Jane Eyre is a strong and individualist character. As well as Rochester, Jane carries some traits of a Byronic hero. Apart from Fanny who bears her unhappy childhood with suppleness and suffers silently, Jane rebels and defies and is ‘excluded from the Reed family group in the drawing room, because she is not a ‘contented, happy little child’ – excluded, that is, from ‘normal’ society […]’ While growing up in Lowood, Jane opposes to the injustice and authority and also doubts Christian faith and therefore as typical the Romantic hero questions the authorities and institutions. As a mature woman, she is discontent with her situation and longs for freedom and adventure. With Rochester she experiences a passionate but unfortunate love as it is revealed …show more content…
Fleeing from Rochester, Jane almost perishes out on the moors.’ As there are conflicts of Jane with the society, there are also ‘conflicts within the character of Jane herself – conflicts of duty and desire, assertion and restraint […]’ Jane longs for to be with her beloved Rochester, but at the same time she realises that she has a duty to herself and to her moral and she cannot stay with him regardless of the consequences. Jane Eyre, even as a child, has no clear space in the society and she continues to seek her position throughout the whole story, though it is difficult as whenever she finds a place there appears an obstacle to her happiness. As a governess, she is disrespected by the guests of Rochester and dependent on her employer, as the fiancée of Rochester she cannot wed him because he is already married and as a country teacher, she has to live without her beloved man. Eventually, she finds her place as a wife of Rochester and joins him in his rather solitary living. And this perhaps suggests that her place lies outside the society as she is such an individualist that cannot live within the
I would agree that Charlotte Bronte uses episodes of human suffering to make a social comment in her novel "Jane Eyre". Bronte employs literary techniques such as symbolism, imagery, and characterization to convey the characters' suffering and bring attention to social issues prevalent during the Victorian era. Through close reference to specific episodes in the novel, it becomes clear that Bronte uses the experiences of her characters to comment on the treatment of children, the limited opportunities for women, and the poor conditions of charity schools. One example of this can be seen in the red room episode, where Jane is locked up as a punishment for her supposed insolence. The use of imagery and symbolism in describing the red room as a "prison" and "tomb" highlights the isolation and fear that Jane experiences as a result of her punishment.
Growing up as a Buddhist Chinese Malaysian in an increasingly Islamic Malay-centric Malaysia, I oftentimes feel like an outsider. Consequently, I was drawn to the outsiders and the social Other in literature during my undergraduate years in NCCU. The presence of the Other and the outsider can be traced from ancient Greek dramas to modern literature, from Medea to the Underground Man.
Jane develops a *find quote about jane thinking her crush on Rochester is childlike* but is morally derailed when it is revealed that Mr. Rochester has been hiding his feral wife in the attic. This presents Jane with the arduous decision of choosing to stay with her love or to leave in the night. Jane chooses the latter the author, Emily Brontë writes, ***find quote**. Though this must have been a difficult decision, Jane choose, out of her selfless nature, to pursue an uncertain and dangerous path just to preserve a principled world. This is not only an impressive response when she was tested but it is a display of feminism.
Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her
Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…
In Charlotte Brontë 's, Jane Eyre, we see a reversal of gender roles for both Mr. Rochester and Jane. In multiple scenes of the book the two switch back and forth from their “natural” roles, which ends up benefiting the two. In the story, Mr. Rochester, the big burly owner of Thornfield, occasionally drops his natural patriarchal role to become a feminine character. Jane also does this as she takes on a more masculine role from time to time, and drops her feminine complacency. While usually both characters dropping their gender-specific roles could turn out bad, in this story, dropping the stereotypical gender roles by blurring them leads to happiness by the end of the story.
If everyone was considered to be a “heroine,” the term would no longer have true meaning. In order to be classified as a true “heroine,” she needs to possess noble qualities such as courage, bravery or determination. A person who is indeed a heroine needs to be their own hero. Throughout the novel, Jane Eyre by Charlotte Bronte, we discover that Jane has many positive qualities. Jane is a heroine, as a result of her most significant trait, courage.
Examine how either text represents either class or gender. Are these representations problematic or contradictory? How do they relate to the plot and structure of the novel? Jane Eyre is a female Bildungsroman written by Charlotte Brontë in 1848.
One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.
Deception can prove to be a powerful tool—both in the real world and in literature. While it is typically viewed as malicious, some forms of deception can prove to be beneficial in the long run. This kind of deceit is very prevalent in Charlotte Brontë’s Jane Eyre. Mr. Rochester, specifically, spends a large portion of the story deceiving many characters, but most of his lies are directed towards Jane. At first, the façade he puts on seems questionable, but his motives behind his actions show that he had good intentions.
Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.
Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as she defends her identity and independence. Set amongst five separate locations, Bronte’s skilful use of literal and metaphorical landscapes, nature, and imagery, skilfully intertwines with the plot and denotes each phrase of her maturity.
In Charlotte Bronte’s novel “Jane Eyre” Edward Fairfax Rochester plays a contributing role in Janes development and growth as a character and human being in the Victorian time period. Not only does he play a large role in her independency, but in her emotional and spiritual growth as well. She grows around him whether she likes it or not. Due to Edwards manipulative and seductive nature, jane has to grow and develop in a way that has her frequently questioning her own ideals, whether that be spiritually or morally, and strengthening her independence by constantly refusing her feelings for him and adapting to punishing situations. Edward also opens Janes eyes to a world that is bigger than she realized due to his company at the house, wealth, and opportunities at the favorable Thornfeild manor at which she was employed by him.
Unraveling the acclaimed novel definitely showcased how in the end “Love conquers all”. Truly, Jane Eyre will forever remain as a masterpiece of art due to its dynamic characters, insightful themes and exquisitely crafted sense of style and writing. Vibrant characters such as Jane Eyre, Mr. Rochester and Mr. Brocklehurst definitely contributed to the relatability of the novel to its readers. Furthermore, it’s as if these characters were able to come to life due to the fact that they continue to embody certain individuals in our society today. With this, it further established excitement and appeal to its audience.
Topic: Marriage in “Jane Eyre” In “Jane Eyre” Charlotte Brontë rejects the traditional role of women subdued by social conceptions and masculine authority by generating an identity to her female character. Thesis: Jane´s personality will bring into being a new kind of marriage based on equality, meanwhile her choice for romantic fulfilment will depend solely on her autonomy and self-government. Introduction Charlotte Brontë´s “Jane Eyre” stands as a model of genuine literature due to the fact that it breaks all conventions and stereotypes and goes beyond the boundaries of common romance in order to obtain love, identity and equality. 1.