Unexpected breaches of trust are a recurring theme in Toni Morrison’s Song of Solomon. For example, Milkman attempts to plunder Pilate’s house, despite his close connection with and adulation for her, to cater to his selfish desire for gold. Similarly, Guitar nearly murders Milkman due to his delusions and his own ambitions to obtain the gold. However, one instance of this idea is arguably the most prominent: Macon’s discovery of Dr. Foster’s foibles, and the incestuous relationship between Dr. Foster and Macon’s wife, Ruth. Through the drastic changes in Macon’s personality this leads to, this subplot demonstrates the effects of a betrayal of trust. To justify his abuse of Ruth, Macon outlines to Milkman the changes in his perception of …show more content…
Foster and Ruth have had on Macon. Macon’s newfound contempt for Dr. Foster is evident, as he states that he “was very disappointed in him.” (71) However, his interaction with Milkman also shows the indignation and resentment caused by their betrayal, as he feels that “they’d ganged up on [him] forever.” (71) Macon’s previously intimate relationship with Rush has now turned acrimonious, as shown by his “regret … [for not] killing her.” (74) Finally, with the powerful, untempered allegation that “[Dr. Foster] didn’t give a damn about [his admirers],” (71) Macon summarizes his interactions with Dr. Foster. The effects that Dr. Foster’s betrayal had on Macon are present in nearly all the instances of this theme in Song of Solomon. A case in point - once Guitar believes Milkman has absconded with the gold, he does not regain his old friendship with Milkman. Initially attempting to murder Milkman (279), he later accuses him of being “just greedy, like [his] old man.” (295 - 296). His newfound incapability to trust Milkman shows that an irreparable rift has developed between them due to this perceived betrayal of
Before obtaining his possessions and wealth, while embracing his black culture on the farm, he was remembered as being a nice and caring person. Despite acquiring the material success he had longed for, he sensed an indescribable hollowness and loneliness. Macon Dead II is never able to get rid of his sense of loss due to the fact that he ignores and suppresses his cultural ties from the
In Toni Morrison’s Song of Solomon, an African American man named Macon Dead III, also known as Milkman, struggles to find the truth behind his name and background. Milkman and his broken family live on the Southside of Michigan. His mother, Ruth Foster, suffers from the lack of intimacy with her husband and uses her son as a coping mechanism. His father, Macon Dead Jr., is a materialistic man who does not want to endure the same fate as his father, Macon Dead Sr.(who had been murdered for his land, Lincoln’s Heaven.) Neither of the parents give his two sisters, Magdalena and First Corinthians, attention, leading them to envy Milkman for being the center of their world.
In 1945 Elizabeth Bowen published her short story “The Demon Lover”, in which the main character, Kathleen Drover, returns to her war torn home in London during the midst of World War II and finds a letter supposedly from her ex fiancé who has been presumed dead for 25 years. The story ends with the main characters abduction, presumably by her ex fiancé. Since its publication, “The Demon Lover” has been subject to much debate over the meaning of the events in the story. In his article “Psychosis or Seduction” Daniel V. Fraustino attempts to refute Douglas A. Hughes’s claim that the events in the story are hallucinations, the result of Mrs. Drover having a mental breakdown (Fraustino 483). Instead, Fraustino argues for a much more literal interpretation of the story, calling it “a mystery of high suspense” (483).
There are rarely second chances for meth abusers, the drug defeats 24.7 million people daily; there was no second chance for Chase. The novel Tweaked, written by Katherine Holubitsky, focuses on a character named Gordie and his experiences in his life and his families, with having a meth addicted brother, Chase. Throughout the book, Chase puts his family in very precarious situations with dealers, finances, and everyday life. Everything is miserable but manageable until Chase gets arrested for aggravated assault. With Chase’s parents already worried about getting money for his bail, Chase asks his brother, Gordie for cash that will literally save his back from his dealers, Gordie agrees.
Hagar, Pilate, Macon Jr., and Guitar all vie for Milkman’s commitment pulling in him to achieve their goals for him. To Milkman, his life seems to lack an identity in which to base his life’s direction and purpose, “…trying to make up his mind whether to go forward or to turn back. The decision he made would be extremely important, but the way in which he made the decision would be careless, haphazard, and uninformed.” (Morrison, 69-70). Unwilling to commit himself to any one goal, Milkman rejects these options, choosing instead to continue his aimless drifting, cutting himself off from the people who care for him and the African-American community.
In the Toni Morrison’s critically-claimed novel, Song of Solomon, the protagonist, Milkman, goes on a journey to uncover his “people.” Macon, Milkman, Dead III has no identity, ambition, or passion for he is lost and has no idea who he is or what he wants. As Milkman discovers his family’s mysterious and largely unknown past, Milkman discovers something much more: himself. Only through his investigation into his father’s family does Milkman finally find his lost identity.
