenous youth in the twenty-first century. Thornton uses religious motifs, musical themes, and filmic devices (such as lighting, camera angles, and settings) to create dramatic juxtapositions within the film. Ultimately, he presents a provocative commentary on cultural appropriation and isolation, racial tension and substance abuse, and the overwhelming silence of indigenous voices in Australian film. As 2018 marks a decade after Kevin Rudd 's, 'Sorry Speech ' this film still remains as provocative and relevant as it did a year after that critical apology.
Scott Hicks 1996 Australian drama film, Shine shares family relations, success and failure with the 2003 Australian film, Swimming Upstream, directed by Russel Mulcahy. Shine follows the success of a musician, likewise it’s comparative text Swimming Upstream highlights the success of an athlete. The audience follows the 1950 settings of two young boys and their journey of success, despite the difficulties of their dysfunctional families, in particular their controlling fathers. Together the film makers utilise a variety of cinematic and language techniques to develop the intensity within action scenes, characters and theme which together provides two engaging and relative Australian films. Mulcahy and Hicks both incorporate action scenes within
This essay will analyse the extent to which Warwick Thornton’s film Samson and Delilah conforms to the conventional representations of Aboriginal Australians in the Australian context. Specifically, it will focus on three tropes that are perpetually (ubiquitously) associated with Aborigines in Australia such as poverty, drug abuse and marginalisation. These three tropes are discussed in the light of being racist notions that are attached to the concept of aboriginality by the wider Australian society. It will be argued that although Samson and Delilah’s representation of indigenous Australians does not deviate from the aforementioned stereotypes, the film gives reasons for their existence as well as real names and faces to the problems that
Australian identity and what constitutes Australian culture are prominent ideas explored by Peter Goldsworthy’s Maestro. Throughout the novel, there is a strong sense of cynicism towards Australian culture as it is painted as ambiguous and indefinite. This is established through the analogy of Paul representing Australian society and his parents representing the British influence on Australian culture. Goldsworthy also explores the European influence on Australia through Kellar’s character. Goldsworthy’s broader message is that Australian identity is in fact quite complex and open to interpretation due how culturally diverse it is.
What does it really mean to be Australian? Is Australia really just: bushland, hot sunny beaches, native animals and having to have a laid back attitude? These are just common stereotypes about the ‘land down under’. With Australia settled by the British colony many of its inhabitants were the leftover convicts from Europe. After world war 2 boat people and asylum seekers arrived in Australia hoping for a new life.
The film Not Quite Hollywood (2008) is a documentary which explores Australia’s genre of film from 1970s and 1980s. The film highlights how Ozploitation discourse has been created to analyse concepts within Australian genre films. However, Ryan (2010) believes that Ozploitation discourse restricts the analysis of Australian genre films as it makes it unclear and difficult for the audience to see how “Australian cinema engages with popular movie genres” (Ryan 2010, p.843). Ryan (2010) states that Ozploitation “devalues local genre cinema” (Ryan 2010, p.844) as it compels Australian film genre to be the realm of “exploitation and trash cinema” (Ryan 2010, p.844).
This cinematography of the close-up shot highlights how the threat of globalisation is right at their door due to the growing global economy. The diegetic sound of the knocking in conjunction with the non-diegetic sound of the voice-over highlights the importance of cultural identity and a sense of belonging in the face of change. In the contextual 1990s globalisation was beginning to peak and the historical place in time is represented to impact the cultural identity within Australia.
Discrimination is not an unknown factor in the film industry. Racism and discrimination is one of the founding factors in the development of film. Cinema has been an incredibly ‘white’ source of communication since the beginning. From Native Americans to Indigenous Australians, each have been portrayed in the same way. Early cinema showed a lot of discrimination among dark skinned people with Australian cinema representing the minorities in films like Jedda, uncivilised and bitter springs as well as African Americans and native Americans represented in Hollywood films like the birth of a nation which was heavily based on the KKK.
Jane ran away from Edward and distances herself from everything and started teaching kids in a village. Jane is independent women who searches for love, but needs to learn not to harm herself