During the 1960s and 70s, a time of social and political revolution around the world, Latinos gave the world salsa. Salsa is so much more than a seductive song and dance, it was also a protest against prejudice and a passionate emancipation, a frontier in music and for the people.
Why not start a frontier with a song? You can't start a song without community. You can't start salsa without Son. Although the origins of salsa are debated, the general understanding is that it came from the Cuban genre “Son Cubano” or Son, which means the Cuban sound. However, the group that likely introduced salsa to the Spanish community was the Puerto Ricans living in the slums of New York. In 1917 Puerto Rico became a part of the United States, making its
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When salsa emerged it wasn't its own genre, it was a mix of many Latin sounds. It was also not yet a frontier, it was just music speaking for the people. In fact, it really didn't become a frontier for many many years. Let's start at the beginning. The place that began to influence the sound that created Salsa. Welcome to Cuba. The Cuban revolution began in 1953, about a decade or two before Salsa reached its peak. The revolution itself did not result in a new frontier in music and politics, but the relations Cuba had with the United States as a result of this war. Welcome to the Cuban revolution. During the revolution, Cuba established an alliance with the soviet union, and America began to see them as a threat. When Cubans began to migrate to the states about a decade later, political relations were not well and they were underdogs. However some did long for a good relationship with the states, and this actually came to be during salsas years of fame. Now another series of events happened years later that contributed to our frontier, one very famous for the change it brought..welcome to the civil rights movement. The renowned movement that gave African Americans rights. As known, black people were battled against as they were lower class, and not as important as whites. It wasn't just African Americans. Puerto Ricans, Colombians, and Cubans, also experienced this hatred. Many Latinos were …show more content…
Salsa itself didn't change the way blacks, afro Latinos, and others were viewed and treated. However it was an outlet, an outlet people used to gather. To protest and revolt and laugh and cry and love. To reclaim their status. Lower Bronx, East Harlem, The Barrio. Places claimed by musicians and Latinos when NYC was hitting bankruptcy. Everyone was impacted by this, not just lower-class citizens. People came together, of all races, ages, and classes. They came together to experience salsa. Salsa is a frontier because it encouraged change in a way that was so beautifully expressive, it could not be
Student Name Tutor Course Date Significance of the Chicano Movement El Plan de Aztlan and Borderlands Literary Works Literary works, such as Borderlands by Anzaldúa and the El Plan de Aztlan manifesto were pivotal in conveying the demands and hopes of the Mexican-Americans in the Chicano Movement. In essence, El Plan de Aztlan was a blueprint on how the Chicanos could establish their own nation in the southwestern part of the America to facilitate self-determination, equal rights and opportunities, and to allow them to preserve their culture. The manifesto is a comprehensive delineation of the movement’s achievements, failures, challenges, and future expectations. The Borderlands/ La Frontera is a semi-autobiographical seminal book that focuses on the Mexican-American’s life experiences, including their language and identity.
On October 4th, 1948 she had become known as the Queen of Salsa music, which was in Venezuela. Salsa falls under two categories, dance and music. This term “salsa” was encouraged and retailed in New York City throughout the 1970s. Salsa can relate to some other Cuban genres such as the mambo and the chachachá. Salsa is mostly defined as a modern style of Cuban Son.
“In the late 1930’s young Mexican- American men and women rejected by both American and Mexican society designed a counterculture that expressed social tensions through attitude, fashion, dance and eclectic musical tastes. Known as pachucos and pachucas, they favored zoot suits and big band swing. In the late 1940’s A Mexican American guitarist from Arizona named Lalo Guerrero created American jump blues, or pachuco boogie, which used swing, boogie woogie and rumba rhythms with lyrics in Spanish and calo, the pachuco’s hipster street language” (Yglesias).
Lalo Guerrero was one of the first pioneers in the Chicano music industry. Guerrero offered the barrios a voice by incorporating their vitality, anguish, and humor into songs that helped Mexicans in the Southwest recognize their shared identity. He personified the fundamental humanity of the barrios over a career that “spanned la Crisis of the 1930s, the Zoot Suit Riots of the 1940s, and the Chicano Movement of the 1960s” (Sheridan, 298). Guerrero turned his observations into songs that reached millions of listeners. His songs were personally filled with emotion, enough to make the listeners relate to the story being told.
