Perspectives in Barbara Callahan’s “Lavender Lady.” Everyone has a different point of view when it comes to a traumatic experience; in some cases one could use a filtered perspective to cover up what really happened. In Barbara Callahan’s short story “Lavender Lady,” the protagonist Miranda Smith had repressed memories from her childhood in which she covers up with a puerile outlook. Miranda is a famous folk singer, or rather has a famous folk song titled Lavender Lady. Along with the fame she had gained due to her top hit, she had also gained a great amount of sorrow which drains her energy at the end of each show she performs. The overall theme of perspectives in this short story is prevalent throughout the context and represents how easy …show more content…
Miranda avoided singing her top hit because it did bring back some harsh memories from the death of her beloved nanny, some she knew were true but “casts them off as untruths” (Weinman 66). Within the third and fourth paragraphs, she had described how she had fled the stage after her performance and actually hid herself in her dressing room closet to avoid playing the song. She had grown so emotionally indisposed due to the song bringing back vivid memories that she started to piece together what ‘could have happened,’ that and her manager Milo had spoke about how the Lavender Lady “had a silver pocket knife with her to kill a kid who was born with a silver spoon in her mouth” (Callahan 75). Although Miranda believes Milo’s words are simply just lies spewing from his mouth, she also took a great offence to them. She deeply does not want to believe his perspective of her nanny's true motives from that day, so much that she keeps this false ideology of the silver pocket knife to be a silver …show more content…
She talks about how she had remembered her nanny to be in alliance with a cruel man, Jim, who had obviously disliked the child enough to have “raised his arm to hit [her]” and hold her captive in an awful house (Callahan 71). This man was not just cruel to her but to her nanny as well. Since Miranda was just a child when she had experienced this sort of activity, she had not known the relationship between her nanny and Jim was a prime example of a domestic violent relationship. Even now that she is grown, she still does not understand that Jim had pressured her nanny into many awful actions. Maybe if she were to disregard her distorted and naive perspective she would finally start to understand their real
The theme of power and corruption within the city of Sydney is ever present within The Life and Crimes of Harry Lavender. Throughout the novel, the conflicting voices of Claudia and Harry, accept their relationship as a game, portraying them a complete opposite, one will win, and one will lose. “I had been caught up in his maze, looking for the piece of the cheese,” the epiphany that Claudia has, realising she is the one being controlled by Harry Lavender. ‘’The innocence of a time past, before the stench of Harry Lavender. But the stench had always been there,” the extended metaphor of the stench of Lavender depicts the extent of Harry’s corruption he has created within the city.
Introduction: “Perspective gives us the ability to accurately contrast the large with the small, and the important with the less important. Without it we are lost in a world where all ideas, news, and information look the same. We cannot differentiate, we cannot prioritize, and we cannot make good choices…” This is a quote recited by John Sununu. In books, we must be able to compare and contrast the difference between one sequence from the other; from one context to the next.
There is a sharp contrast between shame and self-acceptance. One must psychologically determine which they will let dictate their actions. Shame tends to impede one’s own progression of this self-acceptance. This is an apparent feature in Dorothy Allison’s “Trash”, as she navigates between the two interchangeably by giving the reader a taste of her personal life. In this autobiography she allows the reader to delve into the personal and dark times in her life.
Miranda is one of the main characters in William Shakespeare’s The Tempest, and I chose to create a twitter page that well represented her personality. Alongside her personality, certain encounters are demonstrated to give the viewer a well known understanding of the character Miranda is. In order to set the scene for the viewer, the short biography of Miranda’s twitter, og_miranda, includes certain phrases to introduce her as a character. For example, the phrase “island life” is used to represent the setting of the play, as well as where Miranda now lives. The phrase “daddy’s girl” signifies that she has a tremendous bond with her father, Prospero.
Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by
The author uses point of view within this story to allow the reader to fully grasp the concept of the main character’s total personality change. Throughout the story, the main character is exceptionally stable and maintains a calm state of mind whenever he feels his anger swelling. But, when reading the sections of this short story, from his point of view, the reader can recognize what he’s really thinking and what he really wants to do to his foreman and wife, Mae. Little by little common daily occurrences started to wear him down. At one point in the story, he was getting very angry at a statement his foreman said about “niggers” always being late to work.
