Chinque Thompson Professor Rai WRT 102.75 14 April 2016 The Past’s effect on the Present Lone Star directed by John Sayles is a film which follows a man’s journey trying to search for the truth in his mysterious town. Through the movie, Sayles intertwines many different backstories of various character’s lives, each of whom are dealing with their own issues of history. By pulling from problems which rip apart our own social fabric, Sayles uses these patterns of lives to better exhibit the role played by many complex levels of history. With this being said, the movie comes to a conclusion which shows how classically believed concepts regarding the nature of history to illustrates how lack of knowledge on history functions …show more content…
History will live on in the present as discoveries about the past can affect the present. The love story within the movie puts further insight on this predicament. Sam Deeds and Pilar Cruz were teenage sweethearts who fell deeply in love with one another. However, the two was never able to understand why her mother and his father strongly disapproved their relationship with each other. Sam and Pilar from a young age had naturally assumed their parents not wanting them together due to racist beliefs of the other’s culture. However, it was much more than that. As Sam throughout the movie searches to get a better understanding of Buddy Deeds, he learns his father had a long time mistress to which most of the town knew. To make matters worse, his father’s mistress is Mercedes Cruz, Pilar Cruz mother. Sam was cautioned to not go poking around in the past as he could learn things he did not want to know [find quote for this]. In this case, Sam finds out that Pilar and he are half-brother and half-sister. The notion of the past affecting the present can be applied in this situation, as the discovery of Buddy Deed’s affair with Mercedes Cruz impacts Sam and Pilar’s rekindled romance within the present day. Both their parents are forced to constantly try to keep the two away from one another to hide events of their past so it does not affect their present. Nonetheless, the lovers find out the truth. In the past due to …show more content…
Though, their findings may not be what they want to hear or what they expected. Within the movie, this theme is presented in many different backstories for instance Private Johnson from the local military base. After a shooting happening at Big O’s bar, a place where many African Americans get together to have a drink to hangout, Private Johnson finds herself caught up in the middle of drama when the man who is shoot is someone she knew from her past. Afterward Johnson’s head Sergeant, Sergeant Cliff brings her into his office, and begins questioning her: “So you knew this young man before?” Where Private Johnson then replies: “From back in Houston. We both come up on Fifth Street.” At this moment, she is forced to confront her gang related past as she now is trying to pursue an occupation in the Army. Since this Johnson’s other boss, Sergeant Priscilla, has developed an opinion on Private Johnson as she now believes if she is not watched carefully: “she's gonna slide right back into [her gang past].” Here, it is illustrated of how the past can later haunt someone’s present as Private Johnson’s character is now viewed differently due to what her bosses learned about her
The movie called “moonstruck” is a romantic comedy movie, which is about thirty-seven year old woman, Loretta, who will get married Johnny in a month, but unexpectedly falls in love with his young brother Ronny. After I saw this movie, I felt “love” is the greatest feeling in the world. I remember vividly what she said to her parents when they were reluctant about her marriage. She said to her parents that she doesn’t love Johnny, but she likes him and she thought that she could live happily without love. But then she realized when she fell in love with Ronny that she couldn’t get married without love.
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.
The storyline of the movie go as follows; Ruin was the calamity that affected the society, it made the societies to be reorganized into a series of communities. All the memories of the past are held by one person. The Receiver of Memory was the
It’s a little unsatisfying because life’s a little unsatisfying.” Through this lines from the film, the movie suggests that even if people get back to the period that they idealize all the time, soon they will be unsatisfied with their own present again as the past becomes their present. Nostalgia for the past, however, is not simply described in a negative way in the movie Midnight in Paris. Instead, in this movie, a sense of nostalgia for the past is interpreted as the driving force to lead people to make a new leap in their present. With the description of the process how Gil Pender, who is the protagonist of the movie, becomes realized the importance of living in the present sincerely through his time travel, the movie effectively delivers the significance of being faithful in the present while keeping the nostalgic feeling from the past with several literary elements including the plot, characters and settings of the
Gender and Race in Film from a Feminist Analysis Representation of women and people of color in the film industry remains mostly divisive issue due to the heightened attention to diversity in recent years. Based on this observation, the current paper analyzes the state of representation in this industry focusing on the film “Star Wars: The Last Jedi.” Star Wars: The Last Jedi “Star Wars: The Last Jedi” is a film written and directed by Rian Johnson that was initially released on the 9th of December 2017. Produced by Lucasfilm, the film served as the eighth main installment of the hugely successful Star Wars franchise. Walt Disney Studios Motion Pictures distributed the film.
