Namastey London (bollywood movie): Study of cultural differences between Indian and European cultures. ABSTRACT The study aims at analyzing the cultural differences between European culture and Indian culture, comparing different dimension of cultures. How cultural differences can be managed. What are the factors that affect the ideology, thinking and behavior of an individual. Can the culture of an individual be changed from what it is from childhood; i.e. is it possible for an in individual to change its culture entirely. INTRODUCTION Namastey London is a nice romantic comedy movie deals with interfaith and intercultural romance. It handles its subject quite well, with a nice humorous touch. It will make you think, talk and ponder on what is essential in a relationship. This movie nicely depict the clash of cultures, the widening gap between parents and kids, also racism .Also, it invokes a kind of patriotic feeling at some point .It’s a story of marriage between two very different people, a girl who has been raised in Britain is made to …show more content…
Indians are very committed towards their relationship and try their level best to work it out. Moreover, the amount of respect Indians give to elders is far more. These traits were found missing in the girl. Hence, the girl faced a lot of problem after returning to India. Her parents could have nurtured her with more tolerance towards Indian culture but it’s also seen that it would be very difficult to do so living in Europe. The movie also depicts the cultural similarities between India and Pakistan. It also shows how a right person can bring positive differences in your life. We keep complaining about generation gap but the problem lies when we misunderstand our elders or think they have not grown with time. It’s not their age that speaks but their experience
It offered comedy, drama, action and much more. All around it was a great film for everyone to enjoy. There were two main small
When it comes to films, I feel as if the soundtracks make them what they are. A film in which I feel as if the soundtrack shapes the overall effect of the film is "Waiting to Exhale." Waiting to exhale was a movie about four African American women who were all through different things in their lives from men, their jobs and family. There friendship bonded all of the women together and when they got together the could just exhale everything that they have been holding in this whole time and just be themselves without having to worry about anything else. The musical technique in which I feel they used is connecting the soundtrack to real life situations.
The movie, Freeheld, starring Ellen Page and Julianne Moore is a documentary about the true story of a New Jersey detective, Laurel Hester (Julianne Moore) and her fight to have the right to give her hard earned pension benefits to her domestic partner Stacie Andree (Ellen Page) after finding out she was diagnosed with stage four lung cancer and then being denied by the local county officials. With the help from her colleague Dane Wells (Michael Shannon) and activist Steven Goldstein (Steve Carell), Laurel Hester and Stacie Andree won their battle for couples equality. The Peter Scollet film based on the book, Freeheld, by Cynthia Wade earned $320,365 in the box office opening day and won “Best Film” at the Sebastiane Award. The film has been
When seeing this film it felt as though this was right on target genuine occasions with no misunderstandings, since this is the manner by which life really is outside of the cameras and television and creations. When watching this I 'd feel these characters were really i gangs whether they were young or not they had the correct role. Likewise making it all the more realistic was knowing how gangs function and go around from individual encounters in my own life, it gives a more inside and out visual from what I saw growing up through my childhood. I would now be able to state that I have a view from outside and I now know what definitely is going on behind the walls. This film had an effect on myself since I have been included and have an view of how individuals talk and act with each other and when they are with certain individuals.
Linsanity is a documentary film directed by Evan Jackson Leong that tackles numerous topics such as discrimination, stereotypes, racism, and being overlooked. The documentary is about Jeremy Lin, an Asian American basketball player who rose to fame in the National Basketball Association (NBA). The story follows the life of Lin from his childhood to his success in the New York Knicks in the NBA. The film shows how Lin achieved success despite of the racism and discrimination that he received while playing in his college and in the NBA. The director’s intention does not only inform the viewers about Jeremy Lin’s life, but it also offers viewers a new image of Asian Americans in basketball.
Pixar’s Perception “The Bare Necessities” plays in the background as my three year old self sits on the couch fully engrossed in what was playing on the T.V. screen. A few years go past and by now I’m six, and quietly watching “Monster, Inc.” and all the new characters and effects going on within the movie. Over and over again between the ages of when I first started to walk all the way up until this very moment in time, I have always been a fan of Disney, PixarⓇ films. Being totally and completely thrilled and mesmerized by how well the films are put together, how smoothly they run from beginning to end, and how beautifully and carefully the characters are drawn and pieced together.
