Rediker, Marcus. Villains of All Nations: Atlantic Pirates in the Golden Age (Boston: Beacon Press, 2004). Marcus Rediker’s Villains of All Nations: Atlantic Pirates in the Golden Age explores the social, political, and cultural history of pirates during the Golden Age of Atlantic piracy. Rediker is a prize-winning historian and a professor of history at the University of Pittsburgh. The purpose of Villains of All Nations is to provide a new outlook on the history of piracy during the Golden Age of piracy while also highlighting how pirates created an egalitarian society. Rediker illustrates this purpose by providing a Marxist interpretation of piracy as well as a bottom-up history of piracy during the Golden Age. Rediker divides the Golden Age of Atlantic piracy into three phases and these phases are chronicled in Villains of All Nations. Villains of All Nations is paramount to the study of Atlantic World history as Rediker highlights how Golden Age Atlantic piracy …show more content…
Many sailors became pirates because their experience as merchant seaman was negative. Another way that men became pirates was when merchant vessels were seized by pirates and the seaman converted to piracy. Most men who became pirates were from the lowest social classes and were of British descent. Pirates, however, also derived from other nations, races and social classes. Rediker writes, “Pirate ships themselves might be considered multiracial maroon communities, in which rebels used the high seas as others used the mountains and the jungles” (56). Most pirates were unmarried and in their mid-twenties. Terrible working conditions from 1716 to 1726 caused men to become pirates and allowed piracy to flourish. Men became pirates as piracy was an escape from dreadful working conditions as well as an intriguing opportunity to create a new
In Africa, men, women, and children were being kidnapped and sold. Once abducted from their home, Europeans would make their way back to the port to transport the slaves to the New World. Most of the time salves never knew where they would end up. Before Africans would be transported, each slave would be branded on the chest and this was a way to claim a slave for when they tried to escape (Hylton). Once boarded on a ship
The Slave Ship, by Marcus Rediker was wrote in 2007 about the cruel and brutal actions the slaves endured on their journey across the Atlantic Ocean. He states, “this has been a painful book to write, if I have done any justice to the subject, it will be a painful book to read.” Marcus Rediker accomplished exactly that. This book was not only compelling but emotional, heartbreaking, and makes a reader think, how could someone be so cruel to another living being. Within the first couple pages, the book brought me to tears.
Some slaves jumped overboard then suffering. Others staged violent shipboard
The businessmen of colonial New York strove to succeed in their trade by any means possible, often resorting to violence and bribery in order to increase their profit margin. However, their methods were not limited to violence. Throughout Defying Empire the reader is often bombarded with descriptions of the mindsets of the eponymous merchants. The text goes into detail cataloging the general thought processes behind some of the most ingenious smuggling conventions of the 18th century. They utilized any tools at their disposal in order to continue their businesses including powerful connections and money.
Although British officials consistently widened the definition of piracy, they failed to clearly differentiate the significance between a volunteer and a forced sailor on board a pirate ship. Therefore, nothing contributed to the unpredictability of the later trial proceedings as much as the inconsistency of pirate designations. If seventeenth century piracy trials hinged on the question of violating commissions, those after 1715 rested on determining the accused’s voluntary participation. The court’s determination of a sailor’s status was frequently random and wildly erratic. Worse yet, some justices made no effort to determine the active participation of individuals aboard pirate vessels, leading to instances of brutal rulings even by seventeenth
The era of piracy, highly exaggerated in modern and popular culture, was seemingly ended by modernization in the late 19th and early 20th centuries. This can be seen through the development of modern governmental and naval technology, changes in the global economy, and the implementation of new laws, restrictions, and regulations. Throughout history texts provide evidence of the impact of modernization on piracy, highlighting the increasing difficulty for pirates to operate and find profitable targets to continue their life of pirating and poverty. Although there are interesting pirate stories from gruesome attacks and how they operate, from Captain Kidd to Blackbeard, these infamous figures of piracy have been the subject of countless books,
In the late nineteenth century in America, crime became a big problem in urban societies. These crimes consisted of prostitution, assault, pickpocketing, murder, counterfeiting, grafting and much more. Timothy Gilfoyle claimed that crime in industrial cities was directly connected with those who have a lower social status and could not maintain a secure and stable life. After reading many primary and secondary sources from Gilfoyles book The Urban Underworld in Late Nineteenth-Century New York: The Autobiography of George Appo, I have come to agree with his statement. Although crime was and will never be acceptable, it was justifiable during this time.
