Tim Burton popularly known around the movie industry and across the globe for having the most dark and quirky films of all time. From his 1990 classic Edward Scissorhands to his remake of a classic Charlie and the Chocolate factory. Keeping your eyes glued and focused on the screen is his main goal throughout each of these movies. To fabricate this essential ingredient Burton uses non diegetic sound, camera angles, and lighting to captivate the audience’s imagination and create an unrealistic atmosphere that only he himself can create.
Non-diegetic sound used in Edward Scissorhands is used not only to establish the characters but also, to elucidate their surrounding relationships with others. As seen in the very first scene of the movie where the music is happy and joyful to make the town seem “perfect”. Once Peg walks up to the castle and looks upon the dark mysterious structure, suddenly the music become
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A superb example is in Charlie and the Chocolate Factory, in which the 5 golden ticket winners with their guardians are walking upon the enormous Wonka Factory. Through this high angle shot, director Tim Burton shows everyone about to come into the factory is powerless and weak against anything that is about to happen. From Edward Scissorhands in one of the very first scenes when Peg is looking at the old scary castle in front of her. A low angle shot is used to present to the audience the Peg even though we can’t see her face is intimidated and feeling threatened by whatever is in the castle. Additionally, when the mob is chasing after Edward in the meadow, a long shot is used to show the gravity of the situation to the audience. In doing this, Burton shows how crazed the people are about getting Edward but also how many people there just are. Also putting an imagination in the mind of the audience who can tell Edward is in fear of his
The well-known director Tim Burton has been appealing audiences all around the world by creating creepy and mysterious feelings while also satisfying his audiences with fun childlike plot lines. Burtons style is shown throughout his many movies such as Charlie and the Chocolate Factory, Edward Scissorhands and Corpse Bride. These movies and many more show the directors style as being creepy and mysterious, but also makes it enjoyable for children and families to watch. With the use of cinematic technique Tim Burton is able to create his spooky and addicting style. In the movies above, cinematic techniques are used through and through to portray that creepy, mysterious and dark style that Burton has conveyed through his many movies and Claymation's.
Edward Scissorhands is a fantasy and romance film where the protagonist, by the name of Edward Scissorhands, has an unusual aspect of having scissors for hands. Tim Burton, the director, ingeniously integrated themes of conformity, the importance of connections, and identity into his work. Costuming, camera shots, angles, lighting, and the setting are examples of cinematic techniques Tim Burton utilised to portray these themes. All these elements of the film further helped the audience engage in the movie and relate the ideas to the contemporary world. “Individuals have to change their attitude, actions, and appearance in order to conform to a new environment ” is an important theme expressed in the Edward Scissorhands film.
In Edward Scissorhands, Tim Burton uses low camera angles in order to make Edward and the others with him seem evil and bigger than normal. For example, in the scene while all of them were walking inside the house and unlocking the door, Burton used his unique camera angle. This shows that they are about to do something bad that can cause them to get in a lot of trouble. As a result, Edward does get caught and he was shown larger for that
Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to
Tim Burton has an amazing cinematic sound style that he uses in his film, “Edward Scissorhands”, to create an alluring and dramatic soundtrack and background sound selection. For instance, in the film, there was a scene where Peg hands Edward some clothes and sent him to her daughter’s room to go change. Edward then struggles to put the clothes on because of his fearful scissor hands so Peg ends up helping him out. In this scene, Burton uses very noticeable snipping sounds and the sound of rustling clothes to create a very comedic yet also stressing scene for Edward.
Similarly, in Corpse Bride, Burton uses a low angle on the bride when she rises out of the ground. When the audience sees the bride from this angle, one can imagine how Victor sees her, and begins to feel frightened by her, because she appears so much larger than a normal sized person. It is not until later in the movie does one realize that she is actually an average-sized person. This effect is achieved because of the angle on the bride when the audience first sees her. Additionally, Burton uses a long shot in Edward Scissorhands when we see the mob of people enter the forest.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Burtons use of sound supplies an effective tool to allow the audience to understand the mood of the setting. This technique can also be found a while earlier in the movie, when the grandmother sits with the granddaughter to tell a bedtime story. There are bits of audio between the two, describing Edward Scissorhands and produces an idea of the movie topic. The grandma is almost set up as the narrator for the first part of the movie so that the audience can understand (or get an idea of the movie) the plot of the film. This also connects the opening credits to transition through scenes and carry on with the
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
The final film technique Tim Burton uses is sounds he uses. The most popular type of sound techniques is the non-diegetic sounds. In the 1989 Batman film, Tim Burton uses a ton of non-diegetic music. In multiple scenes in the movie, often combat scenes, there is dramatic music playing in the background to enhance the tension in the audience. During the scene in Charlie and the chocolate Factory when Charlie won the last golden ticket and he was running home there was non-diegetic happy and exciting music playing in the background.
In the film Edward Scissorhands directed by Tim Burton, explains the life of an “artificial man” named Edward Scissorhands. Edward lives in isolation on a hilltop in a dark and gloomy castle far from society. He is an incomplete creation that has scissors for hands, “the man is left by himself, incomplete and all alone” who is taken in by a residential family and falls in love with their teenage daughter named Kim. A key issue raised in this film is how hard it is to fit in and be accepted by today’s society, which is emphasized through the main character, Edward Scissorhands. The way the director presented this character bothered me as Edward’s physical appearance resulted in the society abandoning him and not accepting him for who he is beyond his appearance.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
A good example of the low-angle shot being used was when Paul was sleeping and got awoken, only to find Annie right in front of his eyes (Misery, 1:20:05). She then injects him with a needle. As the low-angle shot was taken, lightning strikes, and the shadows were projected onto her face. This makes the audience tense, feeling what Paul is feeling. This makes Annie seem very unsettling.
For example, this occurred when Kane and Susan were at their house, and they were arguing about the fact that he would let Leland write a bad review about Susan’s opening performance at the Opera House. When they were in this intense argument, the director used a low angle shot to make Kane look like the stronger, more powerful person in this situation, diminishing the strength of Susan. Another example of this is when Kane and Susan were again arguing in their house, but this time the argument was about how Kane doesn’t do anything for Susan or doesn’t buy her anything. When Kane got angry and stood up, the director used a low angle shot to project him as being superior to Susan in this conversation. In both scenarios, by using the low angle shots to make Kane look larger, it helps the viewers characterize him as a very powerful and confident character that has great influence over others.