The Palladium and Copacabana were and still is, two of the most popular Latin dance clubs in New York, during the 1950 's. The Palladium does not currently exist anymore as a dance club, but was an important role to these men for salsa 's history. Copacabana, on the other hand
The Chicano Movement of the 1960s was a significant period in the history of the United States, and Cesar Chavez was one of the most influential figures in the movement. Chavez, a Mexican American labor leader, played a vital role in advancing the political and cultural progress not only of Hispanics but every person of color. Chavez's leadership was essential in the formation of the United Farm Workers union, which advocated for the rights of farmworkers, many of whom were Hispanic. The union fought for better working conditions, higher wages, and an end to the mistreatment of farmworkers. The movement eventually led to the establishment of the California Agricultural Labor Relations Act, which gave farmworkers collective bargaining rights.
Women have faced patriarchy and discrimination for centuries. In Cuba, women lives generally meant working for the male figure in the family. That is, until 1959. The Cuban Revolution encouraged equality, meaning equal rights and equal opportunities for everyone, including women. However, obtaining equality is not an easy struggle.
African american arts that can be seen in culture today can be traced back to one origin. All of these effects that were made on culture can still be seen today. During the 1920s a boom of culture happened called the Harlem Renaissance. Some of the lasting effects were black pride and black artistry, these effects are seen in the recent black lives matter movement all across the globe. The Harlem Renaissance increased black culture tremendously and America wouldn’t be the same today without it.
The key years of the movement are between 1965 and 1975 . . . Why begin in 1965? That year marked the beginning of the famous grape strike in California’s Central Valley (San Joaquin Valley) led by César Chávez, Dolores Huerta, and the farm workers to establish a union for farm workers that would not only bring them much-deserved wage and benefit increases, but a sense of dignity for their labor and for themselves . In 1967, after school administrators ignored the students’ pleas for help, Castro began to organize the students to go on strike and walk out of classes. He hoped to involve as many Chicano students as he could in multiple schools, and former pupils were enlisted to help plan the walkouts.
The musical phenomenon corridos came about in the 1800s. However a dramatic increase of this music occurred until the Mexican Revolution. The Mexican Revolution started on November 20, 1920. The revolution started because of a very corrupt government that was ran by Porfirio Diaz. His 34-year term called El Porfiriato, was violating the principle and ideals of the Mexican Constitution (EDSITEment).
Since the end of World War 2, Puerto Rican culture has undergone a generational shift, which is evident in the music we listen to. This shift is a result of an ethnic divide within Puerto Ricans due to whitewashing within our culture and to a large extent a change in how we as a community view ourselves. Being a part of this community has given me access to a wide variety of different views and peoples within my community. When you explore within, you have people born and raised on the island who only speak Spanish but also people who have only lived in the mainland United States their entire lives. There are many different ways to be a part of this circle and me being a New-York raised Puerto Rican I have been able to see a place and people
The jarabe is considered M?xicos national dance and is the best known outside the country,often called the Mexican hot dance in English. Like all folk dancing, Traditional mexican dances provide a glimpse into the culture of the region. Not only do these dances from M?xico express the rhythms of the musical, But also the vital color wovent into mexican clothing and decoration,as well as themes important to the region such as catholicism and communion with nature. Mexican culture shines through the Traditional dances of the country. Many mexican familias are planted firmly in religious faith and Rich intricacies of generacional Traditions and celebrations observed year after year.
From each decade that has passed Chicano, music has taken musical changes and has incorporated this to create their type of sound. The different influences brought about what makes Chicano music its own. It is a musical style with roots in the intercultural conflicts and experiences from Anglos and Mexicans (Ortega). In the end what makes Chicano music different than other types of music is that it has a unique set of sounds, genres, linguistic mixing, poetry and political thought is the fact that this music moves people (Ortega).
Latin Jazz, also known as Afro-Cuban jazz originated around 1940. It was due to the gradual and long interactions of American and Cuban music which birthed this distinct style of jazz. African american tunes and dance rhythms traveled north into the United States as well as the musical styles of African-American Jazz found their way down to the Caribbean and Central and Southern America. The fusion of both musical styles; Cuban music and African-American jazz was largely due to musicians and dancers throughout the area beginning to familiarise themselves with both of the musical techniques. The fusion happened in 1940 in the city of New York through the beginning of Machito and the Afro-Cubans orchestra, which was under directorship of Cuban trumpeter Mario Bauzá who essentially created the Latin Jazz through fusing jazz arrangements with Afro- Cuban percussion rhythm.
This is no surprise, as salsa can be found in many other Latin American countries. Salsa music is very popular for dancing. It can be heard at parties, bars, clubs, anywhere people may desire to dance. It features a range of instruments and a fast-paced, upbeat rhythm. Salsa music does integrate Cuban influences; however, it was founded in New York by the Puerto Rican community (“Costa Rican Music,” n.d.).