The Holocaust narrative is commentated almost exclusively by its primary victims, largely retelling the stories of firsthand prejudice and persecution. Although varying in context and stylistic choices, one may look no further than Primo Levi’s Survival in Auschwitz (1986) and Ruth Kluger’s Still Alive: A Holocaust Girlhood Remembered (2001) as works that demonstrate the common framework of the Holocaust memoir. However, Art Spiegelman, in his graphic novel, Maus: A Survivor’s Tale (1986) attempts to reform the Holocaust narrative in a radical respect. Principally, Spiegelman transcends the genre by contributing a second hand telling of the Holocaust narrative, employing the use of animal personification. Spiegelman’s illustrative approach …show more content…
By depicting animals through their Western connotations, Spiegelman loses symbolism translation to foreign audiences, who may not share common illustrative implications. For instance, Spiegelman illustrates Americans – largely at the end of the novels – as dogs, indefinitely smiling and welcoming in nature (Maus. II. A Survivor's Tale: My Father Bleeds History, 127.) Although recognizable to the common Western reader, symbolism behind dogs may not translate directly to other cultural interpretations. Rather than acting as a heroic, trusting figure, dogs may have an adverse implication in the context of the Maus narrative. Ultimately, this “non-universality” may lead to skewed interpretations of Spiegelman’s approach towards the actors in the Holocaust. In addition, Spiegelman seemingly applies neutral connotations towards certain groups, leading towards ambiguity of character. For instance, in the opening page of Maus. II. A Survivor's Tale: My Father Bleeds History (11), Spiegelman contemplates which animal will represent the French, between the moose and frog. From the reader’s perspective, Spiegelman has applied a character that is largely indistinct in definite traits, ultimately leaving unclear connotations towards certain characters. From a Western perspective, neither animal holds true any recognizable and significant implication, stripping
Night and Day In the great history of man, there is no event committed as gut-wrenchingly ignoble as the Holocaust. Therefore, conveying the devastation and emotional trauma on a believable and personal level is a sign of fantastic writing, which can be seen in Elie Wiesel’s Night. Moreover, to take this awful situation and put an almost light-hearted twist on it is also increasable, which is seen in the film “Life is Beautiful.” Accordingly, both of these mediums portray main characters that are in concentration camps, but present them in varying ways that create stories that feel completely different.
Maus by Art Spiegelman is a World War II survivor written from a Jewish perspective. The book is however not representing a typical survivor tale, as Spiegelman has decided to tell it in a new, unconventional but revolutionary way; a comic strip. Even though comic strips are said to represent fiction, they can actually successfully transmit real stories and add a new dimension to it. This new dimension is generated by combining text and image. Spiegelman has decided to fully make use of this unique genre by portraying different ethnicities or nationalities in form of anthropomorphic creatures.
In Maus, Art Spiegelman records his personal accounts of trying to delve into his father’s traumatic past. His father, Vladek, is a Jew from Poland who survived persecution during World War II. Art wants to create a graphic novel about what his father went through during the Holocaust, so he reconnects with Vladek in order to do so. Due to the horrifying things that the Jews went through he has trouble opening up completely about all the things that happened to him. But after Art gets together with his father many times, he is finally able to understand the past legacy of the Spiegelman family.
Art Spiegelman offers a very unique point of view in his two narratives, Maus I and Maus II. In these two books, Spiegelman takes us through the life of his father Vladek and his journey during World War II in Europe. Spiegleman also confronts how post-memory has effected him through the years, even when he was growing up. These two books reflect perfectly on a survivors story using symbolism and analogy.
In the graphic novel Maus II, Art Spiegelman reveals what hardships his father had to go through to survive his time during the Holocaust. Elie Wiesel depicted what him and his father went through to withstand the suffering in the concentration camps during the holocaust in his autobiography, Night. The connection between these two works from contrasting genres is the relationships and loyalty to family and friendships shown throughout these accounts. When facing critical situations, remaining loyal to your family and friends is more essential to survival than self-preservation and resourcefulness. Having close relationships with friends and family could benefit you by granting you opportunities to receive support, resources and other components to survival.
