On the day of Sunday April 10th, I went to a jazz ensemble concert at the Trinity University Ruth Taylor Recital Hall. This hall was much larger than the previous performance I attended. My first impression of the group was that they were relaxed and comfortable. For instance, when the drummer winked the drummer gave when the director explained his switch from the trumpet to drums.
The first piece, Swimming with the Sharks, was a lively piece. Listening to the piece made me feel as if i was in a superhero movie. This jazz performance the instrumentalist seemed to have fun with the pieces however the one before seemed more uptight. Also compared to the previous performance I attended there was a greater use of the guitar. The ending was heavy
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The baseline reminded me of the theme song to George Lopez. There was a gradual crescendos throughout the piece. The latin vibe leaves momentarily and now sounds like something heard in NYC.
The tenth piece, April in Paris, just like the other pieces had gradual crescendos and decrescendos. The piece included a slow tempo. I am not quite sure, but I believe I heard Merry-Go-Round played by one of the trumpet players. The ending to the piece had a continuous pattern of crescendos and pauses. Consequently, the audience became confused because they didn’t know when it was over. I thought it was a humorous way to “include” the audience.
In conclusion, my favorite piece was Tip Toe. I liked this piece because it really portrayed the dream state. As previously stated, the piece I didn’t like was In a Sentimental Mood. Not only because it made me tired, but the fact of how it dragged on without any entertaining moments. A fact that I appreciated was that it was the director’s first year at Trinity and he made sure he did an exceptional job on these pieces. Compared to the last performance I attended, I liked this one more because it was exciting and made me comfortable being
The concert was held in an exceedingly luxurious environment which put everyone in the audience in a jubilant mood. The audience would tap their feet along to the catchy rhythm, then would cheer with an electrifying applause after each piece was performed. The band continued to draw the crowd’s attention by having every musician on the stage play their own solo in each song. When Byron Stripling and the Jazz St. Louis Big Band performed the last piece in their set of the night they ended it with every musician on stage shouting “Clark Terry” to end the exquisite
I think that this piece has many characteristics similar to jazz music. For example, the saxophone and piano pieces during 1:22-3:17 are improvised. This piece also incorporates characteristics of folk music, like jazz, by giving this piece a utilitarian purpose with an association with dancing or celebration. This piece has a connotation to me because it is similar to music that is played at most Mexican restaurants. Hearing this piece reminds me of the good times my family has when we go out to
It started out with a very strong march played at a fast tempo, and at a mezzo forte. The melody within the march was disjunct as it bounced up and down from note to note. It then went into a slow section that sounded ominous, with the brass playing in a minor key, and the woodwinds playing the harmony below that. The song played the march again, then played an accented version of the march for a few phrases. The song ended abruptly within the
Print. Geoffrey C., and Ken Burns. Jazz: A History of America's Music. New York: Alfred A. Knopf, 2000. Print. Kallen, Stuart A.
Louis performed with music swings that, as a result, have every listener feeling the jazz rhythm. His low, raspy vocals cannot be mimicked.
Jazz is a powerful form of art that has influenced the change of music since the beginning of its existence. It has the power to bring different forms of people apart and allows them to not only listen to music, but actually hear it. It also has the power to find new hope when you start to believe that all hope is lost. By showing the suffering of others, jazz can give us perspective on our lives and the lives of others. The film Round Midnight directed by Bertrand Tavernier and Sonny’s Blues by James Baldwin are two examples where jazz gives people another chance to rekindle their lives.
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
Later, it built up to a quicker tempo and got louder only to come back down again. Eventually, it ended on a powerful note. The second movement was overall more solemn and slow than the first. The times that it did get louder, it was through the use of trumpets, causing them to really stand out. In contrast to the first movement, this movement ended quietly, with the last note fading out.
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
There were several loud and intense parts in this piece, but there were also quiet and suspenseful parts. This piece has a quick tempo, with a few slow
This the best song in the album. My feeling about this album I think this a great jazz music, but when I think about jazz. I think about the saxophone. This isn’t my type of genre because I like to listen to hip pop song. Overall the album was really
It features two main themes, plus many melodic episodes. The structure - in A-B-A form - is clearly identifiable through the themes that mark each of the sections: the lyrical melody that opens the work, the exciting piu animato that ends with a demanding cadenza, and the final recapitulation that is followed by a cheeky and vivacious codetta that brings the work to a dramatic close. Possessing a memorable melodic theme, the piece tests the performer through the unending phrases, virtuosic c and the resultant nimble fingerwork required. It has remained one of the great standards amongst the
Again, the violins have the melody in the beginning, but soon the flutes join in. What I noticed was reoccurring in this movement, is that there would be this intricate, towering line with the violins as the melody, violas with a counter melody, and the rest of the ensemble as accompaniment, but it would suddenly cut to a piano moment where it would just be bassoons with a growly melodic line with the strings plucking a pizzicato accompanying line in an ABA format. The third movement, Gavotta. Non troppo allegro, was a moderately fast tempo with a forte dynamic, but suddenly it would at moments go mezzo piano for the clarinet and oboe melody, as well as flute features accompanied by pizzicato strings.
There were many musical elements heard throughout these pieces and it was interesting to hear how they varied in each song and suite. In Intermezzo, it began with a quieter violin solo melody creating a monophonic texture. Soon after, it became accompanied by the other violins and cellos, then the full ensemble came in creating a moderate, flowing melody at about mezzo forte and switching to a polyphonic texture. Next, there was a harp solo at forte with many crescendos and decrescendos. The full ensemble enters again raising the dynamics to forte before decrescendoing and slowing down to end with a held note and final tone.
1. Disclaimer Although the Montreux jazz festival is a world renowned event it is still located in Switzerland, in the French speaking part. Thus some of the information of this report are just translated version of different sources 2. Introduction “Jazz does not belong to one race or culture, but it’s a gift that America has given to the world- Ahmad Alaadeen”