Sienna Follenvaider
Ms. Leibowitz
English/Humanities
February 8th
“Marigolds” Literary Analysis Essay
“Marigolds”, a short story by Eugenia W. Collier takes place in the 1960’s during the great depression. Poverty has struck the town in rural Maryland, where fourteen year old Lizabeth struggles to find out who she is. One day out of pure boredom, children begin to throw stones at Miss Lottie's precious marigolds. The theme of Marigolds by Eugenia W. Collier is coming of age, which is developed through symbolism, characterization, and conflict. First, Eugenia Collier uses Miss Lottie’s marigolds to symbolize hope. When Lizabeth sees Miss Lottie's house, and the narrator describes the marigolds. “Beyond the dusty brown yard, in front of the
…show more content…
Lizabeth is a dynamic and round character. After overhearing her father cry for the first time, she says, “I had indeed lost my mind, for all the smoldering emotions of that summer swelled in me and burst-the great need for my mother who was never there, the hopelessness of our poverty and degradation, the bewilderment of neither a child nor woman, and yet both at once, the fear unleashed by my father’s tears.” Round characters are people who have many different characteristics and emotions. Through her emotions, she reveals her many conflicting personalities. As Lizabeth reflects on the summer, she distinctly remembers a moment when she was no longer a child, but a woman. “Whatever verve there was left in her, whatever was of love and beauty and joy that had not been squeezed out by life, had been there in the marigolds she had so tenderly cared for. '' Children see the world far more simplistic than adults. Lizabeth says she no longer saw Miss Lottie as a witch, but just an old woman who tried to cover up the ugliness of her life with the beauty of marigolds. This was the first time she felt compassion and remorse for her actions. Lizabeth then develops the ability to distinguish what is right from wrong, and is able to feel proud when she does the right thing, as well as ashamed when she does not. Now in adulthood, she no longer exists in her own world, but sees the world as in the eyes of
In the poem “On turning Ten '' by Billy Collins and in the short story “ Marigolds” written by Eugenia W. Collier, both authors talk about how life has changed and the end of their childhood based on situations of their past life. In the poem and the short story, both authors explore the impact of losing innocence by describing their memory and discovering the truth. Both authors show how emotional it was to face the truth and reality based on his and her memories. In “Marigolds”, she starts losing her innocence when she “Never heard a man cry before” (Collier 42) and how she discovered Miss Lottie wasn’t frustrated with the situation at the end but was upset. In “On Turning Ten” he realizes “I skin my knees.
When people lose hope and fall into despair, their emotions take over and lead to decisions that can change one’s life. In the short story “Marigolds”, written by Eugenia Collier, 14-year-old Lizabeth lives during the Great Depression in a black community in Maryland. She loses hope after hearing about her family's struggles and ragingly destroys Miss Lottie’s marigolds. Though, she realizes what deep meaning they have and empathizes with Miss Lottie. Collier emphazises that the loss of hope doesn’t mean it’s all destructiveness, yet feeling empathy for others who have had similar experiences through symbols and conflicts.
Actions provoked by fear and desperation nurture perturbed emotions, particularly in adolescence. The impenetrable will of hopelessness is dissected and empathized in Eugenia Collier’s short fiction story, Marigolds. The study sync excerpt revolves around a young impoverished teen, Lizabeth, who seeks hope in a bundle of rage, sorrow, and uncertainty. She, a person of color during The Great Depression, sought entertainment/joy by meddling with an elderly woman in her neighborhood, Miss Lottie. However, the supposed “meddling” would lead Lizabeth into a (dire or empathetic) reality which The Great Depression proposed for all.
Lizabeth’s “world had lost its boundary line. [Her] mother, who was small and soft, was now the strength of the family; [her] father, who was the rock on which the family had been built on” was comparable to “a broken accordion” and she did not know “where [she] fit” amongst “this crazy”, all she felt was “bewilderment and fear” (Collier 11). Lizabeth lost hope, a beacon of prosperity. Her innocence blinded her to a reality in which life was not perfect. Her beliefs were contradicted by reality and Miss Lottie.
Lizabeth felt confused and angry with the beauty of the flowers because they were a beacon of beauty and hope. Miss Lottie’s ugly house and mean demeanor are a symbol of the ugliness of poverty and the world Lizabeth lived in. Subconsciously, Lizabeth did not want the flowers there because they showed joy and happiness in the mean old woman and Lizabeth’s world of hardship and poverty. Without the flowers, without knowing about the world she was missing out on, Lizabeth felt that she could be happier. So, she sought to destroy that beauty so that she could go back to her own life of innocence.
