Song Shematics By Aaron Copland Summary
Aaron Copland`s story of "How We Listen" and Mike Hamad`s "Song Schematics."
Introduction
Music is a philosophical issue, and a reader must understand various factors to understand and feel the music. Copland and Hamad express their understanding of music which involves the manipulation of notes and presents a more intellectual approach to enhancing the appreciation of music. In spite the fact that Hamad is creative and makes music magical, I believe that Copland presents more regarding the listener in a way that can improve the understanding of music general music listening process.
Aaron Copland`s story of "How We Listen
In this essay, both objective attitude and subjective attitude occurs in the separate planes described. In the objective
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The two music lovers also agree on the importance of the study of music structure to form a solid foundation in all musical aspects as well as understand the entire diagnosis. Copland`s more scientific and technical plane matches Hamad`s understanding of vocal patterns, and it also contradicts the philosophical sensuous plane. It is, therefore, an impressive technique for Copland to write one right after the other and reflect Hamad`s thoughts in a way that covers the music listening process. Nonetheless, Copland diverts from Hamad`s methods by using a theoretical play analogy to express his point. It is another good technique applied by Copland and should be emulated by Hamad: allowing him to demonstrate the interrelating points of the three …show more content…
Besides, Copland suggests that music can be understood regarding notes, which Hamad illustrates through shapes and diagrams. Still, Copland argues that professional musicians become too conscious of musical notes that they become so engrossed with their staccatos and arpeggios that they ignore the profound aspects of music (1077). But, Hamad believes that the notes and technicality of music is also a deep part of it and should be observed. I think that Copland is right and if this factor continues, there is a fear of losing the musical expressive plane. Also, similar to what Hamad advocates for. I believe that listeners tend to neglect the technicalities of music and a good listener should understand the musical structure for him or her to enjoy the music
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