This disobedience only adds to the conflict which is not good for either of the two. The mother then finds out that she has breast cancer. Lola, the daughter, has no sense of empathy towards the mother. They still fight like crazy. And after more time has gone by, the daughter finally decides that it is time for her to run away and literally get out of the hands of her mother.
She is devoted to Pedro even after becoming married to John. At her mother’s funeral, she has thoughts of wanting to accept John as her true love. Upon seeing Pedro with Rosaura, she becomes unsure of her feelings. This displays her devotion to Pedro even when she wanted to love John who was always supportive and at her
During the course of the movie, La Mission, by Peter Bratt, it was very intriguing that the director of the movie is a brother of the leading man David Bratt. That in my perspective, was very interesting because, you have one of your relatives being part of your craftsmanship. All in all, I thought the movie was a great understanding of acceptance, to accept others no matter what flaws they have. I would recommend this movie to someone that is having a hard time of accepting someones fault in life to have a better understanding about the other person’s situation than rejecting their errors of a prototypical life. It’s painful to not know what they're going through by not putting yourself in their shoes.
Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception. “A Story” is essentially a pencil sketch of the juxtaposition between the father’s biggest fear and the beautiful present he is unable to enjoy.
The movie The Alamo is based on the Texas independence. The Battle of the Alamo was when Texans, commanded by Colonel William Travis, James Bowie, and Davy Crockett, were trapped in an abandoned church. The Mexican Army of nearly 1,500 soldiers under the command of General Santa Anna attacked them. Toward the end of the movie during the Battle of San Jacinto where General Sam Houston and his men took on the battered soldiers of Santa Anna’s army. This battle later led to the independence of Texas.
As Dr. Finlayson said “this generation of kids are really the pioneers. They're going to be the ones to teach us. ”(14:57-15:02) The struggle is real for these children and their families, this movie shows these struggles.
Pilar views her absence from Cuba from a place of psychological trauma, viewing her exiled state in the same way as her destiny: uncontrollable, regardless of her misunderstanding of the political turmoil and consequences associated with Cuba (Garcia 199). Because of this, Cuba’s absence—which is felt strongly by Pilar—becomes a source of paralysis for her; she is unable to form a stable, American identity, hyperaware of her liminality between being Cuban or American. This also causes estrangement within Pilar’s family, especially in consideration of her relationship with her mother. In fact, Pilar, in a state of confusion and desperation, remarks at one point in the novel, “I wonder how Mom could be Abuela Celia’s daughter. And what I’m doing as my mother’s daughter.
Strong and independent, she placed her goal to carry out the mission to blow up the bridge. Straight forward, anytime someone question their motive, Pilar would scold and remind them what plan was they sought out to accomplish. She takes mysitism seriously whether it would be reading palms of Jordan for impending doom, such as the climax of the novel, or fate in fortune. Pilar, as with Pablo and Jordan, slowly realize that the risk factor for the mission and the payoff would not be worth it. She comes to her senses, questioning the side of the Republic, who at the end of the novel lost.
In the film adaptation of the novel, Hitchhiker’s Guide to the Galaxy by Douglas Adams, some of the original aspects that make the novel so timeless are not included in the movie. However, due to the vastly different medium that film is and the abstractness of the novel, it makes sense why some things would have to change in order for the story to transfer to the screen successfully. While many die-hard fans of the novel denounce the film version of their beloved story, others celebrate the presence of Adams’ wit in the movie especially through the cartoon representations of the guide entries. First of all, the Hitchhiker’s Guide is pictured much differently in the movie than in the novel.