When Toni Morrison began her novel, Song of Solomon, she introduces her readers to a world in which Caucasian Americans have full power over their African American neighbors. Detailing the pessimistic treatment of African Americans, readers come to believe in the stereotypical “weak, black man,” of African Americans who allow themselves to be dominated, who see the dangers that are forced upon them and bow down to them, obliging to the torture and prejudice they face every day. This portrait of acceptance is broken, torn into a million pieces when Morrison goes in depth into the secondary character of her novel, Guitar, during the sixth chapter. In the previous 154 pages of Song of Solomon, Guitar is elucidated as simply the best friend of the main character, Milkman, as someone who is only present in the tale to listen to the problems of his friend and give knowledgeable advice. Until chapter 6, Guitar is nothing but a clear definition of “best-friend-forever,” someone who helps the main character but does nothing else, while Milkman is the reverse of him as he gets receives all of the attention of Morrison, detailing his character traits and identity.
Throughout Toni Morrison’s Song of Solomon, Milkman Dead’s name serves as a constant reminder of his unhealthy relationship with his mother, Ruth Dead, which in itself is a reflection of her deep-rooted issues with her own personal life that are out of Milkman’s control. The significance of Milkman’s name has multiple layers to it. For example, it is important to recall that his real name is Macon because he makes a significant effort to distance himself from Macon Jr. and prove himself to be different from him. Ruth’s breastfeeding him well past his infancy results in his being stuck with the nickname “Milkman” before he is even old enough to understand the situation.
Many of the characters in Song of Solomon are named after individuals in the bible, and Morrison does this in order to reveal a deeper understanding of the characters and their experiences in the novel. For example, the biblical Hagar is Abraham’s concubine Sarah’s handmaiden, and bearer of Abraham's first child who is later ostracized with her son and forced to leave due to Sarah’s jealousy and bitterness (“Hagar”). The Hagar in Song of Solomon has a somewhat similar experience. Her relationship with Milkman starts off strong, but the more she loves him, the more he just uses her to appease his sexual desires instead of establishing a strong, loving relationship with her. Milkman eventually grows out of his former feelings for Hagar, and then abandons her, leaving her distraught and heartbroken.
Milkman’s acknowledgment of racism and change in attitude towards women ultimately highlights his maturity and the development of an unmaterialistic identity through his metaphorical
He is represented with an oblivious mind, and sees everything around him irrelevant if it does not relate to himself in a way. As he continues throughout his journey, Milkman encounters, for the first time, a struggle of not getting what he wants. As he digs for the gold, for the first time, his mind shifts from the capitalistic north and embrace nature, “His watch and his two hundred dollars would be of no help out here, where all a man had was what he was born with, or had learned to use” (277). As he begins to separate himself from white culture, he embraces in his natural skills. This was just the first step to shape Milkman into embracing and seeing his ethnicity.
Toni Morrison’s Song of Solomon is a novel that is set in the 20th century, Michigan which follows the life of Macon Dead III, who gets the nickname milkman. His sisters are Magdalene, who is called Lena, and First Corinthians. His parents are Ruth and Macon Dead Jr. Unlike most African American families during this time period, the Dead family were financially stable and could afford things that were deemed luxurious. Even though they had money, they still were unhappy with their lives. This shows that you can be living ,but you can also be dead.
Thereby, his family becomes “a victim of social violence and racism in the hostile south of the USA” and this event leaves a deep impression in Macon’s character (Gomez R. 118). So Macon had never experienced a happy childhood and since his mother died in childbirth, he has never had somebody caring for him. Consequently, Milkman grows up without a model father or loving husband. Solid, rumbling, likely to erupt without prior notice, Macon kept each member of his family awkward with fear. His hatred of his wife glittered and sparked in every world he spoke to her.
(48). Morrison indirectly showcases Hagar’s hunger as a hunger for intimacy and affection. Morrison’s expression of intimacy between the two characters, sets the foundation for an evolving relationship that is based on a physical attraction. As the characters of Milkman and Hagar develop throughout the novel, their views of love and attraction change, starting to mirror that of Ruth and Macon
She was the sign of misfortune in the entire novel: deprived of sexual interaction with her husband for twenty years, delivering Milkman as a consequence of a shock from a frightening accident, and withstanding the physical violence of her husband even in front of their children. She was never respected or seriously loved by any male characters in the novel—Milkman was ashamed and careless of her, Macon her Husband hated her, and even her father was somewhat embarrassed by their intimacy which Ruth intended. Ironically, she was the daughter of the great Doctor who has a street named after him and the wife of Macon Dead, who is the richest person in town. This contrast emphasizes the tragedy of the character that despite her superior or seemingly advantageous status quo, she still led a miserable life. Morrison quoted that she started the book as an attempt to shatter some of the common stereotypes the 1960s has brought to African American community, which, as she reckons, has left out an enormous portion of the racial character for over-emphasizing the beauty and strength and thereby