In today’s age, cinematographers, directors, editors etc have the technology at their fingertips – special effects, CGI (computer generated technology) and equipment such as green screens. As North By Northwest was released in 1959, limited available technologies meant that directors had to make scenes look as realistic as possible. An example of this is scattered throughout the film. Green screens had not been invented when the film was released but an invention called rear projection allowed for the illusion of a moving vehicle. Rear projection was created by using a plate made of a strip of film.
The documentary, Merchants of cool, describes an evolving relationship between the vast teenage population and corporate America. The film provides an in-depth look at the marketing strategies and communication between these groups. Adolescents are shown as learners and adapters of the fast-paced world; they’re constantly exposed to fashions and trends. These young adults have a lot of disposable income and are willing to spend it, in order to gain social popularity. In other words, they are chasing ‘cool’.
1. Finding dory, star of the film Dory last 1 minute and 42 sec. 2. In the trailer finding Dory it displays how Dory is trying to find her family throughout the film. Dory once new her family and lived with them but one day was taken away.
In the film, I learned that the migrants are almost exclusively tied to themselves and shut off from the outside world happening in the US. They are in the United States but they are not treated as well as other citizens; no access to healthcare, no access to a proper education, living under what is considered homeless conditions, food insecurity, etc. They are all struggling the same struggle, essentially, so that creates bonds between them because it seems that nobody outside of the Hispanic migrant worker field
My film starts from the very beginning and ends in modern times, these events are what I believe to be the most influential in leading us to the racial discrimination we continue to face today. The film starts at the arrival of European society in the Chesapeake. The lower and upper class whites came here first for new opportunity. The upper class came here to expand their land and to gain more wealth. The lower class came here mostly to be indentured servants (hard labor workers who would serve two to seven years and then be freed with benefits) for the wealthy landowners.
The film Dying to Know by Steve Kroschel is certainly easier to watch than most documentaries. The film’s subject is a natural diet developed by Dr. Gerson that can cure cancer. I did have some reservations about the film in the beginning, by the end though I believe this therapy can work. Including patient interviews was a very smart idea; something to tug at the heartstrings and it did just that. It gave more of a human aspect to the film.
It was the very mother who Abdias Nascimento received the first lessons of how it should behave in life on the issue of blackness. A child in Franca, São Paulo, when he attended owner Josina resolutely, taking a black and orphaned child from the hands of a white neighbor, who beat her. His mother, always so sweet and calm, filled with unexpected fury, ran in defense of the boy. This scene marked the beginning of my awareness of the reality of the black situation in Brazil Born in 1914, only 26 years after the abolition of slavery, he took a fighting stance and face for the rest of life, as the account in the documentary Abdias Nascimento, directed by the Bahian filmmaker Antonio Olavo. Abdias do Nascimento was born in France, the state of São
The man is Travis Bickle, ex-Marine, veteran of Vietnam, writer of devoted celebration notes to his guardians, taxi driver, and executioner. The film seldom strays a long way from the individual, profoundly subjective route in which he sees the city and gives it a chance to wound him. Travis often changes his perspective of whether he is in control of his predetermination or whether his fate is foreordained. Before all else of the film, Travis whines about being forlorn and not having wherever to go.
The above quote was spoken by the most celebrated French New Wave auteur filmmaker and Cahiers du Cinema critic, Jean-Luc Godard. There are three periods in which Godard’s work fall into. I will be focusing on the early period of his filmmaking career where some of his best films were made before he began his political films. He is recognized for breaking the rules and conventions of the Classical Hollywood cinema and bringing something new and innovative to French cinema. The quote is echoed upon three of his pioneering films, A Bout de Souffle (Breathless, 1960), Le Mepris (Contempt, 1963) and Pierrot Le Fou (1965).