In the academy award winning film ‘Slumdog millionaire’ directed by Danny Boyle, Main character Jamal Malik played by Dev Patel faces many challenges living on the streets and in the slums of Mumbai, India. During the film, Jamal experiences the death of a loved one and extreme poverty adding to the challenges put upon him. Throughout the film ‘Slumdog millionaire’ Danny Boyle’s challenges help viewers to understand characters and manifest the theme “Brutality of Humanity”. The key challenge in the film that helps us understand the Theme of Beauty and Brutality of Humanity is overcoming poverty. Danny Boyle utilises film techniques such as Costuming, Camera shots and Dialogue to show the theme “Brutality of Humanity”. Throughout the film Slumdog millionaire, Danny Boyle uses the film technique ‘Costuming’ …show more content…
Many of the camera angles used within the film gives us closer viewings and more emotion to the scenes, most of which manifested controlling power and views on challenges involving poverty. This relating us back to the theme “Brutality of Humanity”. With the camera angles making the poverty challenges further detailed, helps us to relate the film technique ‘camera angles’ back to “Brutality of Humanity”. The Rembrandt lighting and split lighting shows us the dramatic scenes of poverty challenges, where others help represent poverty and challenges within. The camera angles relate back to the theme as they show visual representations of the struggle and challenge facing poverty for example, Jamal as a young child eating minimin, walking through trash and working to gain money for Mamans under his cruel control. My opinion on Danny Boyle 's camera angle use is that he executed the film technique well, and well enough the help all viewers to see the perspective he wanted to give of the characters and India. Through the camera angles I learnt more about Jamal and his challenges towards poverty, in which I was able to relate back to the theme “Brutality of
Out of Sight, Out of Mind In a city less fortunate than the average in North America, the daily struggle to rise above poverty is perplexing. In the non-fiction book written by Katherine Boo, Behind the Beautiful Forevers, Boo describes in great detail of what living in Mumbai’s slum, Annawadi, entails. Many of Annawadi’s people are just trying to earn enough money to eat what little they can buy. Others focus more on gaining power and image to benefit one’s self, while a portion of the citizens try to escape the wrath of a corrupt government.
Behind the Beautiful Forevers is a book, by Katherine Boo, that describes an ordinary life of slum-dwellers in Mumbai. India is primarily known as a country currently experiencing a significant economic growth. At the same time the inhabitants of slums daily struggle for their mere survival. One of the main reasons for that is a failure of both governmental and international social programs to reach their objectives. Boo frequently highlights this issue in her book providing numerous examples.
I saw Monsoon Wedding. And the directors cut! And I saw Slumdog Millionaire like three times” (page 1327).
Briski also targets the problem of poverty and the lack of human rights in the Red Light District of Calcutta and presents it in the documentary “Born into Brothels” without artificial changes. The style of documentary Briski and Kauffman used for this particular film depicts the art of documentary photography. Documentary photography is a technique used by filmmakers for documentaries as it has the ability to influence people and events. This technique portrays stories candidly and purely to the audience rather than exaggeratedly as evidence of the truth is being captured through the lens of a camera. Throughout the documentary, ‘Born Into Brothels’, this technique is evident as Briski and Kauffman uses the raw images taken by the children from the Red Light District which depicts the scenery of the brothels in Calcutta and also the poverty in this area.
Sometimes the film will have a subject of the lower class out of place among the upper class. A good example of this is the scene with the begging woman and her baby. The woman is dressed in rags that seem unfit among the many nicely dressed people populating the pier. The film also features a clear distinction between the lower class slums of the city, and the nice seaside resorts. Halfway through the film the camera moves away from the bright, open spaces of the seaside to a notably dark, and cramped area that is the slums.
The movie Do the Right Thing, composed, coordinated and created by Spike Lee, concentrates on a solitary day of the lives of racially differing individuals who live and work in a lower-class neighborhood in Brooklyn New York. Notwithstanding, this common day happens on one of the most sizzling days of summer. The movie fixates on how social class, race and the ethical choices that the characters make directly affect the way individuals communicate with each other. Furthermore, in this essay I will analyses Spike Lee’s use of mise-en-scene, cinematography, editing, and sound. Mise-en-scene is utilized as a part of a couple of scenes of Do The Right Thing to feature their significance to the plot.
