This is a critical analysis of the painting Henry Ford Hospital by Frida Kahlo. This artwork consists of oil paint on a tin canvas. It was painted in Detroit, Michigan after she had one of her many miscarriages. Today it can be found in the Collection of Museo Dolores Olmedo in Xochimilco, Mexico (Esaak). This analysis will describe the elements of design, principles of design, and the reason Kahlo created this artwork. Frida used many different elements of design. For example, there are curvilinear lines to symbolize umbilical cords coming from her body to the six objects floating around her. The diagonal lines suggest movement from the center of the piece outwards. There is also a very distinct horizontal line the separate the …show more content…
For instance, the item at top left shows the anatomy and the complexity of being pregnant (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The baby boy in the middle of the painting symbolizes the baby Deigo she thought she would never have (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The snail shows how slow and agonizing the miscarriage was (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The machine in the bottom left was used to symbolize the cold machines they used on her at the hospital (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The flower demonstrates the sexuality between her and Diego (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The last item you see is the pelvic bone, which represents her broken pelvic bone and the reason she couldn’t conceive a child successfully (Self Portrait as a Tehuana, Autorretrato como Tenhuana, …show more content…
This was one she painted after the Henry Ford Hospital painting; it was painted in 1943. For example, this painting contains curvilinear lines that extend from her, she placed herself in the middle of the painting as the focal point, and it was also inspired by a tragedy (The Art Story). This painting is oil on a canvas and is now in the Collection of Jacques & Natasha Gellman (The Art Story). She painted this art piece in Mexico City, Mexico after one of the many times she caught Diego cheating on her (The Art Story). Not only is the form different from Henry Ford Hospital, the content is different as well. She painted this to represent how much she thinks of Diego. He was always on her mind; that’s why he is painted on her forehead (The Art Story). The curvilinear lines extending from her face are supposed to symbolize a web. It’s the web she wishes she could trap Diego in (The Art Story). The costume she is wearing a traditional Mexican dress that Diego loved. She painted herself wearing it to attract him (The Art
These types of art allow themselves to free their mind and show what there feeling in a way that is non physical. In the text, Melinda does eventually learn to use a kind of art as a coping method which is when she creates a comfortable place for herself in a janitors closet in the school.” “The first thing to go is the mirror. It is screwed to the wall, so I cover it with a poster of Maya Angelou” (50). Since the mirror is screwed to the wall represents that Melinda is unable to escape herself and all the trauma that is inside of her.
One place the audience sees this is when Luz said the word “cunt” in front of her parents and sister and her mom became very upset. The author explains, “I shrugged, but before I could drop my shoulders she slapped me across the face” (Zambrano 50). This clearly illustrates Alberto Zambrano’s use of imagery. It's visualizing how her mom slapped her. Since her mom slapped her that can create a negative relationship between them which goes with the theme.
“It is time to wake up Washington as it has never been shocked before,” were the famous words spoken by black labor leader A. Philip Randolph. After WWII in the 1940’s African Americans wanted to see change following the war. African Americans became more assertive for equality and the rights they knew they should be given. During this time the NAACP worked to end the discrimination within the armed forces. There was an organization called CORE, congress of racial equality that wanted to protest without using violence, which lead to the sit ins in the south that challenged the Jim Crow laws.
The Virgin of Guadalupe is a worldly known work of art; Jeanette Favrot Peterson questions the meaning of this iconic symbol in her article The Virgin of Guadalupe: Symbol of Conquest or Liberation? Peterson argues that this symbol is not only of religious connotation but of political value to freedom as well. Furthermore, paraphrasing her claims, that it was not until the nineteenth and twentieth century’s did the image reach its fullest potential of bringing together a fragmented people and become known as the “Mother of Mexicans.” The legend says that Juan Diego was visited by the Virgin on the hill of Tepeyacac and that she sent a message with him that she wanted a church built in her name, only after the third visit was he able to convince
Los Explotadores, painted by Rivera in 1926, depicts different types of groups during the Mexican revolution. The mural shows a few peasant women who seem hard at work. In the time the huge representation of the women who seemed to work and give just as much as the men. The next person seems to almost be crucified by the looks of the situation and orientation of the body. One can conclude that this person represents the indigenous people of Mexico who at the time were the most stripped of their rights and land.
Subsequently, the contrasting imagery suggests that even if she were to re-enter the physical space of Mexico at that very moment, there would be no true ever-present Mexico to which she could refer to. For Kahlo, Mexico does not suggest either a conclusive national personality because that is impossible when the past was in ruins and the future was continually being compromised with modernity which is aptly represented in her painting as the roots of the Mexican plants stretched out and entwined with the power cords of the US loudspeakers (Volk 2000 177). As a result, the Self-Portrait not only complicates the notion of the emergence of a Mexican nation — which Rivera was working so hard to depict — but seems to parody his attempt to merge
In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are their feelings and expressions of gender roles.
Diego Rivera is a painter and a muralist who had an abstract style in his work. Most of his themes were depicting the lives of the Mexican people. As for Frida Kahlo, she is a self-portrait artist whose style was representational. Her themes were depicting her agony of her medical condition and the sufferings she went through on her miscarriages. In 1933, the couple had a controversial collaboration of a mural called the “Man at the Crossroads” in New York City RCA building which featured Vladmir
The animals in the paintings include a cat (signifies on being catty), a monkey (substitute for children she could not have), a butterfly (transformation), and her thorn necklace that pierced her flesh (shows suffering). These animals and objects created a spotlight on her emotional and physical pain throughout her life. Such as these events that we are able to discover in Frida Kahlo ’s artwork, metaphors are used to fill semantic gaps when new concepts emerge, just like how it is being used within science. When an image gets produced, it becomes a reference point for other images and the meaning will change according to how the individual will view it.
I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.
Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.
It reveals a theme concerning the impact of a death on people and what they do to try to avoid that foregone conclusion. Striving to skirt around the pain that his wife died, Jorge therefore enshrined the dishes so that would seem like she was still alive. Another effective symbol in this story was a tree planted in front of the Ramirez funeral home. Luis remembers, “In the front yard was a huge oak tree that Luis remembered having climbed during the funeral to draw away from people. The tree looked different now, not like a skeleton, as it had then,but green with leaves.”
The physical qualities of Diego Rivera’s “Two Women and a Child” feature an oil on canvas medium. In this painting, Rivera utilizes the fresco technique which according to “A Beginners Guide to the Humanities” is a painting on a surface of plastered wall or ceiling, usually applied when the plaster is wet. Using the fresco technique allows any work of art to have a durable consistency and matte finish. The shapes of the figures have curvilinear lines to accentuate the curves and swirls of their bodies.
In the Two Fridas, we see two different characteristics of the same person, eventhough they represent two different people. The Frida on the left illustrates herself in a traditional European dress with a cut exposing her broken heart. On the right side, Frida is in a Mexican attire dress with a full beating heart and is holding a picture of her now ex-husband Diego Rivera. Frida choice of colors for this painting are dark and creates a sense of yearning for someone.
The painting is colorful and uses a combination of many colors with the dominant ones being the pink face; the hair is mainly orange while the background is light blue. The pink color in the face and the neck give the painting warmth. The introduction of the pink color on the body of the goddess replacing the original white gives her a sense of strength