Michelangelo Do you know what great artist do to their work to make it exquisite? Many people think it is how they paint with brushes, strokes, different colors, values, and depth but, I beg to differ. Yes, these are important qualities people should have in their paintings. Michelangelo paintings were very much different. Michelangelo Merisi was his formal name, he was born in Italy around 1571, but goes by Caravaggio (Web. Bio.). He is considered one of the fathers of modern paintings (Web. Bio.). Caravaggio was orphaned at the age 11, during this time he went to the streets and joined this group of painters and swordsmen who all lived by a motto “without hope, without fear” (Web. Bio.). He moved to Milan where his artwork was appreciated …show more content…
First, the social history behind the painting had some influence on it because at that time Judith was a woman that was looking out for her people and the whole book in the Bible is devoted to Judith (Web. W.G.A.). Second, there is a little of psychoanalysis because as a young child and all through his life was troubled. He could be a violent man, with drastic mood swings and the love of drinking and gambling (Web. Bio.). The art does express how the feeling in each person eye is meant to be. Third, there is feminism of how the ladies were being treated back in the day. The ladies had to be appealing and sometimes took for granted. The painting shows that maybe that was the reason why Judith did what she did because of how he treated women. Fourth, the mood in the painting make you feel curious because she is cutting the head of the man. Yet, the reason she did so is because she was Jewish lady and wanted to defeat the enemy that was brought harm to her people (Web. History.). This made her a hero to many people. Fifth, Realism because the event that took place in the painting did happen in real life. The general was to report to her town and besieged it, but she took a stand and saved her people from destruction (Web. Khan.). Lastly, the painting has a content narrative because the point of the event that took place was Judith is a hero by cutting off the general’s neck and saving her people (Web. Judith.). The picture tells the story itself already by just looking at it, studying it and knowing the background of the
Continuing into the Baroque era, portrayals of Judith were exaggerated and dramatized. Gentileschi’s oil painting created in 1614, Judith Slaying Holofernes, displays the gruesome story in a graphic and dark manner (Uffizi). Heavily influenced by Caravaggio, Gentileschi paints the scene of Judith during the slaying of Holofernes. Unlike the work of past artists and her current male counterparts, Gentileschi shows no mercy or fragility in Judith. While Caravaggio’s Judith recoils from her horrific task, Gentileschi’s Judith does not flinch; she braces herself on the bed and pulls the large sword through Holofernes neck (Khanacademy.org).
Despite not being well liked, Michelangelo was a fantastic artist. As a child, Michelangelo was not well liked by his family. He was born in a small village. He was raised during the Renaissance in Florence (Great Artists; Richmond 8).
Sophia as well infers that the Maidservant doesn’t know that she might be killed by Judith and perhaps end like Holofermes. She as well stated that the painting could be taking place in the kitchen because of the candle next to Judith. I believe that Judith did in fact kill Holofermes but doesn’t plan in killing Maidservant. In contrast to Sophia’s opinion I don’t believe the painting is taking place in a kitchen but in a bedroom because of the curtains in the painting. Additionally I believe the Maidservant is trying to help Judith hide the
Her code of clothing suggests that she is visually sexualised. There are close up shots used in the death scene of Judith for the purpose of creating emotion and tension. The close up on Judith’s face makes the audience feel catharsis with the characters feeling and shows the representation of Judith as weak and defenseless.[9] Also, before she is murdered there is a stereotypical representation of Judith brushing her hair from the murderer’s perspective and a low angle shot is used to show her clothing on the floor. The audience is given clues that she is sexually objectified and there is a point of view shot from Michael which suggests power.
Artist Evelyn De Morgan who painted Helen of Troy and poet Christopher Marlowe who wrote “A Description of Helen” both use the Myth of Helen to show that beauty can lead a person down a path of obsession. In the poem “Description of Helen,” the poet
Michelangelo is one of the greatest artist in history he created the paintings in the sistine chapel, the statue of Mary holding Jesus after he was crucified on the cross, and The Statue of David. Little did everyone know he wasn't a fan of painting. Michelangelo thought painting was for women and sculpting was a man's job. Michelangelo originally wanted nothing to do with the sistine chapel. He never considered himself as a painter because it was to feminine for him.
Leonardo Da Vinci once said, “The most praiseworthy form of painting is the one that most resembles what it imitates.” This observation is the design that Leonardo tried to follow in his art work throughout most of his life. Leonardo’s gift for drawing was apparent even when he was very young. After moving to Florence at the age of twelve the young Leonardo started as an apprentice to Verrocchio, one of the most well-known artists in Florence at that time.
Michelangelo I feel like was the greatest artist in the High Renaissance era. THe legendary sculpture Created some of the greatest art pieces that our world has ever seen. He was the ultimate master of visual Illusions, realism, aerial perspective and more. Michelangelo is the creator of the Pieta, David, Sistine Chapel ceiling, Creation of Adam, and the Dome of Saint Peters. In the Sculptures of David I feel that Michelangelo does an amazing job in dramatizing his appearance and making all of his features show.
Michelangelo Buonarroti might be of one of the most commented artists still today but the myth around him began to take form in the eighteenth century and reflexes mostly the complexity and intimate contradictions of him as artist and person. Still his fame existed during his lifetime: Varchi made lectures about his poems, which helped to consecrate his fame as an artist but also as a poet. He was also praised as a model of humanity. Michelangelo was at one point in the later years of his life, the only surviving artists from the Golden Age of the Renaissance and one of the few artists with various biographies before his death (such as those written by Giovio, Billi, Vasari, Gelli and Condivi). During his lifetime not only was he a dedicated
After just one year of working with him because he believed he had nothing more to learn from him. After this he was taken under the wing of Lorenzo De Medici. Michelangelo’s new connection the De Medici family help him learn new skills, The skills that will help him build up his fame later on. Before the fall of De Medici Michelangelo had left to explore more opportunities.
Instead he copied paintings from several churches in Italy. Also, he meets various painters who influenced him to pursue his art education. His
DA VINCI’S WORKS Leonardo da Vinci has got to be the one of the most celebrated painter in the world from the Italian Renaissance. He is
Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,
In this representation of Judith being physically in the act of beheading Holofernes, Caravaggio made the distinct choice to stray from the established pictorial traditions of the Book of Judith created by previous artists. For centuries, this scene had been demonstrated by showing Judith and her maid leaving the tent carrying the head of Holofernes or with the two women in the tent with the general’s head-less body visible in the background; that is, until Donatello’s depiction in the mid-fifteenth century with his famous bronze sculpture that implies the courage of commune against oppression. Although, Donatello’s version is still more about the anticipation of the action, and not the beheading itself. Caravaggio has left us with the impression
At the age of 14 Leonardo became an apprentice painter to Verrocchio. Not only was Leonardo a talented artist he was also a talented engineer. On the other hand Michelangelo was considered the greatest living artist in his lifetime. He also was a sculptor, poet, and engineer. He worked with Ghirlandaio who eventually began to pay him as an artist.