John F. Kasson: Amusing The Million
In our modern society of America’s industrialization and exhibit freedom’s in civilization, came a point in time where America’s culture was broad and blatant. The themes, amusements, technology, art, and culture, we have today was from a spark that created a bond of fire for american society. The spark that revolutionized the generations of people and cultural expectations was no other than, Coney Island. In John F. Kasson: Amusing the Million, the author displays the era that created a diversion of new culture and the beginning of a “new urban industrial society.”(Kasson, 72). Kasson states, “Coney Island... represented a cultural accommodation to the developing urban industrial society in a tighter integration of work and leisure
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In the beginning of Coney Island, 1895, genteel culture was the formal culture that many people followed back in the time. Many genteel reformers created the museums, art, galleries, libraries, symphonies, and many other institutions. Genteels believed all activities both in work and leisure should be constructive. The reason genteels were so successful was because of their ability use “influential shapers” to echo their message to a mass audience. “This alliance between “high” and “middle” culture, between members of the cultural elite and commercial tastemakers, made the hegemony of the genteel culture possible.”(Kasson, 3). Although, by the twentieth century middle class genteel began to fall apart. Businesses for mass culture began to see new market opportunities for middle class and lower class in amusement but in a less cultural way. “Afro-American music and dance, violent sports, competitive athletics...began to increase popular acceptance.”(Kasson, 2). The most striking attraction of the new change in american culture was amusement parks. “Their special distinction lay
Thomas W. Hanchett is a historian, who taught urban history and history preservation at Young Town State University and Cornell University. Hanchett is now currently working at the Levine Museum of New South in Charlotte as the staff historian and he is also the author of Sorting Out the New South City. Race, Class, and Urban Development in Charlotte 1875-1975. The book is filled with his remarkable outpouring ideas that talks a lot about Charlotte during 1875-1975. He breaks down the content of the book into eight different tables and fifty-eight figures to help reader to understand his idea with a broader sense.
The Book “Amusing The Million”, written by John F. Kasson describes how the amusement parks in Coney Island changed the attitude towards new cultures in the United States. Kasson talks about the era of famous amusement parks which began in 1895 before the first world war. These amusement parks were an effort to bring together the different cultures seen in the urban cities. Coney Island was a cultural accommodation for all the people who desired adventure and excitement.
To start the switch in styles of Rock and Roll, the Alabama White Citizens Council came out with a pamphlet titled A Manual for Southerners . This literature acknowledged that it is the music industry that has the biggest influence on how kids present themselves from the way they dress to their mannerisms. The white, southerners who wrote this pamphlet were afraid their children would start interacting in interracial manners and wanted to protest this vulgarism by boycotting “Negro records”. (Larson page 53) This did not help in the upcoming battle towards civil rights for African Americans.
In “the Patented Gate and the Mean Hamburger,” Robert Penn Warren’s two main characters, Mr. Jeff York and his wife, portray the stereotype of a Midwestern, MidAmerican, less than affluent farmer and his wife during the 1930’s. However, both Mr. and Mrs. York have characteristics that deviate from their main stereotypes. Standing on the corner, York has a gaunt, cadaverous visage. He has a tired look on his face that, in one way or another, parallels to his washed out, tired, blue jean overalls. One could easily come to understand that he has worked hard his whole life, and despite his appearance, his pale, blue-grey eyes reveal life and love for his wife and children.
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During the years of 1870-1916 the U.S. went through an industrial boom that manifested the country we live in today. At the time, the nation was rebuilding it’s connections back up once again making the south and the north together as one union. In between all of the changes happening nationally, there were major developments in booming cities like inventions including new forms of industrial idealization, transportation, and the uprising of electricity and along with these inventions came users who would take advantage. As for transportation, one of the major effects of industrialization in the U.S. was the creation of the steamboat.
African Americans were able to work for their own money now and gain confidence while living in America. They began to publish newspapers which increased the awareness of racial violence and express their freedom from restraint through art (O’Neill). This “negro fad” in the United States influenced art and drama that focused on the depiction of an African American in the 1920’s. African Americans were revolutionizing the way they were perceived in the U.S.. They gained confidence and made efforts to achieve their ultimate goal,
Many of the allusions used by Annie Dillard in An American Childhood are put into the story to provide a clear cultural picture of Pittsburgh in the 1950’s. By using made of the references that she does, Dillard is able to “paint a picture” of society in the 1950’s, because she is referencing objects, places, or people that are familiar to some today, but mostly those who were alive around the 50’s or later. As well as 50’s culture references, Dillard also uses some classic American references. The first major allusions seen in the book are examples of the latter. Dillard brings up Benjamin Franklin, George Washington, and Thomas Jefferson in the prologue of the book while writing of pre-settled Pennsylvania, about its wildness and vast expanse
Another thing that was a part of American culture was art. Thomas Doughty was one of the leaders that painted at the Hudson River School where they painted the view
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In Chapter 12 of Readings for Sociology, Garth Massey included and piece titled “The Code of the Streets,” written by Elijah Anderson. Anderson describes both a subculture and a counterculture found in inner-city neighborhoods in America. Anderson discusses “decent families,” and “street families,” he differentiates the two in in doing so he describes the so called “Code of the Streets.” This code is an exemplifies, norms, deviance, socialization, and the ideas of subcultures and countercultures.
The purpose of this essay is to provide a thorough yet concise explanation on the ways in which The Harlem Renaissance helped shaped the culture and perceptions of the “New Negro” in modern era of the 1920s and early 1930s. I will analyze the socioeconomic forces that led to the Harlem Renaissance and describe the motivation behind the outburst of Black American creativity, and the ideas that continue to have a lasting impact on American culture. In addition, I will discuss the effects as well as the failures of the movement in its relationship to power and resistance, highlighting key figures and events that are linked to the renaissance movement. During the 1920s and early 1930s New York City’s district of Harlem became the center of a cultural
Throughout this weeks reading on Chapter 4, we focus in on the Progressive Era and the establishment of urban America. The industrial revolution was at its peak and the United States was developing rapidly. Immigration, manufacturing output, and urban development grew faster than any other time in the nation’s history. Not only that, but scientific developments changed lives and revolutionary theories challenged traditional beliefs. As Rury suggests, “ . . .
At the turn of the 19th century, the rates for pregnancy out of wedlock rose dramatically, along with the decline of social and sexual control over the younger generation. Born in 1820, Rogers may have already been another statistic to the rising sexual culture. The women she referred to as mother, may in fact have been her grandmother. New York was the city in which she and her sixty-two-year-old mother ran a boarding house until her death. New York had become a prime example of the dangers of cultural practices that called for change in the mid-1800s.
Situated in the most imaginative part of the most fascinating part of the most critical city on the planet. As one of the world's multicultural epicenters for expressions, society, outline, and business, New York City gives Pratt understudies a remarkable learning environment that expands past the Pratt grounds in Brooklyn and Manhattan. With a 25-section of land grounds in Brooklyn, an imaginative center point amidst a renaissance, and another in Manhattan, Pratt is a living lab of specialty and society. The Institute's grounds in the memorable Clinton Hill neighborhood of Brooklyn is contiguous the rising Brooklyn Tech Triangle, a nexus for development and enterprise.