The director Martin Scorsese’s characterizes the New York mafia in the film Goodfellas on the basis of a true story, and the commonality that Scorsese has with the director Baz Luhrmann’s film, The Great Gatsby (2013), is that they share a depiction of characters in New York organized crime which creates the cinematic mood reflecting different eras. The cinematic language of both directors’ communicates to viewers by way of their artistic use of mise-en-scène, staging and design, as well as composition in a drama genre.
The film Goodfellas departs from the consistent violence of a gangster film genre through the way Scorsese portrays the characters. For example, the scene where Henry’s (Ray Liotta) voice-over point of view shifts to his wife Karen (Lorraine Bracco), she describes her average lifestyle, and later the film depicts mise-en-scène in the expensive parties, family gatherings, poker gambling games, and restaurant/night club gatherings. Moreover, they seek the most extravagant lifestyle quietly at times, not to bring attention to themselves. Conversely to Goodfellas, the director Baz Lurmann, depicts gangster behavior in the film The Great Gatsby (2013), through the way Lurmann portrays Jay Gatsby’s (Leonardo DiCaprio) illegal activities that are similar to the real-life Al Capone in the 1920’s. He
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Scorsese’s expertise as the director of the film Goodfellas, and Luhrmann’s direction of The Great Gatsby (2013), set the stage in New York, which fashionably suits both directors, and drives those hit films shoot to frame their nominations for Academy Awards, and leave the viewers dramatically in the mood of the film’s wise guy era or roaring in a 1920’s
Both Gatsby and the Wizard of Oz shares similar qualities. Both characters want to change their life. The Wizard of Oz is pretending to be a great and powerful wizard when in reality he is just a man behind a curtain talking into a microphone. Meanwhile Gatsby is trying to change his life such that he does not want to be Gatz but instead he wants to be Jay Gatsby.
The film the Great Gatsby, directed by Baz Luhrmann is a faithful adaptation to the novel the Great Gatsby written by F. Scott Fitzgerald. The Great Gatsby was published in 1926 and follows a young man named Nick Caraway as he narrates the story telling us about the roaring 1920s and all about the Great Gatsby, that is until the story unfolds and we see who the Great Gatsby really is. The film by Baz Luhrmann is a great example of a faithful adaptation to the novel, as it captures the spirit and ideas that the novel did. Throughout the film version of the Great Gatsby the point of view shown is very similar, this can also be said for the characterisation of most characters especially Daisy. However, the film by Luhrmann differs from the novel
One decade that made this goal was the 1920’s. Today we will star in our movie as we learn about how the 1920’s were exemplified in The Great Gatsby by F. Scott Fitzgerald. First, we will powder our noses as we talk about alcohol abuse. Then, we will reread our lines as we see how women were treated. Finally, we will get to our places,
The film, Goodfellas, released in 1990 and directed by Martin Scorsese is a film based on a true story that takes place in Brooklyn, New York. Goodfellas provides drama, suspense and anxiety. There are a number of extraordinary scene, characterization, points of view, lighting, as well as high, small and/or stable angles of shots to analyze. The Copacabana is a scene narrated by Karen, Henry Hill’s future wife.
Daniel Aguirre Ms. Tobias English III GT - 6th 12 January 2017 After analyzing both the movie and the novel, I have discovered similarities and differences. Ill try to compare and contrast the two since the movie does not depict the story exactly as how the novel does. Similarities There were still some similarities in the film that tied back to the book. One of the main ones is when Nick walks to Gatsby’s backyard and finds him standing at the edge of his dock reaching out to what was a green light.
Having primarily male-centered films within the walls of the gangster genre, Scorsese has successfully found the surroundings of the gangster film to be his stage for masculine action, drama, and thought. These gangsters are, first and foremost, men, and as such they have quite distinct ideas of proper masculine behavior, attitudes, and inclinations. There is a mob-based code of conduct that fuels this with a ‘you scratch my back I’ll scratch yours’ mentality that takes place. While some aspects could be considered as an “Italian American crime thriller” like The Godfather, the film itself does not follow most of the conventions. The film takes a different approach to the value of family compared to generic Italian gang films.
