Alfred Hitchcock is a master of suspense. Suspense and fear is shown throughout his films, especially in Psycho. In Hitchcock's suspense interview, he relays that suspense is not what creates fear. Suspense gives us the whole picture of what’s going to happen in a scene, which gives the audience anticipation and anxiety. Through the death scene of Marion, the audience will see how psychological components create suspense and fear through the non-diegetic sounds, shadow lighting, and back-and-forth camera movement. Non-diegetic is known to further the plot by the narrator. In the case of the shower scene, we get introduced to Marion counting the money she stole. The music in the background is high-pitched and eerie. Although nothing has happened the audience gets a pit in their stomach. It leaves the audience with the question, “what’s about to happen?” This is exactly what the music is supposed to do. It makes the audience overthink and creates suspense and fear. Now moving along to Marion in the shower, all the …show more content…
In this whole scene, the lighting is quite bright. This is to mislead the audience. In the actual shower scene, however, when the door opens, all the audience sees is a dark figure slowly walking toward the camera. It’s a shadowy figure surrounded by light. This portrays the true darkness of this unknown killer. Finally, as the unknown killer opens the shower curtain, all one can see is the outline of a woman’s body. In the prior 30 minutes to this scene, however, the audience is only introduced to one woman, Marion. So who could this person be? Once again this creates more unknowingness and more suspense as to who the killer is. The scene eventually ends with Marion’s dark hand dragging along the damp wall, the camera moving towards the black drain, and the dark stare of Marion’s blank eyes. This puts fear in the audience's mind. Complete
In Edward Scissorhands and Charlie and the Chocolate Factory, they both have the use of non-diegetic sound. Non-diegetic sound is the sound that the viewers can hear but the characters cannot. In Charlie and the Chocolate Factory, during the into of the movie there was upbeat/intense music playing while going through the makings of the chocolate. The music made the scene in the movie stand out to the viewers by getting more intense during the actions that meant something to the later on effect of the movie. If there was only diegetic sound during this scene you would have only been able to hear the machines which wouldn’t have left the same effect on the viewers.
Thirdly, to emphasise on Ms Trunchbull’s evil personality even more, Danny DeVito casts a variety non-diegetic and diegetic sounds. In most scenes she is in there are either eerie, suspenseful or ‘Jaws’ like music. The eerie music casts a spooky effect on the scene which makes her seem horrific. During scenes where she is about to frighten another character, suspenseful music is used as if she is coming to attack like the shark off of ‘Jaws’. These sounds are non – diegetic as the purpose of them are to get a set a tense and haunting mood on the audience per situation.
This distracted the people to concentrate more on the story rather than fear as each bomb strikes the ground. The sound of the bomb slowly dissipated as she told the story. They were scared together, but mollifying
For example, in Edward Scissorhands, when Peg first enters Edward’s mansion and is walking up the stairs, diegetic sound- long, moaning creaks and thumping footsteps are heard. During this scene, Peg repeats the word “Hello” which echoes through the mansion(Edward). The use of this technique creates a suspenseful mood with long creaking and echoed footsteps that create a sense of uncertainty and suspicion. The echoing of hello shows the enormity of the mansion and also makes Peg look isolated and vulnerable, making viewers wonder what will happen to her. Furthermore, in the movie Alice in Wonderland, when Alice first obtains the Vorpal sword from the chest and lifts it up, loud brass music plays in the background(Alice).
Discovered secret passageways are also shaded by green and blue animation and lit by low-key lighting obstructing the villain’s identity from view. The shadows are manipulated to create tension such as when the villain enters through a dark cage and when the mystery gang carried out their final plan during nightfall. These effects provide a sinister and if successful, achieves the plot twist reveal by the end of the film. The aim of the film’s diegesis is to capture the attention and anticipation of the audience until the final reveal. The suspense in mystery films is often further supported by fast paced orchestral eerie music and soundtracks as the detectives are closer to discovery the identity of the villain.
It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a
Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.
Travis and Sophia are scared because their loved one is hurting. The feeling of anticipation is what makes the viewers love these movies. Each person anticipates what is going to happen in each climax that rises in the
There isn't as much soundtrack music compared to other thrillers so the film relied more heavily on the sounds that seem to come from both inside and outside of the shelter. Michelle often uses sounds to convey where she is and deduct whether or not it truly is safe to go outside. The sounds of the film are heightened in order to give to film a more unsettling and tense feeling. Invisible sounds help to create these feelings such as the creaking of the stairs, opening and closing of locks, moaning pipes, and when Michelle believes that she has heard a car above her room. The sounds are used to tell the inner story and convey Michelle’s emotions as she struggles to deal with her current situation.
It's easier for the viewer to feel scared while watching a visual version other than the written version. There is a dark film over the camera during the clip, and it emphasizes the Tre music starts to crescendo as the story progresses and nears its iconic ending. The angles get close-up into the actors' grimace and terrified faces. For the lighting, there is barely any light to show how dark the setting and story is. With these suspense devices being used, it's more effective compared to imagery to get the full grasp of terror and horror that comes from this
It shows this because she is asking this question in anticipation. She is worried because she is seeing things and connecting it with the oddly sounding screams. Putting her in and reflecting the mindset of fear.
This scene completely diminishes the fear and horror suggested by the manipulative title. For instance, you would not expect a horror movie to start out this way, yet this film does exactly that. Moreover, the tone of
This sense of normality shows the difference between reality and the dream. With this sense of normality, many people don’t like to watch these horror movies as it is too scary. However, this shows the sense of normality as it shows the emotions of being scared. On the other hand, the other people show the emotions of
This makes the audience think back to the gruesome crime scenes and brings everything together into this one
In the beginning of the movie they used suspenseful music and imagery to keep the viewer more interested and make the viewer want to know what the “Secret” is and this is part of the logical chain of reasoning known as Pathos. Pathos is