Thesis: In The Great Gatsby, F. Scott Fitzgerald portrays Daisy as the classic American girl, thus Fitzgerald uses social expectations of white women to characterize Daisy as a two dimensional stereotype. In the beginning of the novel, Daisy is introduced as the wife of Tom, together creating the exemplar of American couples; however, these social expectations limit the identity of Daisy as she is served as a complimentary character to Tom. Daisy demonstrates Tom’s power and authority when by diminishing her dignity. She does this when presenting her bruises from Tom in a nonchalant manner: “‘You did it Tom.’ she said accusingly. ‘I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man,”(Fitzgerald 12). Daisy takes the blame for Tom’s …show more content…
She perpetuates the stereotype that women can be bought value the materialistic aspects of life the most. This becomes most evident during her time in Gatsby’s mansion, when he shows her the extent of his wealth: “[Gatsby] took out a pile of shirts and began throwing them, […] Daisy bent her head into the shirts and began to cry stormily. ‘They’re such beautiful shirts,’ she sobbed, her voice muffled in the thick folds. ‘It makes me sad because I’ve never seen such—such beautiful shirts before’”(Fitzgerald 92). Daisy’s emotions are triggered by the pure display of wealth, as one would expect from a character whose sole purpose is to abide by social expectations. These social expectations form Daisy into a pure caricature for what a Woman is, as she sobs as she discovers that she could have more if she had married Gatsby. Her life is completely influenced and controlled by social expectations, denying her of any character traits and presenting her as two-dimensional. Fitzgerald uses Daisy as a travesty of women, in order to present the social expectations of
Nick has several biases which are obvious throughout the novel. His first bias is a general bias in favor of millionaires. Nick discloses that he is comfortable around millionaires: “the consoling proximity of millionaires” (5).This is important because it shows that he is comfortable and wants to be around millionaires’ more than poor people. Since he likes millionaires, more than poor people that causes him to have a bias toward them. With this bias, his description of wealthy characters is obscured which causes Nick to be less critical of them.
On the one hand, she embodies the independence and freedom flappers were known for with her short hair and fashionable clothing. On the other hand, she is limited by the expectations of her social class and gender and is torn between her love for Gatsby and her duty to her husband and social status. Joshua Zeitz notes that "Daisy's face was smeared with tears and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room" (Fitzgerald 87).
She does not care that she kills someone or when someone she admits to loving dies, shows no grief or caring. After Daisy kills Myrtle while driving, she continues to drive and does not seem to regret her decision. Nick describes Daisy and Tom after the accident by saying that “they weren't happy [...] and yet they weren't unhappy” (Fitzgerald 145). Basically, Daisy feels indifferent about the fact she killed her husband’s mistress. Another example of Daisy’s carelessness is when Gatsby, a man she says she loved, dies, and she does not attend his funeral or show any signs of grief.
The era’s “perfect woman”, Daisy Buchanan, is a bubbly, conflicted woman whose choice is between two men: her husband, Tom Buchanan, and her former lover Jay Gatsby. Since Daisy’s character was written in the 1920s, women’s characters were based on the traditional women of the time period, and many women then were still seen as objects and as less desirable than men. When Daisy is invited to Gatsby’s mansion, her first sight of him in many years upon seeing his expensive clothing, she is so overcome with emotion that she begins to weep “with a strained sound” and begins to “cry stormily” showing her true reaction to something as petty as material objects (92). She continues, claiming that
The characters in the novel pretend that they have their lives all figured out, but through their successes their downfalls and emptiness can be seen, to prove that money cannot buy happiness. Jay Gatsby is the newest and upcoming star in New York during the 1920’s. Through his business and inheritance he is one of the richest men of his time. One may think that his abundance of wealth would lead him to be eternally happy, but he is the opposite. Gatsby longs for his love of Daisy, which is his personal American Dream.
In F. Scott Fitzgerald’s novel, “The Great Gatsby,” Daisy Buchanan struggles to free herself from the power of both Tom Buchanan and Jay Gatsby, whom both use their wealth and high standings as a way to dictate power over and impress others. Fitzgerald purposely develops Daisy as selfish and “money hungry” character when she chooses Tom, a rich man, over Gatsby, a poor man (who she was in love with), which establishes her desire for power that she never achieves.
