Stephen Schwartz is a composer and lyricist known for his work on Godspell (1976), Pippin (1972), The Magic Show (1974), and most recently Wicked (2003). He studied music at Julliard and Carnegie Mellon University, before breaking into the performance industry as a producer. After producing he moved on to writing musicals for Broadway and songs for film. He has written songs for movies, such as Disney’s Pocahontas and The Hunchback of Notre Dame (“Biography The Pieces of My Heart”). But, his big break was writing the score of Godspell. According to Broadway.com, “The show is composed of various musical parables from The Gospel According to Matthew. Jesus Christ recruits a group of followers and teaches them various lessons through song and dance” (“Godspell”). Godspell quickly blew up and became a major success. IBDB.com reports that Schwartz won Most Promising Composer and Most Promising Lyricist for Godspell at the 1971 Drama Desk Awards. Although he has been nominated for six Tony Awards since 1973, he just won his first one in 2015, the Isabelle Stevenson Award (“Stephen Schwartz”). Like every other composer, Schwartz …show more content…
Schwartz chooses to write small amounts of lyrics to inspire music, when working alone. When he is writing with a partner, they typically write music first. However, Schwartz prefers to write second in the process, when working with a co-writer. In that case, he does not care whether lyrics are written before music or vice versa, his want to write second in the creative process takes precedence over his normal routine (“FAQ”). Schwartz is one of the most well known composers to the current generation due to his work on the commercial success that is Wicked, but he does not have the consistent line of hit musicals like Stephen
Abstract This research is an exploration into how ‘Jukebox musicals’ have influenced modern day musicals and how they are written. This style of musical could be seen as the most recent form of musical and its increasing success in the West End looks appears like it’s going to stay. In this essay I will be investigating into whether jukebox musicals have affected future original musicals, the audiences that watch them and the rising musical theatre writers that make new original west end productions possible.
Kay Swift Started working at Tin Pan Ally when Gershwin give her a job as pianist at his rehearsel (PBS). After that she went on to recorded with big time artist like Louis Armstrong, Bing Crosby, and Ella Fitzgerald. Ann Ronell was also one of George Gershwin pupil who learned from his ways of writing. The first published song that Ronell produce was “Baby’s Birthday Party” a popular fox trot song that would be later followed up by one of the great jazz standards called “Willow Weep for Me”. By end of the 30’s Ronell started to write children song when on Tin Pan Alley and her most popular work was “Who’s Afraid of the Big Bad Wolf.”
Melisa Pierre-Louis Professor Brett English 10 December 2nd, 2016 A Midsummer Night’s Dream Annotated essay. A Midsummer Night’s Dream by William Shakespeare is a comedy that contains a lot of aspects. They communicate in one way or another to the audience, depending on how we (the audience) analyze what Shakespeare is trying to convey.
In the Heights a play full enthusiasm and full of energy, it won many awards including a Tony award it was produced and directed by Lin Manuel Miranda. It was performed in Irvington Town hall Theatre on August 15 ,2014. It is a musical that carries a lot of messages, that brings connection to many people about wanting to experience something new and wanting to find home. Usnavi a man who live and own a Bodega in Washington Heights want to connect to his root in the Dominican Republic by going back since he hasn 't gone in a long time.
According to Cengage, He wrote music in the style as ragtime, and songs that culture or ethnicity such as Italian (Sweet Marie, Make-a Rag-a Time Dance Wid Me”), German (“Oh How That German Could Love”), Arab (“In My Harem”) and many
Andrew Lloyd Webber has become a household name throughout the entire world. Not only do people flock to see his shows, but the pure fact that people outside of the theatre world know the composer of certain musicals is an accomplishment in itself. He has changed the musical theatre world. Some call him a “Broadway master” because his musical Phantom of the Opera surpassed his own record for the musical Cats to now hold the record for the longest running musical on Broadway as well as London’s West End ( Snelson 1).
These themes explored help to prove the musical as a work of art. One theme that is often found in works of are is the theme of good and evil. However, Don Sewers wrote, “Wicked shows the perils of turning the polarities of human nature--good and evil--into opposites--good or evil.”
Lin-Manuel Miranda Lin-Manuel Miranda revolutionized American culture, but specifically theater, music, and entertainment. Lin-Manuel was born January 16th, 1980 in Manhattan, New York. In the 1980’s, musicals and theater were very popular, but the idea of hip-hop music in them was not even thought about. However, Lin-Manuel Miranda changed that dramatically, and as a result, we have some very great works like Hamilton, and In The Heights that Lin-Manuel Miranda wrote. Some of the reasons Lin-Manuel Miranda revolutionized American Culture are because he was very brave, because he revolutionized the way Americans thought about American history with one of his most famous works Hamilton, and because he brought people closer together by combining
Lin-Manuel Miranda and His Influence on Modern Musical Theatre Many people would consider Tony Award winning composer, lyricist, and actor Lin-Manuel Miranda a genius. With his musicals In the Heights and Hamilton, Miranda has been able to relate to modern audiences. His innovative uses of hip-hop, diverse casts, and commentary about race and immigration in his musicals allow his works to stand out amongst other modern Broadway shows.
The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.
The dialogue and lyrics are straightforward and full of ironic elements, which bring a lot of fun to enjoy. The transition from lines into a song is pretty smooth. For example, when Shrek is “hurt” by what Fiona says and his anger reaches a climax, he naturally starts to sing to express his emotion. In addition, the music, which embraces several styles such as pop, rock and jazz, also add dynamics into the show. So in sum, the writing of the show is well-done.
The musical opens with the song “No-one Mourns the Wicked” which announces the death of the Wicked Witch of the West, and the population’s joy at her
Wicked is a musical with music and lyrics by Stephen Schwartz based on a book by Winnie Holzman. The musical is told from the perspective of the witches of the Land of Oz. Wicked celebrated its tenth anniversary on Broadway on 30 October 2013. It is the 9th longest-Broadway show, surpassing Beauty and the Beast. A typical performance runs for approximately two hours and thirty minutes.
Growing up, Larson had several musical influences that shaped his specific music taste including Kurt Cobain, Liz Phair, Prince, Leonard Bernstein, and Stephen Sondheim. Sondheim became a personal mentor to Jonathan later in his career. In high school Larson began acting and composing. After graduating, he attended Adelphi College on an acting scholarship where he studied under the accomplished Jacques Burdick. It was his time at Adelphi where his interest in playwriting began.
The play A Streetcar Named Desire is one of the most notable plays of the late 1940s to early 1950s and is still prevalent in the theater community today. It originally opened on Broadway in a 1947 at the Ethel Barrymore Theatre, today more commonly known as the Barrymore Theatre, preforming for a little over a thousand patrons. The original Stanley was played by Marlon Brando, who would reprise this role in the movie adaptation. At the Barrymore Theatre, the set was quite complex with a full stairway and banister, a pallor with a 4-chair dinning set and all the dressings of a then modern, but lower-class apartment.