Chapter 15 of The Cultures of American Film focused on Hollywood after World War II, and how the film industry affected the culture around it.
The chapter starts by introducing a film called, The Best Years of Our Lives, directed by William Wyler. The film insists that America will be reborn after the war into a nation of self-sufficient families where love and generosity reign. With this view, the film tries to shift the focus to peace after the war. Later in the chapter, we learn about the censorship that Hollywood introduced during this era. In 1948, the Supreme court ruled that the studios had to divide themselves of their distribution outlets, thereby drastically reducing their income. According to Kolker, this also marked the beginning of the end of the Hollywood Golden Age. We also read about how television was impacting the attendance at the theaters. The film industry increased the size of the screen to compete. We learned about the Anamorphic process, which was the process of squeezing the image onto a 35mm or 65mm strip of film, and the projector would create an image of 2.35:1. We also learned that Panavision
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This fear within the film community brought about the Hollywood 10. Leading up to the Hollywood 10, Motion Picture Alliance for the Preservation of American Ideals pressured studios to weed out communist. The Hollywood 10 were held in contempt of court after being subpoenaed to testify about their possible communist connections. This group of ten was later blacklisted and not employed within Hollywood. Writers like Dalton Trumbo were forced to write under aliases and did not make nearly as much money as they did before. However, Trumbo still won an Academy Award while writing under one of his aliases. The Blacklist was eventually repealed in 1959. The films in this era also addressed the issues of anti-semitism and race relations within the United
In Chapter 9 of the book “Major Problems in California History” the authors use the key term “Hollywood” which is known as the “film colony” where movie stars lived and played. The author uses the term “Hollywood” as life in a movie by stating, “The existence of “Hollywood” as a residential community proved that the kind of life depicted on the silver screen could be found in reality.” Also, the author uses the key term “Hollywood” as a glamorous version of the American Dream by stating, “Ordinary people became acquainted with the movie stars’ opulent lifestyle through stories and photographs in fan magazines. Another way the key term “Hollywood” could be considered is as a resort city also named “Hollywood” located in southeastern Florida.
Many Americans enjoyed the new films because they provided joy and laughter after the recent war. Most of the films during this time were silent with some background music like a piano accompanying them, but it wasn’t until 1923 when the first movie with an actual soundtrack was produced (“1920s films”). Movie ticket sales went from 50 weekly in 1920 to 90 million weekly in 1929 (“digital history”). New movies were coming out and each was more advanced than the last with new movie stars and ideas influencing the fashion and culture of America. The American people became obsessed with movies and attending the theater became a regular weekend thing to do (Hanson).
Ishonn Shockley Mrs. Koeller English III 16 February 2017 The Hollywood Ten was a group of extremely talented directors, scriptwriters, and actors whose lives were ruined by one man. They and hundreds of others had fallen from their positions because of the political gain of the HUAC and Joseph McCarthy. The Hollywood Ten stood up and rebelled against a violation to their rights.
Ewen and Ewen show that US film culture went through a significant shift from the 1910s to the 1920s. In the 1910s, movies and movie houses offered spaces and stories that spoke directly to working-class immigrants, and particularly immigrant women. By the 1920s, movies began telling very different stories to immigrant women. According to Ewen and Ewen, in what ways did movies in the 1910s speak to working class immigrants, and in what ways did movies start to tell different stories in the 1920s? Explain how this shift in movie culture relates to the concept of antiseptic electrical space.
Reagan led Screen Actors Guild from March of 1947 until November of 1952. As the leader of Screen Actors Guild Reagan competed “with voices within the industry; he balanced the interests of corporations with those of individual contributor; and he visited the White House to talk to President Truman about the economic impact of making movies in other countries (Morrell 2014).” Also while he was President of Screen Actors Guild, he “shepherded the industry through cataclysmic changes (Morrell 2014)” Reagan spoke up for the “fair share of bounty in residual payments from the flourishing new television industry (Morrell 2014).” Reagan also served as a spokesman and an ambassador of goodwill for MPIC in the 1950’s (Brownell 2012).
Moreover, Hollywood had a contributing factor in the shift towards democratic beliefs. They used movies to further their
The 20th century has provided us with articles that have proved to show us the communist reign in Hollywood, but from a
Around this time there was dramatic rise in the production of films. Some companies such as Fox went from 4 films a year to over 175 by 1918. Hollywood has had a direct influence on the culture of America and the world at large. They have romanticised events that they probably should not have such as war and gangsters, such genre films were popular in the late 20’s and early 30’s. They have directly affected public opinion for better or worse by creating films which then directly led to the creation of censorship with the Motion Picture Producers and Distributors of America (MPPDA) “Don’ts” and “Be Carefuls.”
Without the decision to move the film making associations to Hollywood, the movie industry might not be where it is today. A great population of people migrated to Los Angeles in search for bigger and better production opportunities. In 1910, a movie director,
BBBBBOOOOOOKKKKK The relationship between film and society continue in the 1930’s. With the start of the great depression came the start of the Breen Office. The Breen Office regulated films in the mid 1930’s and the movie makers decided to embrace the American Values the Breen Office was trying to stand for. Sklar states that this new sense of American Values in film helped to “boost the morale of a confused and anxious people by fostering a spirit of patriotism, unity and commitment to national values,” (3597).
In a different view, the movie industry affected the 1920’s all through the modern times by providing viewers amazing entertainment. All in all, ranging from studios, to movie stars, to the luxurious lifestyles of the stars, Hollywood is one unique place that will never be
There is no doubt that Hollywood has many influences on society especially on young age. The term “Hollywood” refers to the film industry where located to the west and northwest of downtown Los Angeles, California (“Where is Hollywood,” n.d.). Not only in Los Angeles that television shows and movies of Hollywood are popular but also all around the country and worldwide. The audiences of Hollywood’s products are in various age starting from little kids to elders. Hollywood has incredible ability to spread believes, cultures, morals and even political influence on society.
During the 30s and 40s, the North American film industry will develop a system that, thanks to the effective global control of the market, constitutes the origin of the subsequent of the North American cinema. Its potential was based on the vertical integration of the entire process of creating a movie. Developing a system to control the production, the distribution and the exhibition of films. The possession of cinemas was the engine that moved the industry. In this way, they could manage to produce movies, distributed the entire world.
The Hollywood institution has been the dominant force throughout motion picture history due to the studios’ cooperative control of distribution as well as production. During the 1930’s, five major studios that became known as The Big-Five and
Discuss the role of censorship in the construction of classic Hollywood Cinema. Censorship is something we all do to ourselves. Understanding why and how we choose to self regulate our sensory experiences is crucial in understanding representations in classic Hollywood cinema and how it functioned on an economic and psychoanalytical level. Self-regulating began long before the enforcement of the MPPC (Motion Picture Production Code) in 1934 when the Catholic Legion of Decency threatened to boycott cinema. For well over a century, individuals found that by refusing or rejecting certain images or text from social contexts they could benefit others or themselves.