Rum, Sodomy and the Lash by Hans Turley explores the intersectionality of masculinity, sexuality and identity within the British Royal Navy from 1660 to 1820s. The book sought to explore the connections between sexuality, gender and authority within the historical context of this period. It utilized several pieces of work, including diaries, letters, and popular literature during this time. Further, Turley’s work explores how these cultural forces that shaped sexuality and masculinity throughout the eighteenth century have continued to shape ideas about gender and sexuality following this era and even into society as we now know it. For example, Turley sought to explain that culture within piracy contained hypermasculine ideas which were built
The Royal Navy ships were used as part of the blockade with the American coast as a means of transportation. On some privateers more than half of the crew was black. African Americans made up about ten to twenty percent of the sailors onboard the American ships, manning while on the Great Lakes. Even though the main and initial purpose of the African American slaves was freedom, the black sailors had a reputation for “fierceness in battle.” The black sailors occupied small quarters and were away from shore several months at a time causing the men to develop a “camaraderie and mutual respect based on performance, not skin color.”
In Marcus Rediker’s Villains of All Nations, pirates Mary Read and Anne Bonny are represented as being vulnerable, emotional, extraordinary women. Both being born illegitimate children, Rediker poses an understanding, empathetic treatment of these women, despite their representation of ‘liberty’ emanating from the brutality of piracy. The constant referral to Read and Bonny as female pirates indiscreetly implies that Rediker interprets their participation in piracy as delicate, which is unjust. Females and delicateness were a dominant association in the 18th century. Rather than referring to the two women simply as pirates, Rediker uses the phrase female pirates to imply that their participation on ship was neither masculine nor violent.
The Misfortunes of Alonso Ramírez describes the adventures of Ramírez, a poor Spanish American carpenter from Puerto Rico, who was taken captive by British pirates and was supposedly forced to work with them for two years. The book portrays Ramírez as a victim in the hands of pirates while emphasizing the graphic depictions of English pirate cruelty in order to serve Ramírez and the Mexican Viceroy’s purposes. However, through careful examination of the story, I believe that he indeed was a pirate, and will explain so in this essay by arguing four points: first, that Ramírez headed towards familiar territory due to the lack of paperwork for his belongings, second, his lack of explanation of why he did not escape whenever possible, third, his ownership of special weapons, and lastly, the use of words in his storytelling. To begin, Ramírez sailed to Spanish territory because he had no papers that certified that the ship and its cargo were his, as seen through Zepherino de Castro’s many attempts to restrain and seize Ramírez’s property (149). This meant, that he needed to find Spanish soil and subjects, where he knew the laws will be more lenient (rather than somewhere like Madagascar, where he could be denounced as a pirate to Spanish authorities in exchange
Earth,1988, a young boy named Peter Quill (Wyatt Oleff) stands agonizing outside his dying mother’s hospital room and holding a Walkman player with an awesome mix of ’70s pop hits his mother gave him. Peter steps into the room and is gets a wrapped box, what looks like a gift. “You open it when I’m gone,” Peter’s mother said, and then addresses her final words by asking Peter to take her hand, but he doesn’t, and she, as if in response to her son’s insult, immediately dies. The boy rushes worried outside into the bright night, where an alien spaceship takes him up for a life in outer space. Twenty-six years later, when Peter now know as Chris Pratt has grown into a muscular villain who calls himself “Star-Lord,” he will still feel kind a special passion towards his Mother, not because he refused to take her hand as a farewell, but because she left him that awesome mix tape.
To be sold into slavery or to be eaten by a shark: The Slave Ship begins with the story of a woman who must make this fateful decision. The author tricks the reader twice, first by making us think that this woman fated to death by a shark or the slave trade will be the focus of the novel, and then again by making us think that nothing could be worse than that. We learn as the book progresses that slaves faced insurmountable obstacles, pain, fear, and humiliation, and that for many the choice to eaten by a shark was one they could only dream of. In his novel he weaves a narrative of many, one with diverse perspectives and experiences that as a finished product reveal the slave ship in its truth. Rediker shows us that the trauma millions faced on the voyage from Africa to the Americas was in service of something of indescribable magnitude.
* The book “Antony And Cleopatra” is about two young rulers of Ancient Egypt, they try to defend Rome against pirates that wanted to take over Rome and eventually take over another country. A messenger was sent from the pirates to Antony saying that Cleopatra will have everything that she wishes for on two conditions 1) being that she must send Antony from Egypt and 2) being that she kills him. When Antony heard about the news he was considering it for a bit. The pirates were just looking for war, and war they got. Antony gave them war, not on land, but on sea.
This is similar to the reality of medieval England, as two member bands were most common, making up forty-one percent of crimes, followed by gangs of three making up twenty-two percent and four member gangs making up twelve percent of crimes. Therefore, Robin Hood’s criminal activity helps us to understand how gangs operated in medieval England, largely in the twelfth and thirteenth centuries over disputes over game. This comparison can also help us to understand how prominent gangs such as Folvilles and Coterels operated. The medieval tradition of Robin Hood doesn’t suggest or inform us of the involvement of clergy in criminal gangs, which was the case in medieval