Swing was a very popular kind of music in the United States during the 1930s and throughout the war. Hundreds of swing bands traveled the country, performing for millions of fans looking for a good time with good music. One band that was unique and took the hearts of many, was the International Sweethearts of Rhythm. The most important factors that contributed to the success of the band were that they were racially integrated women, very committed, and it was during world war II. One of the greatest factors of their success was that the band was composed of multicultural females. In paragraph 3 it says, “...all the musicians in the 17-member band were women. Second, the group was racially integrated.” This quote supports the thesis because it says that the women came from many backgrounds, a not accepted idea at this time. Since other cultures were not accepted, the band helped the movement away from segregation. The group also supported the women's rights movement, showing that women can play just as well as men could. …show more content…
The article says in paragraph 7, “It was an exciting, adventurous life. But they remained focused on their main ambition: to play great swing music.” It also says in paragraph 12, “... jazz fans can find recordings of the sweethearts’ amazing music.” The International Sweethearts were committed to the band and their music. They wanted to play and show the world just what they could do, despite opposition about race and gender. The band lived together on tour, rehearsing every day with each other to perform good music for the
By researching and discussing the relationships between sexism, racism and economics during their many meetings and retreats, they succeeded in bringing awareness on a social level. An excerpt from the Collective’s avowal states, "As black feminists and lesbians we know that we have a very definite revolutionary task to perform and we are ready for the lifetime of work and struggles before us." This speaks volumes about the intentions and beliefs of these women, as well as their determination to make this a worldwide social movement. It is noteworthy to include that the Collective gives credit to the efforts put forth by their black women ancestors, such as Ida B. Wells-Barnett, Harriet Tubman, and Sojourner Truth.
There is no explanation written in the article because the author is he is simply observing the culture without embracing the history of the people. There is a large difference when you are observing the history of your culture but to observe the roots of another group may be very challenging. Therefore, the writer is presents facts and left out opinions; the article lacked substance. Boyd has very valuable information, but it did not have any points beyond his thesis and the one opening point stating the black women were motivated to be
Playing to audiences of all races. During the depression, big jazz bands gave an upbeat and lively beat for dancing. People often danced to it to forget the
In a blog post titled “The Antecedents of 1950s Rock and Roll,” the author characterizes western swing as “the sub-genre of jazz” and that it is “dance music performed by a band” ("The Antecedents of 1950s Rock and Roll" 2013). He even goes as far as saying that western swing is the reason that rock and roll was born. The author explains that western string was one of the first genres to make music easier to access to the public. It helped create the idea of bands thus adding a new aspect to the music industry. Not only did western swing just shape rock and roll industrially, but also stylistically.
… She aimed at the musicians and told them they had ten seconds to get their handicaps back on” (850). This moment in the story is short and abrupt, and creates a shocking and tense atmosphere that shows once and for all that the government-created equality will stand even if others try to fight back, which gives an answer to an unasked question; the question of whether or not the society they are in is one that someone can be themselves or fight back against. The people who have power will always win against the ones who don’t, and the equality that was created in the 211th, 212th, and 213th amendments in the year 2081 was not changing, whether people were oppressed by it or not. Equality is something that people as a society have been striving to achieve since we were first created.
Harlem, after all, was the capital of jazz music. Jazz music united Blacks and whites because this was a new, fun type of music that they had never seen. Performers like Louis Armstrong and Duke Ellington would perform in the Cotton Club. The Cotton Club would only accept whites to go in, even though many of the performers were African American, but they would still perform. Jazz music was so new and unique to the country because it used many new beats, sounds, and rhythms that were unheard of to the whites.
There were never any restrictions on who could participate even when integration was not believed in, and before woman were influential members of society. Jazz encouraged individualism to be strongly believed in, which is a critical component that should be instilled into everybody’s life. Even through hardships of anti-jazz campaigns and constant criticizing, jazz music worked its way to the top of the charts and became a national obsession. Today Jazz is played regularly in cities all over the globe. The original home of jazz, America, has jazz weaved into the school system in a way that is unlike any other country in the world.
These ladies challenged the conventional depiction of women in music as compliant or obedient by exhibiting strength, independence, and assertiveness. Their success and influence on the business dispersed stereotypes that limited what women might accomplish in an overwhelmingly male-dominated music industry, and proved the point that women could break the mold of an ordinary housewife. Additionally, rock and roll music also publicly embraced sexuality to a level that had not previously been seen before. Audiences
The piece became one of the most iconic jazz songs of all time and was quickly recorded by the renowned Glenn Miller Orchestra later that year. Swing jazz was gaining momentum in the 1930s, and the genre became synonymous with the carefree and lively spirit of the era. The song's high-energy melody and upbeat tempo captured this sentiment perfectly, and it quickly became a hit. It was played on the radio, in dance halls, and in films, solidifying its status as a cultural touchstone. Its catchy melody was so popular that it even inspired lyrics, which were later added by Andy Razaf.
Writing post World War II, Kurt Vonnegut’s Player Piano simultaneously works with the established and changing gender roles within U.S. society at the time and creates satirical commentary. Seemingly relegated to a position of powerlessness on their own, Vonnegut uses different female characters to portray how women in that time period could attain power (usually through marriage). Power (synonymously meaning influence) and the desire to attain power is seen in the prominent Player Piano women, Anita Proteus, Dr. Katharine Finch, and “Mom,”-- but also in less prominent female characters as well. Vonnegut’s different characterizations of these female characters reveal how different “types” of women were all oppressed under the collective thumb
The Jazz Age was influential era of music, dance, flappers, and wild partying that forever changed America’s culture and normalcy for women.
Introduction New Orleans Jazz is a genre of music during the 20th century that was in relation to the African American population. Two distinguished musicians, Louis Armstrong and Dizzy Gillespie, rose to fame with their musical talents in the jazz community. (Thesis) These two musicians from below the Mason Dixon line would acquire their popularity by performing nationwide, but their childhood, musical careers, and legacies would be totally different.
In the 1920s, there were many popular kinds of music. For example, there was Jazz, blues, swing, dance band, classical, big band, country, and many more. Almost all of these genres originated from the work of African Americans influenced by their culture and heritage. (Tennant, Amie. "Radio and Music in the 1920s United States.")
Another important characteristic of his music was the inclusion of the two-string boogie-woogie pattern that is evident in “Johnny B. Goode”. Like many of his songs he used the format
People would come together to hear this music and dance their hearts away. Swing music was important in the aspect of bringing people together based on race and also for people to just “hang