Lizabeth is around lot’s of negativity but she tries to stay as positive as she can. Later on in the story Lizabeth and her group of friends spot a patch of Marigold flowers in the resident Miss Lottie's house. Now this patch of flowers is very important to Miss Lottie because she takes good care of the flowers and they are the only nice thing around her house. Lizabeth then wakes up one night to the sound of her father crying, “what must a man do, tell me that”(147). Lizabeth continues to listen to her parents conversation and starts to get mad.
However, when Lizabeth demolished the flowers, she simultaneously destroyed a symbol of hope in Miss Lottie’s life. At the end of the story, Lizabeth releases the symbol of hope and determination the flowers portrayed. She now understands and relates to Miss Lottie at a deeper level. “Now at the end of her life she had nothing except a falling down hut, a wrecked body, and John Burke, the mindless son of her passion” (Collier 5).
Have you ever done something that you regretted later? Something that changed your life forever? That is what happened to Lizabeth, the protagonist of Marigolds, a short story that explores the theme of innocence and its loss through the eyes of a young African American girl growing up during the Great Depression. The story revolves around Lizabeth's encounter with Miss Lottie's marigolds, the only bright spot in their otherwise bland neighborhood. In this essay, I will argue that Lizabeth's destruction of the marigolds symbolizes her loss of innocence and her transition to maturity.
As I wanted to scream I did not because I could tell that she was sorry for what she had done. Then as everything was getting quiet, I heard my brother Joey say “look Lizabeth look!” As Lizabeth heard this she looked up with her eyes swelled because of the crying that she had just done. I was standing in front of Lizabeth and when she got up, she said “M-Miss Lottie” as she scrambled to her feet.
In “Marigolds” by Eugenia Collier the coming of age short story where a now grown up Lizabeth reminisce her childhood especially going into Ms.Lottie’s garden. Ms. Lottie, who did not like children but treated her precious marigolds gets them destroyed by Lizabeth. After destroying them, Lizabeth realizes her errors believing she became a women in that moment. This short story has several literary device that are used in it to help deepen the meaning. The use of imagery, symbolism and metaphors in “Marigolds” helps the reader that it is important to not lose
It is a coming of age story that shows how Lizabeth evolves as a person and as a character. Like any other child, Lizabeth has a definite wild side. In the story, she and her friends circle around Miss Lottie, chanting taunts at her. Lizabeth tells the reader " Then I lost my head entirely, mad with the power of inciting such rage, and ran out of the bushes in the storm of pebbles, straight toward Miss Lottie, chanting madly, "Old witch fell in a ditch, picked up a penny and though she was rich," (3).
In “Marigolds” by Eugenia Collier, Miss Lottie’s old house, a symbol of poverty and sorrow, is surrounded with beautiful marigolds which she plants because the marigolds bring hope and happiness to a town that critically needs it. For example, the author describes Miss Lottie’s house as the most run down house in the town when she writes, “The sun and rain had long since faded its rickety frame siding from white to a sullen gray” (257). This shows that Miss Lottie’s house is old and falling apart and has not been repaired, which costs money that she does not have, like many others in the US during the Great Depression. This also shows that the house has gone from white, a new and bright color to gray, a gloomy and sad color, which symbolizes
The world she lived in was so ugly and plain and she choose to “create beauty in the midst of [all that] ugliness" (62). This helps to create the theme because even though Miss Lottie had so little she still worked hard to care for the beautiful marigolds. In “Marigolds” the author uses diction, symbolism and point of view, to develop the theme that people can create beauty even in the poorest of situations. Through diction, Collier is able to show the reader the contrast between the beauty of the marigolds compared to the run-down town the story is set in.
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.
Dickens and McEwan poignantly condemn their characters to lives of lost identities to evoke suffering, but in doing so enable these characters to transcend the confines of traditional character arcs to achieve didactic enlightenment. Dickens’ reduction of his characters to inescapable, rigid archetypes highlights the inevitability of suffering as it becomes an integral aspect of their lives. Lucie Manette, metaphorically referred to as “The Golden Thread” that titles Book the Second, finds herself trapped, “ever busily winding the golden thread… sat in the still house in the tranquilly resounding corner, listening to the echoing footsteps of years”. This reflects Lucie’s characterisation as the Jungian archetype of The Innocent, known for faith and optimism, as she is surrounded in a safe, “tranquil” environment. However, her