Trophies are not always made of gold, or even placed on a high pedestal. That’s right, housewives can be trophies as well (at least, that’s what men thought during the early 20th century). Unless they wore an apron, had food in hand, and maintained an hourglass figure, society forced women to believe that this was the only way the could be housewives, and deserved to be married to a husband. Tennessee Williams’ The Glass Menagerie featured Amanda Wingfield, a housewife that is unfortunately a victim of societal pressures. As showcased by Amanda’s regimented beliefs, The Glass Menagerie demonstrates how society’s gender roles objectify women. The mother and widow of the play, Mrs. Wingfield is no pushover, yet her parenting is a product of gender roles preset by society . The first scene of the play features her at the dinner table nagging the narrator, Tom, to not “push with his fingers...And chew — chew!...A well cooked meal has lots of delicate flavors …show more content…
Amanda Wingfield is an integral component of understanding why this occurred. The Glass Menagerie placed a large emphasis on Amanda’s role in order to exemplify the role women were forced to fill before the 1960s. Their expectations to be perfectly fit, multi-talented, and obedient were too much to handle. Were straight, married men ever held to these expectations? Never. Once their muddy shoes step into the house, they did not have to lift a finger and their wife was at their every command. Their vulnerable egos did not let their wives get the upper grip, and yet they came in all shapes and sizes, they are allowed to be rude, and they could work at some simple, low-paying job and nobody at the time would ever look down upon them. If man could also bear woman’s societal pressures, perhaps equal rights would be obtained much faster, and a larger diversity of households would exist amongst the
For decade women have been discriminated by society, all around the world. In many countries women are still treated as the inferior sex. “daily life for women in the early 1800s in Europe(Britain), was that of many obligations and few choices. Some even compare the conditions of women in time as a form of slavery.” (Smith, Kelley. "
Much of the preservations in the play are for men who have even denied the women their privacy. Susan Glaspell shows women as weak and only able to do weak responsibilities such as housekeeping and staying at their
To begin with, Curley’s wife is pressured by society to fit into the cookie cutter image of what a married woman should act like in the 1920s and 1930s; during the time the book was written
Tennesse Williams wrote the play The Glass Menagerie and Lorrain Hansberry wrote the play A Raisin in the Sun, which both similarly talks about families that are very much alike and different consecutively. Two characters really caught the attention of being different and similar in many aspects. These two characters are Laura Wingfield, from The Glass Menagerie, and Beneatha Younger, from A Raisin in the Sun. Laura and Beneatha both live in a fatherless household where their mother’s reign above the household and where their brothers are a primary source of income along with their mother’s income. Though I concede that both Laura and Beneatha are capable of working hard and achieving goals, I still insist that Beneatha has a brighter future
As we observe in the media, many marriages nowadays end in bitter divorce. Similarly in the novel Their Eyes Were Watching God, by Zora Neale Hurston, Janie Crawford experiences marriages that end just as badly, if not worse. However these marriages allow her to develop and grow as a woman from the differing personalities and beliefs between her husbands. For example, Janie’s first husband, Logan Killicks, believes that women are objects to be utilized.
Since the earliest times in history, women were treated inferior to men. From birth, she would face constraints on her economic independence, legal identity, and access to her property. These restraints would narrow her choice of marriage or spinsterhood. Her economic dependency was ensured by her father or husband, and women were not permitted to own land (Berkin 4-6). After she wedded, all of a woman’s rights and property became that of her husband's (Berkin 5-6).
Equality of genders is a basic human right that all should posses. However, in the novel A Thousand Splendid Suns, by Khaled Hosseini, the reader explores Afghanistan’s true nature of extreme gender inequality towards women and how it affects all the characters within the novel. The novel explores how within a marriage, women have unequal rights, undergo major amounts of physical abuse, and are emotionally and mentally tormented by their very own supposedly beloved husbands. A marriage is defined as a union of two people as partners in a personal relationship.
I remembered when I was young, there were plenty of movie that has girls play dolls and boys play football. These movies were popular among children that day until now, girls were meant to be soft and boys were meant to be powerful and strong. Then one day, I’ve watched a movie that has a girl play in the football team and I were surprised because it’s the first time that I’ve seen a movie that shows girl can be both femininity and masculinity. This movie has a huge impact on young children behaviour and has influenced children in constructing gender roles in the society. ‘Little Giants’ has shown the characteristic of the main character to be abnormal and changing the gender stereotypes in young audiences’ perspective.
The Cult of True Womanhood in “The Yellow Wallpaper” In her essay “The Cult of True Womanhood: 1820-1860”, Barbara Welter discusses the expected roles and characteristics that women were supposed to exhibit in accordance with the extreme patriarchy of the nineteenth-century America. The unnamed narrator in “The Yellow Wallpaper” is seen to conform and ultimately suffer from this patriarchal construct that Welter labels the Cult of True Womanhood. The narrator falls victim to this life of captivity by exhibiting several of the fundamental characteristics that Welter claims define what a woman was told she ought to be.
In the plays Trifles and A Doll House the reader can see the portrayal of a male society and the way women are where dominated and abused by their husband in the nineteenth century. In A Doll House Nora’s Husband Treats her as if she is and absent minds doll wife that is incapable of thinking for herself. In Trifles Mrs. wright is a woman that have been oppressed and abuse by her husband for so many year that she need to escape one way or another. The woman in the play both took steps to gain there independence in society by any means
Commonly, males provided for their family while women took care of the home. Gender roles were necessary for survival in primitive times because of the volatile, Darwinian environment. However, as the world developed, gender roles were still engrained in society and patriarchy was solidified. Thus, husbands have become dominant at home and in the workforce and earning income became a fixed job of men (Farrelly 4). Likewise, Jackie Elliot is shown destroying his dead wife’s piano for firewood is symbolic of traditional gender roles.
The Glass Menagerie, by Tennessee Williams, tells the story of how the standards of society influence two siblings. Tom and Laura Wingfield are two miserable people who no matter how hard they try, cannot seem to fit in. The play takes place in St. Louis, 1937, in which men and women have specific roles and expectations. Men are expected to have jobs, get married and provide for their family. Women are expected to get married, have babies and stay home to raise their children.
SUMMARY American poet, Linda Pastan, in her poem “Marks” published in 1978 addresses the topic of women’s roles in the household and asserts that although mothers may be good at their household job, their desire to fulfill other careers is overpowering and necessary to thrive. Pastan supports her claim by using vivid imagery, such as describing the grades she gets from her life job, a repeating pattern in the sentence structure, when listing what each of her family members grades her as, and connotative diction, when describing her feelings about being targeted in such a hardening and impersonal way. The author’s overall purpose is to inform readers that women were and still are being stereotyped, so that they might think about how they treat
The ending of A Doll’s House was considered controversial in its time because of the fact that the woman left her husband in order to find herself. In modern Western culture, this same perspective on the role of women in the family has remained
Tenessee Williams is one of the most outstanding playwrights in American Theatre. His play The Glass Menagerie premiered in Chicago in 1944 and was an instant hit. It is set in the days of the Great Depression of 1930s when unemployment, inflation and shortage of necessary things had made the lives of people all over the world miserable. The playwright has sought to evaluate this era that caused financial as well as emotional trauma through depiction of the plight of a middle class family living in St. Louis, Missouri. The play deals with the memories of Tom Wingfield, an officer in the Merchant Navy, who had deserted his poor mother, Amanda, and disabled sister, Laura, in order to pursue a life of adventure but suffers from acute remorse due to his realisation of what his helpless family must have gone through in his absence.