“And when she breathed, something light and sad-no, not sad, exactly-something gently seemed to move in her bosom” (Mansfield 183). Miss Brill embodies the ultimate archetype of a lonely woman who constantly found herself in a fantasy world full of conversation. Her creative words in the story are the basis of her diverse individuality, but soon the gain of intuitiveness changed her outlook on the ongoing artistry she created every Sunday in the park. In “Miss Brill”, Katherine Mansfield showed the transformation from a joyful mind to a saddened heart that allowed Miss Brill to learn and see how people 's words hurt deep within.
An awareness of one’s past is essential to the establishment of their personality and identity. James McBride’s, The Color of Water, is both a memoir and tribute to his mother, Ruth McBride Jordan. Throughout most of James’ life, he questioned who his mother was behind all her secretiveness and failure to educate him on her past life. Soon enough, she agrees to being interviewed by her son and continues by revealing every aspect of her identity. While being interviewed, she talks about the three names she’s lived by.
To the untrained eye, a story could be viewed one-dimensionally; a tale might only appeal to emotion while logic is left out in the cold. Equally, logic may be forgotten while emotion is heavily focused on. However, through the use of Critical Lenses, readers can begin to see greater depth in literature. As readers find connections through Critical Lenses, they become more educated on various topics, more aware of social, political, and even logical abstractions. Instead of failing to retain the intent and content of the material, they even can remember details of stories more vividly when truly examining literature rather than reading it once for entertainment (or chore).
In Eugenia Collier's short story “Marigolds”, the author uses flashback and juxtaposition to create the narrator's voice and present a particular point of view. The narrator uses flashback to show her memories and feelings. The narrator shows in paragraph 1, when she states “ memory is an abstract painting-it does not present things as they are, but rather as they feel.” The use of flashback is to show how her childhood.
Heartbreak and vengeance make the perfect cocktail for any juicy story, but so does the concept of a twisted illusion of reality. Stories of passion such as, Evona Darling written by Silas House and My Ex-Husband written by Gabriel Spera, are both examples of stories that give the reader the equation of love and hate entwined together with the tainted sense of reality. House descriptively writes a story about the passion of a mother’s love whose heart has been taken away by her child’s father, who through suspicious friends got Evona’s custody stripped away from her. On the other hand, Spera creates her poem in her perspective of being married to a man that betrayed her and played his cards of deceit. Both stories were passionately written after love had partaken, but the fairy tale ends had come upon them.
Margaret Atwood’s short story, “Lusus Naturae” portrays the story of a woman who has to face the problem of isolationism and discrimination throughout her whole life. In this short story, the protagonist very early in her life has been diagnosed with a decease known as porphyria. Due to the lack of knowledge at the time, she did not receive the help required to help her situation. Thus she was kept in the dark, her appearance frightens the outsiders who could not accept the way she looks, slowly resulting in her isolationism physically and mentally from the outside world. This even caused her to separate herself from the only world she knew her family.
Quen Head Comp 2 11:30 Literary Analysis “Trifles” Gender Roles Everyone around the world has a mindset that certain genders have certain rules in relationships and everyday life. The author, Susan Glaspell, showed many ways in the story “Trifles” how males can look at things in a different perspective than women sometimes do. For generations, women have fought for power and rights, one of the biggest events in history is The Women’s Rights’ Movement starting in 1848 and going on for years until 1920 when the 19th amendment that granted American women the right to vote. Throughout history the fight between women and men has been a long process from rights, to gender specific roles in career, pay, and equality.
Instead of the traditional and mainstream verbal memoir, David Small chose to confine into an autobiological memoir, Stitches: A Memoir, with a comic medium that details the darkest periods of his childhood as a prelude to healing. Small demonstrates the rough parts of his past that shaped his life and the relationships between himself and his dysfunctional family by encoding these moments into vividly drawn emotions and sensations. Small experienced traumatic things both physical and psychological, yet despite this, he was able to work through it. This way of using graphic text was David’s take on using illustrations as an outlet to deal with traumatic experiences.
Fortunately, Prospero intervenes and then forever stands in the way. Caliban cannot fulfill his sexual desire as long as the island’s powerful sorcerer is alive. Therefore he feels hatred and aggression toward his rival, but he is also afraid of Prospero’s threatening magic. For now, he bides his time by subduing the sexual impulses that demand pleasure. He secretly plans Prospero’s death while hiding this dark side from Miranda and Prospero.