Daisy is the vision that the male protagonist seeks to embrace, he worships and idealizes her. Blinded by his dream, Gatsby is unable to see the true character of Mrs. Buchanan. Tom Buchanan, Daisy’s husband thinks of her as a kind of investment. Knowing Daisy’s appreciation for wealth, he surrounds her with the most expensive clothes and jewelry. At the same time, Daisy, despite being aware of her husband's infidelity,
In The Great Gatsby, F. Scott Fitzgerald uses symbolism, historical context, and imagery to characterize Daisy Buchanan as a stereotypical woman during the 1920s who is driven by her desire to keep her social status and wealth. The only reason Daisy marries Tom is because she wants to keep her social status and wants to be wealthy. “Daisy’s love for her brutal husband can be sublimely dismissed by Gatsby as “merely personal,” so her defects of character and taste cannot affect Gatsby’s attitude toward her” (Bloom 6). Gatsby loves Daisy, but Daisy will not be with him because Gatsby is not wealthy. She gets tired of waiting for him and decides to marry Tom Buchanan, a wealthy man in the same social class as Daisy.
Preconception Prejudice has existed for thousands of years in all the places around the world and will be around for a long time, almost forever. At a young age, children see how the world works and learn from what they watch by many means, from watching the television (media content about a specific group) to learning how to count and to speak. One common means children learn from is at home, how their guardians or older siblings treat each other or follow their footsteps into adulthood. It technically means family and friends who take part in a child’s lives, but also his or her peers who surround the child and teachers who teach mutual respect for each other even though each student is unique. As the saying goes, “The apple doesn’t fall
The Great Gatsby, therefore depicts “the new social and sexual freedom” enjoyed by women through the lives of Daisy Buchanan, Jordan Baker and Myrtle Wilson who are “the focus [of both] romanticism and the moral indignation. They are symbols and are seen as objects which speak to the still unstable role of women in the society” (Fetterley
Fitzgerald depicts the women of the novel as deceitful, sexual beings that are naturally subordinate to men through Daisy, Jordan, and Myrtle. Daisy exemplifies the naturally inferior role of women relying on the wealth of men in their lives to take care of them. When Daisy talks about her daughter she claims, “a fool–that’s the best thing a girl can be in this world, a beautiful little fool”(21) establishing women’s subordinate role in which they are ignorant to the affairs of their husbands and expected to rely on their beauty to carry them through life. When Daisy is accused of infidelity with Gatsby in the hotel, Gatsby claims that Daisy is attracted to men of wealth and, “only married [Tom] because [Gatsby] was poor and she was tired of waiting for [him]”(137).
Have you ever wondered what the stereotypes of women were in the 1920’s? Well, in F. Scott Fitzgerald’s book, The Great Gatsby, there are three different types of stereotypes for women. In this book, a man named Nick Carraway moves near a billionaire who goes by the name Gatsby. Gatsby hosts many parties which include many different types of people, such as gold diggers, golden girls, and the new women. Throughout this book, Nick gets to meet all three types of these girls, and gets to spend time with them.
F. Scott Fitzgerald’s 1925 novel, The Great Gatsby, is full of themes of wealth, love, and tragedy. Also during the time this book was written, women’s suffrage had begun, so women were taking their first steps towards equality with men. The three main women characters in the novel: Daisy Buchanan, Myrtle Wilson, and Jordan Baker, all have things in common but can be vastly different; they reflect the view of women in the early 20th century. The Great Gatsby portrays the characters Daisy, Myrtle, and Jordan as stereotypes of women during the 1920s, seen in their behavior, beliefs, and their ultimate fate.
The Great Gatsby is hailed as a great piece of 1920 's fiction due to its detailing of a new, fast paced America, and the way that America affected the population. These affects manifested as traits in people, and further developed into stereotypes. In the post World War 1 America this novel is set in, industry and technology were becoming readily available to the public, cementing these stereotypes into our population as we quickly moved along at a new pace. In The Great Gatsby, these people, actions, and relationships, are represented by the four main characters: Nick, Daisy, Tom, and Jay. F. Scott Fitzgerald uses these characters to symbolize the stereotypical people of a modern America.
Daisy!’ shouted Mrs. Wilson. ‘ I’ll say it whenever I want to ! Daisy! Dai —‘ Making a short deft movement, Tom Buchanan broke her nose with his open hand.” (Fitzgerald pg 37) Tom keeps Myrtle around for these