Film critic, Matt Zoller Seitz, is among the critics who believe this. In Seitz’s review, “The Great Gatsby (2013), he notes that the film was not a “disaster” per se, yet it did unrealistically portray many scenes of the novel. In order for the film to work in Seitz’s eyes, he believes that the film should follow the same style and aesthetics of the original novel. Seitz argues that the party scenes from The Great Gatsby (2013) are much too vibrant and modern because the film is set in the twenties, which was a prosperous economic time. In his review, Seitz states “All this busywork might astonish if Luhrmann’s heart were in it - but is it?”
The Great Gatsby is an iconic piece of American literature encompassing the 1920s era in American history. This story was written in 1923 by F. Scott Fitzgerald and was later adapted into a movie in 1949, 1973, 2000, and then once again in 2013. In the 2000 version of the movie the plot line was very similar to the book with only a few major differences and a few discreet ones as well. The movie however, also followed the book very well and even used direct quotes from the book helping you to understand the point Fitzgerald was trying to make. Markowitz the director made many good decisions in this adaptation as well as a few costly mistakes that made the importance of the book and plot line of Fitzgerald’s book.
The entire plot of the movie “The Great Gatsby,” directed by Baz Luhrmann, is pretty much very accurate to the novel of the same name written by author F. Scott Fitzgerald. They both center around a man named Jay Gatsby who throws extravagant parties in hope that one day his love Daisy will wander in. Of course like all movies that are based off of books they all have their similarities and differences. Whether they be very small or very noticeable, sometimes even changing the entire story completely, they are still there. Sometimes the purpose of this could be that the director wants to add their own little twist to the story or it could be that they are going for a much deeper meaning or symbolism.
Casandra Salazar Ms. Tobias English III GT 12 January 2017 The Great Gatsby After reading and watching The Great Gatsby, I gathered the dissemblance and alikeness in both the book and motion picture. As written in “The Great Gatsby”, the first example of similarity is that the book has the same theme to the “Roaring 20’s”. In the written book, Fitzgerald described the parties as huge and dramatic, where as in the movie, the directors did a fantastic job translating Fitzgerald’s words into a lavish visual spectacle of booze, sequins, and confetti.
What Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.
F. Scott Fitzgerald’s novel The Great Gatsby, published in 1925, tackles social and ethical problems that are found in his own time. Fitzgerald was born in Minnesota and as he became a writer, he moved to “the racy, adventurous” (Fitzgerald 56) New York City in 1919. In the film, director Baz Luhrmann accurately portrays the differences between East and West using colors and the positioning of the camera to show Fitzgerald's position. Fitzgerald's goal was to portray the backgrounds of his characters into a never ending chain of cause and effect, from where they once lived to their present situation and how that affects their personality.
The Great Gatsby is a book written by F. Scott Fitzgerald. The story follows Nick, the protagonist, as he moves to New York City and starts his new life there. Throughout the book, the reader meets an abundance of horrible characters like Daisy, a self-absorbed and careless beauty, Tom, a brutal and unmoral man, and Gatsby, an ignorant and mysterious fool who wasted his life chasing a hopeless dream. Baz Luhrmann and Woody Allen are just two people of many who have recreated The Great Gatsby or dedicated a homage to it, both proving effective representations of the film.
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
In The Great Gatsby Baz Luhrman has reinvigorated the 1925 classic novel by introducing many modern filming technology such as lighting and colour; sound and music and editing. While Joe Wright has attempted to do the complete opposite by taking a modern novel and attempting to recreate the past using the same techniques as Baz Luhrman. By using Lighting and colour, Luhrman has made his characters come alive. We experience a kaleidoscope of candy colours that almost take over our senses.