Human Nature In Yu Hua's To Live
Each and every character in Yu Hua’s To Live is a catalyst through which the author explores human nature. The novel itself follows the life of Fugui, whose narrative is framed by pre-communist, Maoist, and post-communist China. Though he chronicles a long period of time, Yu Hua effectively uses characterization to present and prove his claims on human nature. Throughout Fugui’s journey, each character he encounters reflects on an aspect of humanity, through an event or group of people. For example, Long Er symbolizes the death of feudalism, while Fengxia symbolizes the Chinese people under a fascist, nationalist government. In Yu Hua’s To Live, Fugui’s son Youqing is a symbol of the Chinese people living under Mao because they were child-like in their innocence, and Youqing’s journey proves that naively trusting authority leads to deception.
Fengxia being taken away from Youqing reflects on the ways in which authority can be wrong, and trust can be destructive. Fugui and Jiazhen are adamant that giving away Fengxia is what is best for Youqing, and even for their daughter. This is similar to how Mao claimed that communism was for the good of the people, even though some people spoke out against this. Youqing voices his opinion after Fugui explains to him that “[they have] given Fengxia away to somebody else to save money so he could go to school . . . he [screams] through his tears, ‘I’m not going to school, I want Sis!’” (Yu 92). This serves as a reflection of China under
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Concubine And Fugui
946 Words | 4 PagesThe character development of Dieyi was a build-up of emotions for his lifelong friend: so much that Dieyi bids farewell as Concubine Yu in the final scene. On the other hand, To Live brought to life the realities of family relations and abundant tragedies. Unlike Dieyi’s infatuation of friendship and theatre, Fugui was overwhelmed with many hardships. One comparison can be made that Dieyi’s suicide was a result of confusion from his rocky friendship with Xiaolou. Meanwhile, Fugui’s perseverance “to live” became constant underlying perception throughout the film.
Symbolism In Yu Hua's To Live
1234 Words | 5 PagesOver and over again Youqing is let down because he allowed himself to hope for greatness; with sparrowcide, land reforms, and peoples communes, the Chinese peasantry hoped that they would be helped, because it is human nature. However, throughout Youqing’s youth the author uses a skeptical tone when describing the new policies enacted by the CCP, such as the peoples communes. At this point, Youqing’s family had been self-sufficient for years, and “naturally, Jiazhen was reluctant to see our five mu of land be returned,” and Fugui is even more reluctant to hand over all of their pots but he “figured there was no real way out,” (Yu 101). This use of language implies the authors disappointment in the rise of communism, and implies the negative effect it will have on the
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Fenggui And The Cultural Revolution
177 Words | 1 PagesTo Live suggests that The Cultural Revolution was a time when communist students took authority over Chinese citizens, and the historical event was similar. In the film, Fengxia dies in the hospital because the red guards are performing jobs of professionals and do not know what to do. In historical records, the red guards accused professional workers of crimes and resumed their jobs for them without experience. The film accurately shows how red guards, or young communist followers had control of the maintenance in China. In order to feel safe, citizens would need to be a true communist and throw away old prophecies or ideas.
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