Heroes and villains are defined by the actions and decisions that persuade them to act upon a situation. Those actions and decisions are life-changing from many perspectives, from ending up as the hero of a comic book to the victim of a crazy psychotic clown. It all depends on the motives of the person involved. In the story "Where are you going? Where have you been?" by Joyce Carol Oates, Connie can be considered a victim to the reader because the overall tone of the story is apathetic and ominous, the lack of parental figures around her caused her to be vulnerable toward harm, and a strange person was able to take her without anyone noticing.
According to the story, the reader is first introduced to Connie by the description used by someone
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Joyce Carol Oates states, "She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right" (Oates #). This description shows the reader how Connie only cares about her physical appearance. An appearance that is imposed on the reader on who Connie is from the beginning of the story. The reader is never given a true insight into Connie's true personality other than her physical appearance and action. This statement also sets the tone to be ominous due to the lack of connection between the reader and the author. Leaving her as not the hero of the story but rather the victim of what could potentially happen next. Later in the story, Connie is given a border description of her characteristics by the narrator. The author states, "She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away from home. Everything about her had two sides to it, one for home and one for anywhere that was not home: her walk, which could be childlike and bobbing, or languid enough to make anyone think she was hearing music in her head”. This description …show more content…
The reader can infer that this situation was inevitable due to the lack of attention toward Connie. An instance that shows this is when the author states, "The father of Connie’s best girlfriend drove the girls the three miles to town and left them at a shopping plaza so they could walk through the stores or go to a movie, and when he came to pick them up again at eleven he never bothered to ask what they had done". This show the lack of attention Connie's parent and adults put toward what their daughters are doing. Leaving Connie and her friends vulnerable to strangers and creeps to potentially cause harm to them. These occurrences are often made worse when Connie started to go to a drive-in restaurant across the street from the mall. In that restaurant is where the introduction of a strange person watching Connie takes place. The story states, "It was a boy with shaggy black hair, in a convertible jalopy painted gold. He stared at her and then his lips widened into a grin...He wagged a finger and laughed and said, “Gonna get you, baby,” "(Oates). This statement shows how vulnerable Connie is to the point that someone had been watching what she does, but it wasn't until now that it was noticed. Even though the actions of this strange boy were noticed, the author never states that Connie told someone. This reiterates
Oates builds a tension that is released when Connie is forced to choose between her freedom and her safety through her descriptions of Connie's character, her encounters with Arnold Friend, and her choices. Connie's craving for independence and her susceptibility to Arnold Friend's scheming is understood by Oates, who highlights the need to make a responsible choice and the dangers of acting on instinct. Oates creates a strong contrast between these two forces via symbolism, imagery, and personality, finally leading Connie to face her mortality and the effects of her naivete.
Instead of setting the story in a public place like a shopping mall or driving range, Oates chose to set the majority of the story at Connie's house. Oates
In the beginning, Oates creates a false sense of security. She is at home and Connie seems safe, this is what makes what happens next unexpected. After this, a strange man rolls up to Connie's home, and Connie is only worried about how she looks, not her safety. This makes you wonder what is going to happen, and if their is a reason she is scared. Then, the pace of the story completely changes when Arnold Friend starts to approach Connie and say things that make her feel uneasy.
In the beginning of the story Connie is described as this conceited self centered girl. Oates described Connie in the story that she had
Oates explains how Connie is always “dreaming about the boys she had met” and all the boys “dissolved into a single face…” which portrays her creating the perfect boy (Oates 2). Arnold knows Connie is desperate for love and he is willing to give it to her if she comes with him. Clifford J Kurkowski says in his article that Connie is “joining someone who… cares about her more than either of her parents or her sister has” which displays the isolation and neglect Connie had in her life (Kurkowski 5). Clearly, Arnold was the not the only one who had made Connie a victim. Her parents have prevented Connie from ever having that sense of care in her life and was always insulted and compared.
In the beginning of the story, Connie is said to have two sides to her character. One side of Connie is expressed when she is home, where her actions can be described as “childlike bobbing” (Oates 338). Or the side that is exposed when she is out with her friends and described to be “languid enough to make anyone to think she was hearing music in her head” (Oates 338). When Oates says, “hearing music in her head,” it’s as if she is daydreaming.
Earlier in the story, it is noted the guy has been seen glancing peeks and attempting to strike up a conversation with Connie. In this section, Oates is showing the outcome of an intentional action planned by predators altering their appearance to capture their prey. It analyzes masculinity and hostility. At first, Connie is enticed by the mysterious men who appear at her doorstep. Arnold, being older, captivates Connie’s teenage heart so that he will sweep her off the ground away from her sickening family.
From the beginning, a tone of disappointment and oppressiveness covered the story. Connie always has to deal with criticism from her mother, ignorance from her father, and comparison with her sister. The author gives the readers a tone of suffocation and struggles from within her own house and how her family members treat her. As the story progresses, the author is changing his tone from oppressive to suspenseful and anxious. At this time, Connie's meeting with Arnold Friend is taking place.
She sees the boys who give her attention as subjugations who “dissolve into a single face that was not even a face but an idea” (Oates 675). But soon enough her dreams and music materialize into the shape of Arnold Friend. Arnold Friend is described as a muscular, older, and mysterious character. He seems to be a work of her imagination as he is ultimately an idea she created that would fit into her perfect fantasy world. Connie is defenseless to Arnold Friend’s manipulations mainly because she has no visible identity of her own.
She tries to escape from the man but he stabs her over and over with no remorse. Connie was too self absorbed to think twice about the man watching her. The consequence is harsh but her vain and rebellious acts got her into a dangerous
That also made her become more vulnerable to the real dangers and the evilness that exists in the world. That danger was represented by an old man who pretends to be an eighteen year old boy that seduced and kidnaped Connie. The end of the story Joyce Carol Oates leaves it open to the readers, because that way it makes the reader think of what might have happened, whether she got raped or whether she is killed, after the main character leaves with the antagonist of the story. Oates shows that ignorance, narcissism and the lack of
This interpretation of the story explains how Connie simply fell prey to the common theme of men acting as predators in society. Therefore, Connie had no say in her fate, so she just decided to go quietly with him. However, this theory completely disregards the psychological disorders that Connie has. Connie did not go quietly with Arnold because he was a dominating male. Instead, Connie left due to her numerous unconscious mental problems.
In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
“But now her looks were gone and that was why she was always after Connie.” (Oates ). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” ( ).
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).