The movie "On the Waterfront" is an example of Film Noir which literally means black or dark film. Movies like this were more serious and explored more realistic and depressing subject matters. The movie was mainly about the struggle of the working longshoremen in Hoboken, New Jersey against the gangsters who bullied and extorted money from them. The protagonist of the movie is Terry Malloy. Terry Malloy’s character is an example of an anti-hero. An anti-hero, unlike the typical hero, has faults and flaws that you would not really want someone like him in the society but in the film, you would root for him due to the different circumstances in the film. Terry Malloy is like an errand boy for the gang that controls the docks of New Jersey. Terry and his brother, Charlie was orphaned and eventually got involved with Johnny Friendly, the gang leader. Charlie, the older brother, rose in the …show more content…
Emphasis was given where it was appropriate. In the scene where Edie vowed to avenge her brother’s death (5:51), the camera focused on her face to show her determination. In the bar when Terry and Edie were drinking (42:00), Edie pleads Terry to help her but Terry insists that he can’t. In this scene, the frame of the camera only contained Edie’s slightly blurred, sobbing face in the foreground and Terry’s clear, troubled face in the background. The camera work highlighted the characters’ dialogues and emotion. Another example is the scene where Terry decided to tell Edie the whole truth (1:03:04). Their conversation is drowned by the horn of the steam boat but the viewers can easily know what they were talking about and feeling based on their expressions. Also at the last scene (1:45:00) where Terry was trying his best to walk to the dock the camera shifts from omniscient to Terry’s point of view. He was dizzy and was not seeing things clearly. His struggle was felt by the viewers because of this change in
On the Waterfront and Twelve Angry Men are a piece of history where the society is seeking justice. In the play script Twelve Angry Men and in the film On the Waterfront, the themes discussed relate to the issue of corruption, power & control. On the waterfront considers the interpretation that power corrupts the innocent. In the film the audience may sympathise with Jonny
Terry, who's one of them criticizes Johnny Friendly’s way of treating the workers. In one of the scenes, Terry’s older brother Charley invites him to join the mob so he could earn an income without doing any work, yet he is unwilling to it as he doesn’t want to commit more actions for friendly. He says that “You don’t understand! I could’ve had class. I could’ve been a contender.
The film's action sequences, particularly the gunfights, are shot with a combination of quick cuts and slow-motion shots that help to create a sense of tension and excitement. Similarly, the film's more emotional moments, such as Doc Holliday's death, are shot in close-up, with a focus on the characters' faces and expressions. The film's use of color is also notable, with its warm, earthy tones creating a sense of authenticity and realism. The film's costumes and production design also play a role in creating its unique visual style, with the characters' clothing and accessories adding to the film's sense of time and
Film noir movies often have stylistic characteristics such as exaggerated lighting and shadows. Scarlet Street contained many subjective camera shots while also using exaggerated shadows, for example during the first scene in the movie, there is an emphasis on the mans shadow as he walks into the room. Which brings me to a crucial point, Black and white filmmaking. Black and white style is considered to be an essential attribute for a film noir movie, black and white allows the director to emphasize on distorting images, for example use of the venetian blind shot. Another continuous pattern of film noir is to include main stock characters, this film contains: an anti-hero and a femme fatale, these stock characters are always seen in noir films.
Something so simple as the sound of heavy breathing can completely change the mood of the scene and will make you understand the fear they are going through. After fighting for their lives trying to get out, they finally make it out and you can see the dramatic change of emotions while Marlin starts to laugh and
When H.I. marries his wife Ed, the camera is positioned above them, so that is seems as though the audience is looking down on them. This angle makes them appear weak and vulnerable as they are binding themselves to each other. The angle of looking down on the actors also works vice versa as it shifts positions and looks up at the priest, making him appear superior. Another example of these camera angles is when the man hunter tracks down the baby, and attempts to fight H.I. for him.