The Nazi’s sent a film crew to the Warsaw ghetto where they would film the Jews in their everyday lives most of the time being staged. They filmed from the very weak and poor to the wealthier Jewish people. It is easy to think of why the Germans would film the Jews in luxurious settings, to promote and show that the ghettos are good places and the Jews in the ghettos are living well. But why would they film the extreme poverty and state of the buildings and living conditions when they were so poor. It is hard for me to watch as most people that were being filmed were clearing starving and often close to death.
Leni Riefenstahl was hired by Hitler to make a film documenting, or perhaps more accurately, glorifying the Nazi Party and its 1935 convention held in Nuremberg. “Triumph des Willens” is recognized for its meticulous filmography that makes it powerful, persuasive Nazi propaganda. The images created by camera angles are one of the most impactful techniques employed by Riefenstahl. The camera angles alone communicate clear messages to the audience, especially regarding Hitler’s characterization.
The Devil’s Miner is heartbreaking and heavy direct cinema documentary that can leave the viewer feeling sympathy and pity. But, if approached with the right mindset, the film can also leave the viewer with a message of human strength in the face of adversity. The film presents many themes to call people to action, such as social injustice, and the problems with child labor, but the main theme that resonates throughout the film is that strength can be found even in the darkest of places. The directors of The Devil’s Miner employ a filming style that allows the people of Potosi to have the loudest voice possible.
Those who do not learn how to navigate the slum and play by its rules face starvation. Everyone in Annawadi is trying to elevate themselves from their situation and get out of the slum. The nearby international airport is a source of some options for success in waste and recyclable scavenging, in metal thievery, and, for a lucky few, regular service jobs in the hotels. A wall plastered with the words of an Italian tile company ‘beautiful forever beautiful forever’ separates the affluent area near the airport from its surrounding slums. Annawadi is a society that subsists on the leftovers and cast offs from this affluence, and a society where corruption runs rampant.
The favelas in Brazil are crowded; in the film you really see how the people in these neighbourhood’s live. For example, they are shown to be “ scruffy, dirty ,scampering around on the dusty play-fields and squalid alleys, their body language expressing the weightlessness of their thin bones and scrawing chests, their clothes are ragged and old; some kids are seen running around without shoes on through the streets, pushing aside people and animals. The houses seem to have layers of dirt on them and dust from the constant commotion pervades the air. The film authentically portrays the squalor people actually live in. In one scene you see a boy riding his bike and in the background there are burnt cars and trash piled around
In order to raise awareness of the staggering injustices, oppression and mass poverty that plague many Indian informal settlements (referred to as slum), Katherine Boo’s novel, Behind the Beautiful Forevers, unveils stories of typical life in a Mumbai slum. There are discussions on topics surrounding gender relations, environmental issues, corruption, religion, and class hierarchies, as well as demonstrating India’s level of socioeconomic development. Encompassing this, the following paper will argue that Boo’s novel successfully depicts the mass social inequality within India. With Indian cities amongst the fastest growing economies in South East Asia, it is difficult to see evidence of this in the individual well-being of the vast majority of the nation. With high unemployment rates, the expansion of informal settlements and the neglect of basic human rights, one of India’s megacities, Mumbai, is a good representation of these social divisions.
Every movie depicts a host of social elements in every scene. It 's only when the situations are realistic, do they manage to strike a chord with the audience. Slumdog millionaire is a British film, set and filmed in India. Slumdog millionaire is a movie set in the backdrop of the Mumbai slums and shows the life of a former street child Jamal, the protagonist and his struggle to reach the top.
Kiarostami’s Ten (2002) is quintessentially an experimental film which has the form of a collection of conversations. This paper intends to analyse the film Ten in the light of third cinema which is originally a Latin American movement presently flourished all over the world. The film focuses on various
Being a visual medium of presentation, a film creates an instant, direct and more convincing impression on its audience fulfilling its dual purpose of entertaining as well as sensitizing the audience. A lot of movies based on social issues are now being made to create awareness among people about the issues besides entertaining the audience, which is perhaps the foremost purpose behind the making