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The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor. That night, Spade’s partner, Archer, is killed while following Mr. Thursby, who is also killed. It is revealed that Miss Wonderly’s real name is Brigit O’Shaughnessy and that she had been working with Thursby. Spade is approached by Mr. Gutman, played
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It tends to upset the traditional power balance between the sexes and construct women as powerful and men as weak and threatened. The femme fatale was; a woman who seduces, exploits, and destroys her partners. O’Shaughnessy was deceitful and homicidal but also smart and ambitious. Their independence and power can be seen as a positive step in the representation of women. These women did not conform to the traditional role of the wife and mother. Femme fatales are usually destroyed in the end, either by being killed or being domesticated, as though they are being punished thinking they can compete with men. Male dominance is always restored by the end of the film. In established film noir, the new economic, social, and sexual freedom that women experienced during the war years as they joined the workplace was quite unsettling to many American men. This fear of strong, independent women and the need to show the danger of this independence was shown, whether consciously or not, in most film noir. The Maltese Falcon, like many films of its era, joins in the distrust of all things foreign. Non-American characters, places, and things tend to be perverse and dangerous. The Falcon itself is foreign. Gutman, Cairo, and O’Shaughnessy tracked it down while on their dangerous travels through foreign in countries before coming to San Francisco and meeting Spade. This gives the impression that foreign things bring trouble and destruction to America. Spade is hardly the ideal moral person. He had an affair with his partner’s wife, he is comfortable with criminals and is quite similar to the criminals he deals with. However, he has a different set of morals than criminals like Gutman or Cairo. The film establishes his Americanism and shows American prejudices just months before World War II. Also, Cairo his clearly established as a foreigner by his passport, and he is hinted at being
1. The film Casablanca was released during World War II in 1942. Some have argued that some of the themes and plot points of the film can be read as propaganda. Do you agree or disagree? Does Casablanca have a political message?
There were many socially relevant characters in the movie The Maltese Falcon including Mr. Gutman the economically corrupt man, Spade the rather elusive detective, and Brigid O'Shaughnessy the representation of social corruption. To many the secretive Spade might have been the most captivating but his significance was strongly altered because of the mistress Brigid O’Shaughnessy (aka Miss Wonderly) the femme fatale. Her deceptive yet truthful roleplay with a multitude of men made the story more twisting. At first the police were hunting down Spade but she was ultimately the one to end up in prison.
Most people live a safe lifestyle without too much danger, but in The Maltese Falcon every chapter brings a new crisis for the characters to deal with. The Maltese Falcon does not have the relatable quality that a vintage novel should have and as a result of that, I do not think it should be labeled a
However Laura is not a femme fatale in the classic stereotype in the way that Norma or other characters are, she is not a threat to the man himself and his life seeking to manipulate and eliminate, instead she is a threat to the patriarchy and the social sphere dominated by men. In the book written by Julie Grossman titled Rethinking the Femme Fatale in Film Noir, she redefines the stereotypical idea of the femme fatale in a more feminist view to be, “ the dangerous women in film noir are lawless agents female desire, rebelling against the patriarchal regulation of women to the domestic sphere where they are deemed passive and valued only in relation to their maternal and wifely vocation,” showing evidence as to how Laura is not simply a woman out to manipulate and eliminate men, but instead as a crusader towards a more equal view of the sexes and not just a subject of the male gaze. (Grossman 4). Laura in the novel is first seen through the lens and perspective of each male characters in which she is involved with. Our hero of the story McPherson cannot help but fall in love with the woman in the painting and finds her irresistible when she is quite and feminine as well as
Clover promulgates her intention to expound that it is the very characteristics of slasher films that present a more pellucid view of culture than other, more highly accoladed works. She then explains the slasher films as "the immensely generational story of a psycho killer who slashes to death a string of mostly female victims, one by one, until he is himself subdued or killed, usually by the one girl who has survived” (Page 66). Here she is explicating a pattern in horror films where the killer, mundanely male, is consequently killed by the female lead in the cessation to bulwark herself. For an instance, the writer quotes an example of Halloween where the final girl gets to save herself and escape from the killer. Whereas, in
Is the leading female characters are always supporting or needing the support from the main male protagonist? Well it maybe for many female lead characters, but not for the murderous and deceiving Brigid O’Shaughnessy from Dashiell Hammett novel the Maltese Falcon. Brigid could be considered as one of those femme fatales that might be beautiful, dependent, and helpless in the outside but in the inside Brigid is evil, deceiving, and could backstab you when you are not looking. How and why Brigid may be the evil woman that Hammett’s novel made her out to be?
Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother
In Dashiell Hammett’s The Maltese Falcon, we see a range of complex relationships amongst strong characters. For that reason, it is often difficult understand the character’s true intentions. In Sam Spade’s case many ask, “Does Sam Spade, love Brigid O’Shaughnessy?” The answer would no. It is not possible for Spade to love her because he is too focused on his own self-interest.
Spade keeps his circle small even from his own partner in crime, showing a sense of maturity and self reliance. In order to gain Spade’s trust, the subject of money would always have to be brought up. “"We believed your two hundred dollars." "You mean –?" She seemed to not know what he meant.
For my essay I have chosen to examine Alex Garland's 2015 sci-fi film, Ex Machina. I decided to focus my research on the portrayal of sexuality and morality in the film, focusing closely on how the characters represent these themes. Is Ex Machina a feminist emancipation story, or a cautionary tale about the future of technology? Caleb is the first character we encounter. He is a programmer for a company called Blue Book and believes he has won a competition to spend a week with the company's CEO, Nathan.
Both the film noir and the female Gothic film cycles address the changing tides of the woman throughout the 1940s. As the social implications of wartime America emerged in cinema, exploration of the female’s role outside of the home and as a part of a moving and shaking society became key. Women began to emerge as highly competent and counter to their previous role as the subservient doe of a housewife. Females rose to status in their new role as the “working-woman,” embracing previously male-occupied jobs whilst bounding into the world of education (Helen Hanson, At the Margins of Film Noir: Genre, Range and Female Representation). This historical contextualization is utilized and portrayed in the film noir genre as well as the female Gothic
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.
Introduction You know exactly what femme fatale means in French, and you might also know some women who have gained the ‘femme fatale’ title – like the Poison Ivy, Cat Woman and who can forget, Jessica Rabbit?! According to the movie Mildred Pierce, a femme fatale can be described as, “the kind of woman men want…but shouldn’t have!” Femme fatales are seductive and attractive, yet clever and mysterious sprinkled with a little bit of evil. You see any femme fatale; all you’ll feel is attraction and mystery simply because class and dark glamour
The film also taught me how being persistent and brave can pay off in the long run. As soon as Thomas found himself inside the Glade he aspired to be a runner. The most elite and deadly jobs in the Glade. “Thomas swallowed, wonder-struck into how he could ever go back into there. His ambition to become a Runner had taken a major blow.
In the movie The Dark Knight (2008), the District Attorney Harvey Dent, had 2 faces. One was good, one was evil. But, when we set him side by side to Christopher Columbus, we cannot deduce any good side of him. Christopher Columbus, the Italian explorer, who was sponsored by the Spanish Kingdom, was guilty of multitudinous charges that include mass genocide, initiating transatlantic slavery, harsh treatment of workers and torture.