Jo Ann Beard writes in a unique way, which is simple yet extraordinary. JoAnn Beard is a creative non-fiction writer and novelist. She used personal narration to write her essays, which are a memoir or based on a true event, and she expressed them through the first-person point of view, which brings to light symbolism, nostalgia, and imagery. JoAnn Beard was a graduate of the University of Iowa with a BFA and with a Masters in writing creative nonfiction. While going to the University of Iowa, she was a friend with the victims of a shooting at the university, which became one of her motivation to write essays like “The Fourth States of Matter”.
The "Fourth State of Matter” is by far one of her most famous writing. In the essay, she talked about her “vanished husband,” and his old belongings which symbolized the people that died during the shooting. In the essay, she was still having a hard time
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In "Maybe It Happened," she was very descriptive about when she played house with her older cousins. "It's possible that the 9-year-old wore a fashion-conscious sherbet-orange skirt and a ruffled midriff top, making her seem even more sophisticated than her actual years and possible that the other one wore a sleeveless white blouse, gray pleated shorts, and glasses with light blue frames, making her seem like a 7-year-old teacher." This helped readers get a distinct image of her childhood game. As for the "Longest Night...," she mostly uses imagery to describe the actions of her dog, as it was their last moment, "she used to sleep at the foot of the bed, and at first light, first twitch, would crawl sleepily up to my pillow...," instead of creating imagery pictures like in "Maybe It happened." For the "Fourth State of Matter," she constantly brought up "blackboard," or "chalkboard," to show that the story took place back when universities or any schools used to use a chalkboard, instead of
How does one become a man? Have you ever wondered if you are truly a man? In the novel, “The First Part Last,” the main character, Bobby, wonders if he would ever become a man. Bobby is a sixteen year old teenager who was careless and impregnated another teen named Nia. Bobby decides to raise the baby himself after the mother goes into an irreversible vegetative coma.
The theme of Soldier’s Secret is that people will go great lengths for their country. Deborah Sampson disguised herself as a man so she could fight for America’s freedom. Doing this not only held the normal risks of war, but if Deborah was found out she could be killed. This didn’t stop her. “A young woman disguised as a man.
In the search for happiness, both Ginny Graves and Ruth Whippman present their own ideas and beliefs. I believe that Whippman is more persuasive compared to Ginny Graves through her use of arguments and evidence. This can be attributed to Whippman’s arguments being reinforced with evidence and her expertise on the matter. Firstly, the use of real-life examples and statistics by Whippman provides context for her arguments, thus strengthening them.
The three authors touch on literature with passion, "The portable phonograph" written by Walter Van Tilburg Clark, "The Lamp At Noon" written by Sinclair Ross, and "The Possibility Of Evil" written by Shirley Jackson are filled with elements of good literature which makes each of them a good read. Each short story is example of good literature because they deal with subjects of lasting significance, they are beautifully written, and the authors illuminate the world of nature. All of the stories are good but "The Possibility Of Evil" written by Shirley Jackson soars above with it's intriguing touch on on dual personality, which makes the story a beautiful read. These authors really illuminate the world of nature with their description and exaggeration
My first piece of evidence focuses on her use of imagery. On page 176, “One day we got a roaring fire going, but even then we could still see our breath, and there was ice on both sides of the windows.” This acts as a way to describe how cold it was and the effects of this roaring fire. On page 176, “It
Any other pieces of information carried in her writing is her use of first personal narrative. On page 500, she writes “we collapse two
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
Due to the famous rest treatment in which the narrator is told to follow, her interactions with other individuals is severely limited. Most of her social interactions are between her and her husband John. The narrator’s relationship with her husband is considered to
In detailing the events that led up to her change in perspective, she made note of the honeysuckle that covered the walls of the well-house, the warm sunshine that accompanied going outdoors, and the cool stream of water that she felt as she placed her hand under the spout. These details kept the reader with her in the moment as she felt something less simple, but still universal; the returning of a, “ misty consciousness as of something forgotten.” In using rich diction, she maintained a sense of intimacy with the reader which allowed her to call on personal details from her own life and theirs. Later in the passage, she described how, once the reality of language was opened to her, and she returned to the house, “every object which I touched seemed to quiver with life.” She had gone through a complete shift of perspective, one that, to her, was felt entirely through senses other than sight or sound.
My longform has appeared in The Denton Record Chronicle and The Dallas Observer, among others. I hold an MFA in nonfiction from the University of Iowa where I was an Iowa Arts Fellow and am pursuing a PhD in English and creative writing at the University of North Texas. Thank you so much for your consideration. I’ll include some links to my work below, and I can be reached by return e-mail or telephoned at (615)
In “Half-Walls Between Us,” and “Body Farm” both Greg Smith and Maria Said, the authors, of the two stories write vivid descriptions to describe their surroundings and events. In addition, being descriptive in their story helps the audience be able to imagine what the author is writing about. Moreover, imagery helps the readers feel like they are standing where the author’ writing is referring to. Moreover, the story “Body Farm” aids readers most in making them feel they can see the picture that Greg is drawing for them.
As a college student, Emily Vallowe wrote a literacy narrative with a play on words title: “Write or Wrong Identity.” In this work, she told the story of how she believed her confidence as a writer developed; however, she was becoming dubious as to her distinctiveness as an author. Although I have never been a self-proclaimed wordsmith as Ms. Vallowe obviously had been for years, I related to her journey. Not only did she grow up in Northern Virginia like I did, she never considered herself an inept writer—a possibility that I could not fathom about myself. Then, at some point, we both began to question our own ability and to question who we really were.
With the inclusion of a multitude of perspectives, experiences, and emotions outside her own, her expertise heightens allowing her to be more respected as an influential writer on the subject at
Suzanne Berne starts out describing Ground Zero with the sense of the moist air of the earl spring season in New York City. She finds a large crowd of people from various nations waiting patiently in line. In the third paragraph, her symbolic description captures our attention when she describes the following: “Nothing is what it first looked like, the space that is now ground zero. But once your eyes adjust to what you are looking at, "nothing" becomes much more potent, which is absent. " Berne expresses her emotional feelings revealed through this paragraph.
“Guys whose own lives are ticking like alarm clocks getting ready to go off although none of us is aware of it yet”(Jo Ann Beard, 1). In The Fourth State of Matter, a shooting has occurred at the office. JO Ann, who was not at work at the time, received multiple