German Expressionism In Fritz Lang's Metropolis
3. Metropolis (Fritz Lang, 1927)
Metropolis is an important example of German Expressionism and of early science fiction. A great inquiry on future of humanity, a critique of society, a prominent dystopian film. Fritz Lang’s remarkable work has dazzlingly designed sets, costumes and unpredictable characters. Beneath its magnificent artwork and set design, the film tells the eternal conflict between oppressed and oppressor.
The movie depicts the story of Freder, son of the ruler of the city and Maria, a working class woman who strives to overcome the social and economic stratification of the city. The city was designed to reflect the social hierarchy with the upper classes living in imposing high-rise buildings and the lower classes dwell underground.
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Die Büchse der Pandora – Pandora’s Box (G. W. Pabst, 1929)
G.W. Pabst is known to international audiences for two things. The first is this film; the second is being mentioned by name several times in Tarantino’s Inglourious Basterds. Of course, Pandora’s Box has a significant value for Pabst’s career. However, the movie owes its fame to Louise Brooks, an American star, who played the leading role, Lulu, a flapper and the mistress of a rich man.
Pandora’s Box tells the story of Lulu, an ill-fated seductive young woman who can be seen as the first example of the femme fatale. Her character annoyed lots of people in Germany since her behavior was viewed as immoral. However, Lulu made Louise Brooks famous and inspired the female characters of film noir. The film is a brilliant portrait of Weimar era and the Jazz age, where there is no place for “free” women and what awaits for those who would like to stand alone and strong is tragedy. http://www.sagactor.org/2014_10_01_archive.html http://www.imdb.com/title/tt0018737/
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Rhetorical Analysis Of The Film Paris Is Burning
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Propaganda In Casablanca
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Metropolis Film Analysis
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Analysis Of The Film Sunrise: A Song Of Two Humans
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Frankenstein German Expressionism Analysis
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German Expressionism In Weimar Cinema
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