Depleting the Cowardly Lion “It is curious that physical courage should be so common in the world and moral courage so rare,” said Mark Twain. As young people, we believe that courage is only a physical notion, but as we grow older, we start to realize that sometimes you require the use of moral courage too. The novel To Kill a Mockingbird is a coming of age story about two young children, Jem and Scout Finch, growing up in Alabama in the 1930s and learning what real courage is through their father, Atticus, and the people of Maycomb. They learn to see the world from other points of view, which is also how they express empathy towards others, persevering and standing up for what you believe in, and putting yourself in danger to help others.
The movie featured by - Bruce Willis, Toni Collete, Olivia Williams and others. In general, the plot of the movie tells about a successful child psychologist, Malcolm Crowe, who is happy in both of his personal and professional life. On the other
He was an inspirational figure because he was patriotic and loving, had a dream to run across Canada for cancer research, and did not allow his disability to label him. Terry Fox was patriotic and loving. He wasn’t a selfish man because he did everything for his country, Canada. Also, he helped others while putting aside his own needs.
Elia Kazan’s award-winning film On the Waterfront and Arthur Miller’s tragic play The Crucible both explore the impact of fear on both individuals and communities and the consequences that may arise due to the chaos caused by fear. Both texts contain centres of power which instil fear in the community and ultimately result in the untimely demise of numerous characters. Additionally, both texts depict the different acts of self-preservation an individual may exhibit when confronted by fear-induced hardships. Furthermore, despite main characters from both texts – John Proctor and Terry Malloy- illustrating acts of heroism in their final scenes, only Malloy’s attempt for redemption is seen to result in a resolution to the corruption caused by
Knowledge of Marlon Brando’s role in On the Waterfront further characterizes Butch and creates an insight that is otherwise less developed. From allusions used to catalyze detachment and remembrance to those used to characterize, Tarantino’s references create an unorthodox viewing experience, leaving the movie buffs mesmerized and the casual viewers anesthetized. Whether Tarantino is boasting his ability to transform a musical actor into an Oscar nominee or simply looking to amuse, his allusions to Travolta’ past separate the viewers from Pulp Fiction’s specific world. As Vincent and Mia pull up in front of Jack Rabbit Slim’s and enter for burgers and smoothies, the viewer cannot help but recall Grease.
In this scene, lighting is used where a shot reflects on eves face to the farmer in the car on the farm showing how far they are. The scene continues where the lighting used appears too bright and somehow blinding to show the time of day the scene is taking place and the emptiness of the field and the only part left out is Thornhill thus focus is drawn to him and this launches the audience into the attack where the lighting makes it easy to know that he is alone in the barren land which makes him vulnerable and the scene captivating. The editing is utilized in the film where quick and intense scenes are made to be real fast in pace which creates suspense. Sound is also used where the music in the background moves in sync with scenes of suspense where it turns loud and fast making the audience aware of the impending danger (Pernoud, 2015).
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
Joe Wright creates techniques among this film aspect such as wide shot, close up shot and panning. Joe Wright uses panning to create tension during the wedding scene, this is when Lacie is halfway through her speech and Naiomi warns Paul to get Lacie out as Lacie is ruining Naomi's social status and reputation. When Paul is close to succeeding we can view the camera panning Lacie running away from Paul, this creates tension as panning can invoke the idea of physical surroundings and space to create an unsettling impact towards the audience. The close up that was included in the scene was when Lacie was expressing how she really felt about Naiomi, we can see the emotion on her face thanks to the close up shot. Another technique Joe Wright uses is a wide shot showing from Lacie’s perspective everyone there was adapted and matched the occasion, this left Lacie on her own as her outfit was covered in mud.
The first shows lighter, brighter shades like grass and leaves. During the war green color is presented by more “gloomy” hues like military uniform or a rocket in the night sky that Doss saw in his nightmare. The film often shows characters’ faces in close up; these frames constitute a majority of the movie. Camera focuses on characters’ faces and moves slightly following their heads’ motions. This approach makes viewers focus on people’s expressed emotions and interactions rather than their environment.