Culturally Relevant Books and Contributions Sandra Cisneros has written many different stories and poems. From her written work, there are books that are culturally relevant to the Mexican American culture. Her book, The House on Mango Street, is about a Latina girl living in Chicago. The book is about the young girl’s quest for a better life. The book is made up of short stories told by Esperanza Cordero, the main character and narrator of the book. This book is culturally relevant because the Mexican American, Latino, and Hispanic readers can either relate to this book or make connections with it. Another book by Sandra Cisneros that is culturally relevant to the Mexican American culture is El Arroyo de la Llorona y Ortos Cuentos. This is …show more content…
Many of us, of the Mexican American culture, can say that we have heard the story of “La Llorona,” so the title alone is something we are familiar with. The book is also made of short stories that Cisneros creates using her Mexican American heritage and background; she also uses bilingualism and biculturalism in her stories. Many of the stories and poems written by Sandra Cisneros are culturally relevant and were created with her culture and heritage in mind. Cisneros has made contributions to society and to both American and Mexican American literature. Her contributions to both American literature and society by Cisneros are her books My Wicked, Wicked Ways, Loose Woman: Poems, Have You Seen Marie?, and many others. (Sandra Cisneros, 2012) Her contributions to Mexican American literature are the books previously mentioned and many others that also have to do with the Mexican American culture, background, and issues that many migrants and immigrants can relate to. The Macondo Foundation and the Alfredo Cisneros del Moral Foundation are two foundations in which Cisneros is the founder. Both of these can be seen as contributions to society and the community by Cisneros. Both
Sandra Cisneros is a feminist Chicana author born in Chicago, IL on 1954. Being the only daughter in her family, they moved betwixt Mexico as well as Chicago. Most of her literary work involves her Mexican roots, in these works she creates characters that shift between two cultures(Hispanic-American) and languages(Spanish-English). In an interview for the New York Times, she describes herself as an "amphibian" that can travel between both worlds. She earn a B.A in English from Loyola University of Chicago and ab M.F.A from the University of Iowa.
In House on Mango Street, written by Sandra Cisneros, Esperanza grows up in a society in Chicago, Illinois where she is unwelcomed because of her race, gender, and poverty. While in the story Night, Elie is affected greatly by his environment living in concentration camps in World War II. In both novels, the main characters grow emotionally and mentally from the challenges they are faced. As they are characterized as innocent in the beginning of each story, their maturity process is caused by their horrible experiences which result in loss of innocence. Eventually, they find hope for happiness within their tragic experiences and then mature.
Friends In Sandra Cisneros' book based off of her own personal experiences, "The House on Mango Street" it talks about hew life as a child. Esperanza (based off of the author Sandra) lives in a neighborhood on the fictional "Mango St." based in Chicago. Esperanza learns a lot about growing up from her friends. Cathy was Esperanza's reminder or help to realize that some people can be fake.
In 1954, Sandra Cisneros was born chicago, Illinois. She and her six brothers grew up in Mexico and Chicago. Cisneros earned a B.A. in English from Loyola University of Chicago and an M.F.A. from the University of Iowa. She is famous for her first novel The House on Mango street (1984). She also wrote several collections of poetry including My Wicked Wicked Ways (1987) and was well received by critics.
Racism is something that needs to stop being taken so lightly. It for one has a toll of impact on many people’s lives. For instance, racial name callings can have many affects on an individual of the opposite race who is being harassed because of the color of their skin. It can truly damage a person’s self love and respect for themselves. Often the ones who make others feel that way are the ones that lack those character traits.
Cisneros had many educational travels worldwide including living in Europe, but she decided to move back to Texas where she felt closer to Mexico. She expressed, "But most important Texas brought Mexico back to me." Cisneros received many prestigious awards for her writing. Her books are enjoyed by all no matter what age, gender, or ethnicity. I believe part of her goal was to reach all audiences, especially those with different backgrounds.
Culture identity is something many young people struggle with, especially teens as they go through discovering themselves. Esperanza is the kind of girl who struggles with her cultural background. She envies everyone else she sees as they fit in with the place they are at. Even if the life of others isn’t necessarily amazing she is still jealous for what they do get. The House on Mango Street by Sandra Cisneros a very touching story about how a young girl tries to fit in an American society being a Latino.
The House on Mango Street is a touching and timeless tale told in short vignettes. It tells the story of a young Latina girl growing up in Chicago. Her life, and the lives of the people around her, are laid bare to the readers in this touching novella. In the beginning, Esperanza is not accepting of herself. Her family’s poor financial situation, the sadness of the people around her, and the problems she faces in her daily life make her very cynical.
Through Antonio and Ultima, readers identify the creation of a culture that has been forge by war, discrimination, and common hardships. With Ultima being a powerful curandera, the story shows the importance of the female character within Mexican culture. Today, this is prevalent in many Mexican-American households, as the elderly women are held in the highest respect. Another aspect of Mexican-American Culture is masculinity, which is shown in Bless Me, Ultima when Antonio’s father says, “a man of the llano does not run from a fight” (Anaya, 1999, p.37). There are countless examples of Mexican-American masculinity in this novel, like when it mentions that Gabriel’s two eldest sons are fighting in WWII.
The House on Mango Street is a book that Sandra Cisneros wrote. In the first chapter, she wrote about her small house on the Mango Street. A similar author wrote a vignette, “My vacation about my first time going to Mexico”. This is a vignette of a student at Carolina High School. The purpose of this essay is to see how The House on Mango Street is similar and different to the vignette of “My vacation about my first time going to Mexico”.
In the mid-1990’s, Sandra Cisneros bought a house in the historic King William neighborhood of San Antonio, Texas. She made improvements to her home and painted it purple to reflect her Tejano heritage. However, her neighbors felt that the purple did not abide by the housing regulations of the neighborhood and petitioned the local commission to force Cisneros to change the color. I believe Sandra Cisneros should be able to keep her house purple.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Cisneros is an only daughter with 7 Mexican-American siblings. Being an only daughter in a big Hispanic family, she experiences loneliness. Her father believed that college will help her find a husband. Nevertheless, Cisneros had the liberty to study what she wanted. All she ever wanted was her father's approval to become a writer.
In “The House on Mango street,” the author Sandra Cisneros uses the literary element simile, to create specific descriptions of various characters and objects throughout the book. Esperanza starts off by describing her name and culture: “Chinese lie because the Chinese, like the Mexicans, don’t like their women strong”. This shows what Esperanza perceives Mexicans to be like. She herself is comparing her and relatives to the Chinese because they as women never had a chance to be free. Cisneros reveals a lot about Esperanza with this quote, because it shows that she is aware of how women are treated on Mango Street, and how it affects her and how she could be trapped there forever.
The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.