Capote’s purpose in writing In Cold Blood changes as the story progresses. It starts with how someone’s carelessness can ruin an entire family and the whole village can be influenced by it. Earlier in the book, the Clutter family is, except two older sisters, killed by two murderers, Dick and Perry. Later, the motive of the murder is found as it is carelessness from Floyd who was Dick’s cellmate years ago. Floyd used to work at the Clutter’s farm and as he was telling Dick what kind of jobs he had, he told Dick how wealthy the Clutters are. Dick had told Floyd about that plan of robbery and killing all the witnesses in the Clutter’s house but Floyd thought that was just a lie. Yet, it actually happened. That small talk from Floyd eventually caused 4 people’s death. The death ended all the future dreams that were planned with Nancy and her friend, Susan. “Nancy and I planned to go to college together…” (342). Also, due to the death of the safest and the most well respected …show more content…
Floyd, who confessed how played a role in the Clutter family’s death and reported Dick and Perry, was called as a witness in court. Despite the honest confess, the lawyer was fearing him and telling the jurors about his history, being in and out of the jail several times. The lawyer questions Floyd’s credibility and his motivation, wondering if he has underlying reasons to testify. Just like the past and present, the perspective of society viewing criminals is not good.
The final purpose of writing In Cold Blood is hypocrisy of conventionalism. Death penalty is for murderers. The remaining question is ‘It is not fine for someone to murder someone else while the government can kill a person as a punishment?’ Before Perry was executed, he said, “I do not believe in capital punishment, morally or legally” (340). Capote truly wanted to tell the readers how hypocritical the government is on punishing people who are legally
Page 4-5 Destiny & Fate, Effects on dreams Destiny and fate correlates with the theme that dreams will fail and die. Characters do not decide their destiny. However, they do decide their dreams. A character's fate and destiny affects their dreams. Whether their dreams come true or not, has many contributing factors.
In Cold Blood, written by Truman Capote in 1966 tells the story of the murder of a prominent family in 60’s Kansas. Capote traveled to the small town of Holcomb, and befriended many of the townsfolk and the detectives involved in the trial to tell the story of a violent event that shaped this community for the decade until the eventual conviction and execution of the killers. Because of information being told, Capote makes the choice of writing his novel as if it were a news report. This journalistic structure and word choice helps to establish the serious and dark tone of the novel.
Through similar tactics Capote allows the reader to feel sorry for Dewey, even though he is the man who catches the killing pair. Detective Dewey is first introduced in part two of In Cold Blood, where the readers learn that this would not be an easy case and the Dewey would be the head detective, even though he had personal ties with the Clutter family. The reader would automatically feel sorry for Detective Dewey because he was going to do heavy investigating on a murder of a family he knew and there was very little time to mourn the deaths. Detective Dewey spent countless hours trying to chase down every lead that popped up, taking family time away, which wears on all family members. The reader feels sympathy for Dewey as he loses time with his family around the holiday time because he has become so involved in the case.
Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.
Contrastingly, the opposite opinion is revealed through the character Alvin Dewey in the book. Capote writes about Dewey’s beliefs on the case: “[The Clutter family] had experienced prolonged terror, they had suffered. And Dewey
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
Option Three: Bias Truman Capote’s final book In Cold Blood, was an instant hit with readers when it came out in 1966. Capote himself hailed it as a new genre of literature, a nonfiction true crime thriller. However, upon reading the book, it seems as though Capote shifted the truth to make it fit his own personal narrative, and put in his own personal bias toward the criminals, and seeks to have the reader sympathize with the criminals and seeks to challenge their attitudes towards the criminals.
How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.
Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
Dick did not have any second thoughts about the murder. He had firmly wanted to walk-in and kill the Clutter family despite their innocence. Dick viewed the Clutters’ as an opportunity that was going to make him rich. There was not any
In Truman Capote’s In Cold Blood, there is no hero. The protagonist is not a hero, nor the law enforcement. Heroism becomes irrelevant when searching for justice following a tragedy such as the one seen on November 15th, 1959 in Holcomb, Kansas. Complexity, next to justice, is primary to put into account during the aftershocks . Perry Smith is the protagonist in the novel, not only due to author’s bias but also due to his sheer dynamic, a man disconnected from word to action.
No matter how we try to change our situation or better ourselves in society, variables will obstruct the path we choose. One cannot take control of everything that surrounds us as fate decides what happens to us. In Cold Blood by Truman Capote explains the murder of the Clutter family in the quiet town of Holcomb, Kansas. The murderers, Richard (Dick) Hickock and Perry Smith, try to escape the consequences of their actions, believing that they can get away with what they did. The story tells what the murderers were thinking after and before they committed the crime and their various interactions.
Capote demonstrates his purpose through the use of extraordinary syntax. During the introduction of the novel, the sentences are lengthy and structurally complex, in the same manner
Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others