In the World War II extermination camp Chelmno there were 150,000 deaths, the camp Belzec had 435,000 deaths, and the notorious Auschwitz-Birkenau camp ruled with over 1,000,000 deaths. In the unbelievable novel Night by Elie Wiesel, the author gives the audience a first person look on his experiences throughout his time at several prisoner of war camps as a Jewish teenager. Through the use of motifs about the night and a person’s eyes, Wiesel writes about the deeper meaning of how he kept his dignity in the face of inhumane cruelty. By analyzing the novel Night by Elie Wiesel, one can interpret the central theme of the story into a deeper meaning from the descriptions of the night and eyes, which is important because it helps younger generations to understand clearly what Holocaust survivors endured.
In the author’s perspective, the theme of extreme suffering and dehumanization is conveyed through the use of animal imagery, symbolism and also through the use of sensory descriptive writing. In the book, ‘Night’, Animal imagery plays an important role in conveying the extreme suffering and dehumanization that was imposed on Elie and his fellow Jews by the Nazis during the Holocaust. “‘There are eighty of you in the car,’ the German officer added.
A living corpse Do you think the holocaust could happen again? Do you think if people aren 't aware of history that it can repeat self? If people aren 't aware of what happened in the holocaust and how horrific it was, then people wouldn 't know what to do if it happened again and people wouldn 't know how to prevent it from happening again. This memoir points out the worst parts of a personal experience of Elie Wiesel, a holocaust survivor.
Perils of Indifference delivers his message effectively, but not to the same degree of his memoir, for it isn’t able to explore these the horrors of the Holocaust, and use the same extent of literary terms because of its length
This book shows how the Holocaust should be taught and not be forgotten, due to it being a prime example of human impureness. Humans learn off trial and error, how the Jewish population was affected, decrease in moral, and the unsettled tension are prime examples of such mistakes. The Jewish population was in jeopardy, therefore other races in the world are at risk of genocide as well and must take this event as a warning of what could happen. In the Auschwitz concentration camp, there was a room filled with shoes.
The powerful story of Ellie Wiesel, documented in the book night, lays bare the Holocaust, one of the worst atrocities ever committed. Over the course of WWII, more than 10 million people died of starvation, sickness, torture, and violence. The book documents this terrible event in striking detail, and is clear evidence of the willingness and ability for people to humiliate, torture, and kill others. The Holocaust was planned out and set in motion by a few powerful men, and carried out by thousands more who willingly took to the abominable task of mass murder.
As part of the fascist conquest to create an ideal race during the World War II, Jewish people struggled to survive by evading their Nazi hunters and persecution. In Art Spielberg’s Maus he depicts his dad’s, Vladek, Holocaust experience through comics as his dad informs him of his WWII experience. In the novel Jewish people are drawn as mice and German’s cats to show how there is a constant conflict of pursuit, near captures, and repeated escapes. Vladek and other Jew are forced to hide, evade, and trick the Nazi soldiers in a similar fashion to the game to survive the persecution of his people.
The Holocaust was a horrible event in history that will scar humanity forever. With the events of the Holocaust being experienced by millions there are many different perspectives of said events. One such perspective is presented in Night, a memoir written by Elie Wiesel about his experiences as a young Jewish boy during the Holocaust. Another perspective is presented in Schindler’s List, a film directed by Steven Spielberg (based on the novel Schindler’s Ark by Thomas Keneally) about Oskar Schindler, a gentile who saves over one thousand Jewish lives during the Holocaust. Both pieces show heart wrenching stories of the abuse of a group of people in different ways, each using different mediums to convey their points.
Maus is a story about the survivor that is Vladek Spiegelman. His son Art Spiegelman includes the interview process and the story of how the Holocaust formed the person that his father became. He went from a passionate, free-spirited young man to an angry, short-tempered man. The war had effects on Vladek that couldn 't be as easily understood unless the book was written and went so into detail about each aspect of his life. The complexity of Vladek Spiegelman is one of the main topics that is spread throughout both of
Maus and Fun Home both use the medium of comics to tell very personal and delicate stories. Art Spiegelman uses Maus to tell the moving and emotional story of his father’s survival of the Holocaust; Alison Bechdel uses Fun Home to tell the story of her father’s death and the exploration of her identity. Although both texts are different in many ways, the both use the comic medium to portray an outsider experience. While Spiegelman uses the medium to construct an animal hierarchy and Bechdel uses the medium to combine multiple moments in her life into one story, both authors use pictorial detail to shed light on the outsider experience they are each trying to portray.